Intro to Art - Images Study Guide Final Test 2023

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University of Manitoba

Art History

31 Terms

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-Macchu Picchu

-Unknown builder

-Location; Inca, Peru

-1450 - 1530

-Stonework

-Machu Picchu is an example of refined, enduring stonework

-It was the ruler's summer home and rests 9,000 feet above sea level

-The entire complex was designed with sensitivity to its surrounding landscape

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-Te-Hau-Ki-Puranga (Māori Meeting House)

-Raharuhi Rukupo

-Location; New Zealand

-1842- 1843

-Wood, shell, glass, flax & pigments

-Te-Hau-ki-Turanga is the oldest existing, fully decorated meeting house in New Zealand

-It was a memorial for master carver Raharuhi Rukupo's brother

-The house symbolizes the tribe's founding ancestor, with a ridgepole for a background and enfolding arms; ancestors "support" the house

-Curvilinear patterns, kowhaiwhai, decorate the rafters and lattice panels (tukutuku) made by women fill the spaces between wall planks

-Sculptural figures are rendered frontally and have large heads with open eyes

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-Part of the Meeting House

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-Jahangir & Shah Abbas

-Nadir al-Zaman (Abu’l Hasan)

-Location; India

-Mughal Period, 1618

-Opaque watercolour, gold & ink on paper

-Jahangir, successor to Akbar, established his own workshop for painting

-Portraiture became prolific at this time

-A painting of Jahangir and Shah Abbas was created during a moment of tension between Shah Abbas and the Mughal throne

-Jahangir is depicted as much larger than Shah Abbas, who bows deferentially to the emperor

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-Taj Mahal

-Shah Jahan

-Location; Agra, India

-Mughal Period, 1631 - 1648

-Brick, sandstone, white marble

-Shah Jahan built this mausoleum in honor of his wife, Mumtaz Mahal

-It was the first major architectural undertaking during his reign

-The enclosure is divided into quadrants, which would have had fruit trees and cypresses in Shah Jahan's time

-The garden would have continued on the far bank of the Jamuna River

-The tomb was flanked by a mosque and a hall on either side

-A chattri crowns each minaret

-Although it is basically square, chamfered corners create a subtle octagon

-Surfaces are embellished with subtle relief and a blind arcade motif

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-Shwedagon Stupa (Pagoda)

-Artist Unknown, built under Burmese rulers

-Location; Yangon, Myanmar

-14th - 15th century

-Made of bricks covered with genuine gold plates and the main stupa itself is entirely covered in gold, adorned with a crowning umbrella encrusted with diamonds and other jewels

-The port city of Yangon is the site for this stupa, which enshrines relics of the four past Buddhas

-It underwent continual restoration and enhancement under Burmese rulers

-The bell-shaped spire is capped by an umbrellalike shape

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-Tea Bowl, called Yugure (“Twilight”)

-Chojiro

-Location; Kyoto

-Momoyama Period, late 16th century

-Raku Ware

-Slightly misshapen Korean-style rice bowls became inspiration for potters

-One of the finest surviving early tea bowls is Yugure, attributed to Chojiro, founder of the Raku potter

-The gritty red clay of raku ware was developed specifically for the tea ceremony.

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-Taian Tearoom

-Sen no Rikyu

-Location; Kyoto

-Momoyama Period, 1582

-Wood, bamboo

-The most famous tea master in Japanese history, Sen no Rikyu established the aesthetic of modesty, refinement, and rusticity in tearooms

-The Taian is a tearoom that preserves his design

-Guests must crawl to enter the room and no elements of distraction exist within

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-Pair of Flasks (Negative one)

-Artist Unknown

-Location; China

-Ming Dynasty, 1403 - 1424 (reign of Yongle emperor)

-Porcelain with decoration painted in underglaze cobalt blue

-Imperial kilns in Jingdezhen became the most world-renowned center for porcelain

-Subtle shape, vigorous decoration, and flawless glazing of the flasks on the next slide represent the achievements of Ming ceramic artists

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-Arm Chair

-Artist Unknown

-Location; China

-Ming Dynasty, 16th -17th century

-Huanghuali wood (hardwood)

