AP 12 End-of-Year Vocabulary Review: Literary Terms (PROSE/DRAMA: CHARACTER, STRUCTURE, NARRATION)

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21 Terms

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archetype

in art, a pattern character, or idea that recurs and conveys a universal symbolic meaning

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caricature

exaggerated depiction of a character or incident, often using distortion of parts or characteristics

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dynamic/round character

a character whose personality changes or evolves (or appears to have the capacity for such change) through a work

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static/flat character

simple character who does not change or evolve/develop during course of a narrative

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stock character

simple literary character who remains undeveloped; one who is a stereotype (i.e., the sidekick)

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foil

character that serves as contrast to highlight opposing traits in another character

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persona

voice or character representing speaker in a literary work; role a character plays

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tragic hero

a hero in a tragedy who makes an error in judgement or has a fatal flaw that combines with fate and/or external orces to bring about his/her downfall

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denoument

the final outcome of a literary work, often including the resolution of main dramatic complication

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montage

composition made by juxtaposing/superimposing images; cascade of images in cinema/literature

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in media res

opening of epic “in middle of things;” a character usually recounts what occurred earlier

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deus ex machina

unexpected, improbable character/device/event that suddenly untangle/resolves a plot problem

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aside

brief moment in a play in which a character speaks “under their breath” only for audience to hear

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colloquialism

a local or regional dialect expression

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monologue

a dramatic soliloquy or long speech

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internal monologue

a type of narration in which the author depicts the interior thoughts of a single individual

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stream-of-consciousness

narrative style like internal monologue, with little order or coherence to convey jumble of thoguths

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soliloquy

in drama, a section in which a character reveals thoughts without addressing a listener, usually poses a dilemma and weighs the pros/cons, declaring a final decision at the end

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omniscient narrator

a third-person narrator who knows all of the characters’ thoughts and motivations, limited omniscient narration indicated the narrator has knowledge of one character or more, but not all

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first, second, or third person narrator

the different forms of narration that indicate drammatically the vantage point of the speaker (1st person- “I”; 2nd person- “you”; 3rd person - “they", “he,” “she”)

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point of view

the attitude or outlook of a narrator or a character in a literary work (not necessarily the narrator)