Renaissance Art: The 16th Century in Northern Europe

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11 Terms

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Isenheim Altarpiece: St. Sebastian, the Crucifixion, and St. Anthony Abbott, Matthias Grünewald

1510-1515. Oil on panel. Musée d'Unterlinden, Colmar, France.

Subject: St. Anthony Abbott, the patron saint of skin diseases and plague victims, and St. Sebastian, another plague saint.

Commissioned by two donors of the Isenheim Hospital, it encouraged viewers to have hope.

Wings: Annunciation, Madonna and Child with angels, and the resurrection of Christ

Interior: The temptation of St. Anthony and St. Paul the Hermit

- The interior was only shown on St. Anthony's feast day.

<p>1510-1515. Oil on panel. Musée d'Unterlinden, Colmar, France.</p><p>Subject: St. Anthony Abbott, the patron saint of skin diseases and plague victims, and St. Sebastian, another plague saint.</p><p>Commissioned by two donors of the Isenheim Hospital, it encouraged viewers to have hope.</p><p>Wings: Annunciation, Madonna and Child with angels, and the resurrection of Christ</p><p>Interior: The temptation of St. Anthony and St. Paul the Hermit</p><p>- The interior was only shown on St. Anthony's feast day.</p>
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Garden of Earthly Delights, Hieronymus Bosch

1505-1510. Oil on panel. Museo del Prado, Madrid, Spain.

Subject: Garden of Eden and Hell/Alchemy

Left: Adam and Eve with God in the Garden of Eden.

Center: An Eden of bizarre pleasure, it demonstrates the sins of Adam and Eve's descendants before the great flood. It is an overripe paradise.

Right: The torments of damnation in Hell are the repercussions of the sin demonstrated in the center panel.

Closed wings depict an orb representing Earth and the third day of creation, where light is separated from dark, and land is separated from water.

<p>1505-1510. Oil on panel. Museo del Prado, Madrid, Spain.</p><p>Subject: Garden of Eden and Hell/Alchemy </p><p>Left: Adam and Eve with God in the Garden of Eden.</p><p>Center: An Eden of bizarre pleasure, it demonstrates the sins of Adam and Eve's descendants before the great flood. It is an overripe paradise.</p><p>Right: The torments of damnation in Hell are the repercussions of the sin demonstrated in the center panel.</p><p>Closed wings depict an orb representing Earth and the third day of creation, where light is separated from dark, and land is separated from water.</p>
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Albrecht Dürer

The first northern artist to embody the artist as a creative genius and demonstrate the innovations of Italian art.

The Northern European "Michelangelo".

<p>The first northern artist to embody the artist as a creative genius and demonstrate the innovations of Italian art.</p><p>The Northern European "Michelangelo".</p>
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Self-Portrait, Albrecht Dürer

1500. Oil on panel. Alte Pinakothek, Munich, Germany.

<p>1500. Oil on panel. Alte Pinakothek, Munich, Germany.</p>
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The Fall of Man (Adam and Eve), Albrecht Dürer

1504. Engraving print. Museum of Fine Arts, Boston.

Animal Symbolism: The Medieval Humors.

<p>1504. Engraving print. Museum of Fine Arts, Boston.</p><p>Animal Symbolism: The Medieval Humors.</p>
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The Medieval Humors

Bodily fluids thought to control mood and behavior in the medieval ages and the Renaissance, including black bile, yellow bile, blood, and phlegm.

<p>Bodily fluids thought to control mood and behavior in the medieval ages and the Renaissance, including black bile, yellow bile, blood, and phlegm.</p>
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The Reformation (1517-1648)

The Protestant Reformation began in 1517 with Luther's posting of his 95 theses and ended with various protestant churches.

Effects on art:

- Iconoclasm

- New types of painting

- New iconographies

- Secular art emerges

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Martin Luther

a German Augustinian monk who became one of the most famous critics of the Roman Catholic Church.

Luther criticized:

- Abuses of Catholic clergy (indulgences, simony)

- Use of Latin

- Concept of salvation

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Iconoclasm/Iconoclast "The breaking of images"

The rejection or destruction of religious images as heretical.

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The Complaint of the Persecuted Images, Erhard Schön

1530. Woodcut print. German National Museum, Nürnberg, Germany.

Meaning: The problem with worshipping idols and the destruction of religious art.

<p>1530. Woodcut print. German National Museum, Nürnberg, Germany.</p><p>Meaning: The problem with worshipping idols and the destruction of religious art.</p>
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Four Apostles, Albrecht Dürer

1526. