Art Section II: Perception and the Art of Walking/A Line Made by Walking

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Last updated 11:14 PM on 7/4/26
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82 Terms

1
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What kind of experience can walking be?

Meditative or transformative

2
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What did Alfred Barron write in his 1875 book Foot Notes, or Walking as a Fine Art?

Let a man take to his legs and soon his brain will begin to grow luminous and sparkle

3
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What are some examples of walking as an act of religious devotion?

Circumambulation of Buddhist stupas or the Ka'ba in Mecca and the pilgrimage roads in northern Spain that led to the Cathedral of Santiago de Compostela

4
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What is the intention behind meditating on the movement of the body through or toward holy spaces?

Creating a psychological state of reverence that allows the walker to contemplate the divine

5
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What effect does the toil of a journey on foot have?

It challenges the body and mind

6
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According to Yi-Fu Tuan, what is the purpose of secular walking?

Achieving mindful and open attentiveness to self and surroundings

7
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What questions does A Line Made by Walking raise?

Questions about human relationships with nature

8
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What does the photograph show?

A whitish line about 30 feet long in a field of scrubby grass and tiny flowers

9
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How was the line created?

By walking back and forth until the walker's feet flattened the grass

10
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Why does the line's outline waver?

Parts of the grass started to spring up again

11
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What was the real piece produced by Richard Long?

The act of walking back and forth and the sculpture that was temporarily produced as a result

12
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What did Caroline Tisdall write about the photo in 1971?

The only trace left once the grass straightens will be the photographic record.

13
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What event was Tisdall responding to?

An exhibition of Long's works at the Whitechapel Gallery

14
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What categories of art is A Line Made by Walking included in?

Land art and conceptual art

15
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What did artists of the Land art movement do?

They physically intervened into the natural environment to change the way visitors see, think about, or experience that space

16
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Why was walking often a necessity of Land art?

Spectators had to move around the site to fully appreciate the artist's modification of it

17
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Who was the creator of Las Vegas Piece (1969)?

Walter De Maria

18
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What exactly was Las Vegas Piece?

A sunken path carved into the Tule Desert in Nevada

19
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What did De Maria forbid?

Photographing Las Vegas Piece from the air

20
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What is the most important thing in conceptual art?

The idea behind the art

21
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What was conceptual art interested in exploring?

Repetitive forms and pre-determined processes

22
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What are scripts?

Pre-determined processes

23
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How did Sol LeWitt describe conceptual art?

All of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea makes the art.

24
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What were conceptual artists pushed to explore due to their dedication to process over result?

Basic, everyday acts

25
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What are some examples of conceptual artworks that focused on walking?

Bruce Nauman's Walking in an Exaggerated Manner Around the Perimeter of a Square (1967-68) and Vito Acconci's Following Piece (1969)

26
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How did Vito Acconci create Following Piece?

He chose random strangers to follow around New York City

27
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What did both Nauman and Acconci do to create their works?

They used a script to stage walking-related actions

28
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How does Richard Long usually refer to himself?

As a sculptor

29
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What do most of Long's pieces have in common?

They are transitory interventions into the landscape that are only made permanent through documentation

30
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Where and when was Richard Long born?

Bristol, England in 1945

31
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What generation is Long a member of?

Britain's baby boom generation

32
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What did Long often do as a child?

Accompany his parents on walking holidays

33
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Where did Long study from 1962 to 1965?

West of England College of Art

34
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Where did Long study sculpture starting in 1966?

St. Martin's School of Art

35
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Who dominated St. Martin's sculpture faculty in the 1960s?

Anthony Caro

36
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What was Caro known for?

Large-scale works exploring equilibrium and balance, using industrial material and bright colors

37
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What kind of teacher was Caro?

Flexible, inspirational, and used experimental instructional methods

38
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How did Caro's students react to his fame?

They pushed back against it by turning away from his example

39
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What artists were part of the generation of the 1960s?

Long, Hamish Fulton, and Bruch McLean

40
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What differences were there between Caro's work and his students' work?

Caro's pieces were permanent, grandiose, and monumental while his students' works were transient, self-deprecating, and intimate

41
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When did Long produce A Line Made by Walking?

1967

42
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What kinds of pieces has Long created since 1967?

Walking-related pieces and installations that bring natural materials into traditional gallery spaces

43
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What award did Long win in 1989?

Turner Prize

44
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What does the Turner Prize reward?

The best exhibition or installation in a British museum or gallery each year

45
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What role did Long play in the Land art movement?

He was an important pioneer

46
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What movement has Land art been tied to?

Environmentalist movement

47
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Who were some of the best known practitioners of Land art?

Robert Smithson, Nancy Holt, Michael Heizer, and Walter De Maria

48
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What did these practitioners lack when approaching their work?

An environmental consciousness

49
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How did Heizer create his pieces?

He bulldozed the land to carve trenches into rock

50
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How did Smithson cause pollution?

He used industrial chemicals in his "pour" works

51
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What is an example of one of Smithson's "pour" works?

Glue Pour (1969)

52
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Where did famous Land art practitioners create their pieces?

The American Southwest

53
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What was land modification in the Southwest historically associated with?

Expansion and Manifest Destiny

54
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How was British Land art different from American Land art?

It had a quieter impact and a more limited scope

55
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How did Dieter Roelstraete compare American and British Land art?

American Land art had an aggressive, macho ethic while British Land art showed humility in the face of nature and the landscape

56
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Besides Long and Fulton, which English artist exemplified the humility of British Land art?

Andy Goldsworthy

57
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What historical context contributes to the Britishness of A Line Made by Walking?

The history of walking

58
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When did walking for pleasure begin in Britain?

Late eighteenth century

59
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Why did walking for pleasure become an activity?

Romantic writers adopted it as a habit that could encourage self-reflection through bodily and sensory experiences

60
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How did the British economy shift?

It shifted away from the land and toward mercantile and industrial economies

61
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What was the effect of this economic shift?

Rural areas became less associated with productive labor and more tied to relaxation

62
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What were rambling clubs?

Large groups of walkers, who were mostly working-class men

63
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What idea did the rambling clubs challenge?

Only the landed gentry belonged in the English countryside

64
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What did rambling clubs push for?

The right to pass through private land

65
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What organizations were formed to advocate for the right to walk through private land?

Open Space Society (1865) and Forest Ramblers' Club (1844)

66
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How did walking change in twentieth-century Britain?

It became connected with youth movements and countercultural attitudes

67
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What did Alfred Wainwright publish?

A series of humorous walking guidebooks

68
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How did Wainwright envision long-distance walking?

As a form of guerilla action

69
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What advice did Wainwright give to ramblers?

He told them to ignore threats from landowners and taught them how to evade detection, cross over barbed-wire fences, and defuse run-ins with farm animals

70
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What was British youth culture in the 1960s and 1970s connected to?

A New Age movement focused on harnessing mystical energies thought to be a deep part of the rural landscape

71
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What text experienced a revival of interest in the 1960s?

The Old Straight Track (1925) by Alfred Watkins

72
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What theory did Watkins discuss in The Old Straight Track?

Ley lines, which were ancient walking paths that Watkins believed connected sites of psychic power

73
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When did Richard Long likely read The Old Straight Track?

After he had completed A Line Made by Walking

74
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What ethos is present in many of Long's works?

The countercultural ethos of New Age mysticism

75
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What kind of sites has Long often walked?

Sites associated with ancient British religious rituals

76
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What are some examples of sites Long visited?

Silbury Hill and pagan sites across England and Scotland

77
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What was Cerne Abbas Walk (1975)?

A six-mile circle around the Cerne Abbas Giant

78
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How old was the Cerne Abbas Giant believed to be in the 1970s?

Around 1800 years old

79
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How was the Cerne Abbas Giant made?

The figure was cut into the turf of a hillside to expose the white chalk beneath

80
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What did Long write as a caption for the Giant?

His eyes watch over a country mile / The giant / Walks on the hill / One step / Forever

81
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How do the previously mentioned walks and artworks relate to histories of walking?

They re-enacted imagined religious and ceremonial processions by the ancient peoples of the British Isles

82
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What important aspect of finding our way does Long engage with?

Mapping