-This chair is a result of the influence of the Literati Aesthetic

-The armchair shown is constructed without glue or nails and emits a simple, clear, symmetrical, and balanced style

-Landscape gardening flourished, evident in the largest surviving example, Garden of the Cessation of Official Life, which featured strings of pavilions with poetic names

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-Artist’s Rendering of the Kojoin Guesthouse at Onojoji

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-Minaret, Kudus Mosque

-Artist Unknown

-Location; Kudus, Java, Indonesia

-1549

-Red Brickwork

-This is one of the earliest examples of Islamic architecture in Java; while the mosque itself was renovated, the minaret survives from 1549

-Various indigenous and international influences shaped this tower

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-Gateway of India

-George Wittet

-Location; Mumbai, India

-1924

-Yellow Basalt

-Built to welcome King George V, the British constructed this monument in the style of a European triumphal arch and decorated it with South Asian embellishments

-The Gateway was later used as a symbolic ceremonial entrance to India for Viceroys and the new Governors of Bombay

-The Gateway of India has stood at the port of Mumbai for over 90 years

-The arched monument stands 85 ft high on Mumbai Harbor, overlooking the Arabian Sea

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-Hundreds of Birds admiring the Peacocks

-Yin Hong

-Location; China

-Ming Dynasty, late 15th - early 16th century

-Hanging scroll with ink & colour on silk

-An example of Ming court taste is typified in Hundreds of Birds Admiring the Peacocks by Yin Hong

-The subject symbolizes homage of court officials to the imperial state

-A bolder and less constrained landscape style, sometimes called the Zhe, is represented in Returning Home Late from a Spring Outing

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-A view of the world

-Artist Unknown

-Location; Mexico

-1400 - 1519

-Paint on animal hide

-Page from Codex Fejervary-Mayer

-Books took the form of a screen-fold that allowed different pages of the book to be juxtaposed

-A rare manuscript preserved Mesoamerican cosmology

-Each of the 260 dots refers to a day in their calendar, and they were linked to 20 day signs throughout the image

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-Wampum Belt

-Artist Unknown

-Location; The Eastern Woodlands, North America

-1680’s

-Shell beads, fur

-Belts and strings of purple and white shell beads were called wampum

-These were exchanged to keep records and conclude treaties

-Few survive, but the one on the next slide commemorates a treaty of Pennsylvania land being ceded by the Delawares in 1682

-Traditionally called William Penn’s Treaty with The Delaware

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-Feathered Basket

-A Pomo Woman from California

-Location; California, U.S.

-1877

-Willow, bulrush, fern, feather, shells, glass beads

-Three principal basket-making techniques include coiling, twining, and plaiting

-It features a spiral surface with clam shell and feathers woven into it

-Such baskets were treasured and even cremated with their owners at death.

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-Black-on-black storage jar

-Maria Montoya Martinez & Julian Martinez

-Location; New Mexico

-1942

-Ceramic

-The contemporary Pueblo people still make fine ceramics

-Maria Montoya Martinez of the San Ildefonso Pueblo created a unique blackware style noted for its elegant forms and subtle textures

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-Women wearing Net Bags (Bilum)

-Artist Unknown

-Location; Wahgi Valley, Papua New Guinea

-1990

-Fibre

-Bilum are rich metaphorical symbols, even synonyms for womb and bride among women of the Waghi tribe

-They can carry items from vegetables to babies to bones of the deceased

-Contemporary fibers have made their way into the complicated patterns

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-Royal Mortuary Compound

-Nan Madol

-Location; Pohnpei, Micronesia

-1200

-Basalt blocks

-Nan Madol was an administrative and ceremonial center for powerful kings and consists of 92 artificial islands within a network of about 170 acres

-Walls of the Royal Mortuary Compound rise to 25 tall

-Stone logs were split from the cliffs by heating and dousing the stone in alternation

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-Chilkat Blanket

-Chilkat Tlingit Men & Women

-Location; Southeast Alaska, North America

-1850

-Mountain goat wool, yellow cedar bark, linen thread

-Men drew patterns on boards, and women wove them into blankets

-The popular design shown here is the diving whale; precise identifications and meanings have not been established

-Ovoid and formline shapes are characteristic of Northwest painting

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-Bunsei Landscape

-Shubun

-Location; Japan

-Muromachi period, mid 15th century

-Hanging scroll with ink & light colours on paper

-Many Japanese artists adopted monochrome landscape paintings during this period

-No undisputed work survives of the monk-artist Shubun, but two by his pupil Bunsei remain

-Mimicking Chinese models from the Ming period as well as Korean ink landscapes, works convey serenity

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-Dry Rock Garden

-Artist Unknown

-Location; Ryoanji, Kyoto

-Muromachi Period, 1480

-Rocks, gravel

-Dry landscape gardens like the temple at Ryoanji present beautiful stones in asymmetrical arrangements across a flat rectangle of gravel

-They were inspired by Chinese landscape paintings by the sixteenth century and became highly intellectualized by the mid-seventeenth century

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-Otani Oniji in the role of Yakko Edobe

-Toshusai Sharaku

-Location; Edo

-Edo Period, 1794

-Polychrome woodblock print with ink, colours, & white mica on paper

-Toshusai Sharaku produced 146 prints, mostly of famous kabuki actors, within the year of 1794–1795

-Otani Oniji captures a tension-filled moment from an action drama

-Such half-length portraits captured the essence of characters portrayed on stage

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-Kente Cloth

-Rayon

-Location; Asante, Ghana

-1980

-Cloth

-Textile weavers used light, horizontal looms that appeared as rectangles on the finished kente cloth

-Royal men wore a single piece while women wore a skirt and a shawl

-The cloth is reserved for formal, special occasions

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-One of the two doors from the Kings Palace at Ise

-Olowe of Ise

-Location; Yoruba, Nigeria

-1904 - 1910

-Wood & Pigment

-Olowe of Ise was one of the most important Yoruba artists of the early 20th century

-He carved the door for the palace at Ise in an asymmetrical composition

-The relief is so high that the figures’ upper bodies are carved in the round

-It commemorates the arinjale’s reception of the first British travelling commissioner

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-Members of the British Punitive expedition to Benin City

-Artist unknown

-Location; Benin City

-1897

-Photograph

-Seen in the Royal Palace with objects from the Oba’s treasury

-General Jame Phillip’s mission to make more favourable trade agreements with Benin City ended the Oba’s warrior chiefs killing all but two British delegates

-In return, Britain seized over 2,000 objects

-The new Oba commissioned a replacement altar thereafter

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-Blobo Bla (female spirit spouse)

-Artist unknown

-Location; Ivory Coast

-Early-mid 20th century

-Wood and glass beads

-The Baule people of the Ivory Coast believe everyone lived in a spirit world before birth and left behind a spouse

-If a person has difficulty assuming their gender-specific role, a diviner may prescribe commissioning of the Spirit Spouse

-The owner cares for the statue to restore balance in their human life

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-Flag for a New World Power

-El Anatsui

-Location; Ghana

-2004

-Aluminum (bottle caps), and copper wire

-El Anatsui began to study Ghanian surface design traditions as produced by Ewe and Ashanti textile artists

-He created a large body of work inspired by uli, an important Igbo surface design system

-He also appropriated found objects and weaved them into wall sculpture as seen in Flag for a New World Power

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-Dancer from the Marquesas Art & Culture Festival

-Photographed by Lionel Gouverner

-Location; Ua Huka, Marquesas Islands

-2013

-Traditional tattooing (ink)

-Spirals were prominently featured in Maori facial tattoos, and rows of triangles indicated Hawaiian designs

-Each design had a name and meaning

-Special houses were constructed for the tattooing of high-ranking people due to the painful and expensive nature of the art

-It was forbidden in the nineteenth century by French colonists

-A resurgence in the 1970s brought about the full tattooing of Marquesan Teve Tupuhia, who based his designs on drawings made by George Langsdorff dated 1804

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-Inca Masonry

-Location; Machu Picchu, Peru

-1450-1530

-Stonework was created with heavy stone hammers and without mortar

-Faces of each stone might be beveled for a "pillowed" shape or they might be smoothed into a continuous wall of stones

-So refined was this stonework that it has survived earthquakes that destroyed later structures

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