1/50
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced |
---|
No study sessions yet.
communication
social interaction through messages
mass communication
society-wide communication process in which an individual or institution uses technology to send messages to a large, mixed audience, most of whom members are not known to the sender
traditionally: allowed limited amounts of feedback
now: with the rise of interactive comm. networks, opportunities for feedback has increased
what type of comm. is mass communication?
one to many
intrapersonal communication
communication with the self
feedback is constant
what type of comm. is intrapersonal communication?
one to self
interpersonal communication
the intentional or accidental transmission of info. through verbal or nonverbal message systems to another human being
continual when others are around b/c we constantly send out messages
provides many opportunities for feedback
what type of comm. is interpersonal communication?
one to one
group communication
when a network of people are communicating with each other
our roles as senders and receives are constantly changing
are there crossovers in the four levels of communication?
yes, there are frequent crossovers.
media literacy
a set of perspectives that we actively use to expose ourselves to the mass media to process and interpret the meaning of the messages we encounter
what are the levels of media literacy?
high media literacy: great deal of control
low media literacy: can develop exaggerated impressions of societal problems, often unwilling to use their skills leading to them being underdeveloped
what are the 4 dimensions of media literacy?
cognitive
emotional
aesthetic
moral
cognitive dimension
the ability to intellectually process the info. being communicated by the media
includes the skills needed to access the media
emotional dimension
the feelings created by media messages
aesthetic dimension
interpreting media content from an artistic or critical POV, understanding more than the surface dimensions can require extensive learning
moral dimension
examining the values of the medium or the message
mass media
the technological tools used to transmit the messages of mass communication
transmission model
largely one-directional flow of messages from the sender to the receiver
ignores how senders and receivers are constantly changing
sender
the source of messages that go out through mass communication
message
the content being transmitted by the sender and reacted to by the receiver
what must happen with the message before it is transmitted?
it must be encoded
2 steps of encoding
the sender’s ideas must be turned into a message
the message must be prepared for transmission
channel
the medium used to transmit the message
receiver
the audience for the mass communication message
decoding
process of translating a signal from a mass media into a form the receiver can understand
what factor can interfere with message delivery?
noise
semantic noise
receiver doesn’t understand the meaning of the message
mechanical noise
when the channel has trouble transmitting the message
meaning
receiver who ultimately assigns the meaning to the message
transmission model is also known as
sender message channel receiver (SMCR)
ritual model
puts audience members at the center of the equation
looks at how and why receivers consume media messages
publicity model
the fact that a topic is covered by the media can make the topic important, regardless what is said about it
reception model
how receivers derive and create meaning out of media content
where did the media world start?
middle ages Roman Catholic church
gutenberg’s printing press
made it possible for major social changes
7 secrets about the media
the media are essential components of our lives
no mainstream media
everything from the margin moves to the center
nothing is new; everything that has happened will happen again
all media are social
online media are mobile media
there is no “they”
true or false:
group communication involves an unequal number of senders and receivers
true
what level of communication is described as communication between one and another?
interpersonal communication
true or false:
mass communication and mass media are the same thing
false
what was the world’s first major communication network?
the Roman Catholic Church
Which dimension of media literacy describes the value a media message is attempting to send?
emotional
aesthetic
moral
cognitive
moral
What term describes people’s understanding of, role in, and reaction to media?
mass media
mass communication
media literacy
media habits
media literacy
Which communication model draws attention to a specific person, event, action, or intention, which may cause changes to how something is portrayed in the future?
ritual model
reception model
transmission model
publicity model
publicity model
What term describes the technological tools used to transmit the messages of mass communication?
media relations
mass media
ritual
critical theory
mass media
Which dimension of media literacy describes how a person intellectually perceives media messages?
cognitive
aesthetic
moral
emotional
cognitive
true or false:
the SMCR model is also known as the transmission model
true
Jasmine has a face-to-face conversation with Christina. What type of communication does this represent?
interpersonal communication
true or false:
Young people streaming their video game play on Twitch can have substantially larger audiences than programming on major cable television networks.
true
Secret 7 tells us there is no “they.” Who do we perceive “they” to be?
corporations
no one
mass media
a nonspecific other we want to blame
a nonspecific other we want to blame
Brody is disappointed with the cinematography of the program he is watching about the Great Smoky Mountains. Which dimension is he experiencing about the way the mountains are portrayed?
aesthetic
emotional
moral
cognitive
aesthetic
An audience member’s skills at decoding the artistic success of a new novel involve the ______ dimension of media literacy.
aesthetic
moral
emotional
cognitive
aesthetic