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archetype
in art, a pattern character, or idea that recurs and conveys a universal symbolic meaning
caricature
exaggerated depiction of a character or incident, often using distortion of parts or characteristics
dynamic/round character
a character whose personality changes or evolves (or appears to have the capacity for such change) through a work
static/flat character
simple character who does not change or evolve/develop during course of a narrative
stock character
simple literary character who remains undeveloped; one who is a stereotype (i.e., the sidekick)
foil
character that serves as contrast to highlight opposing traits in another character
persona
voice or character representing speaker in a literary work; role a character plays
tragic hero
a hero in a tragedy who makes an error in judgement or has a fatal flaw that combines with fate and/or external orces to bring about his/her downfall
denoument
the final outcome of a literary work, often including the resolution of main dramatic complication
montage
composition made by juxtaposing/superimposing images; cascade of images in cinema/literature
in media res
opening of epic “in middle of things;” a character usually recounts what occurred earlier
deus ex machina
unexpected, improbable character/device/event that suddenly untangle/resolves a plot problem
aside
brief moment in a play in which a character speaks “under their breath” only for audience to hear
colloquialism
a local or regional dialect expression
monologue
a dramatic soliloquy or long speech
internal monologue
a type of narration in which the author depicts the interior thoughts of a single individual
stream-of-consciousness
narrative style like internal monologue, with little order or coherence to convey jumble of thoguths
soliloquy
in drama, a section in which a character reveals thoughts without addressing a listener, usually poses a dilemma and weighs the pros/cons, declaring a final decision at the end
omniscient narrator
a third-person narrator who knows all of the characters’ thoughts and motivations, limited omniscient narration indicated the narrator has knowledge of one character or more, but not all
first, second, or third person narrator
the different forms of narration that indicate drammatically the vantage point of the speaker (1st person- “I”; 2nd person- “you”; 3rd person - “they", “he,” “she”)
point of view
the attitude or outlook of a narrator or a character in a literary work (not necessarily the narrator)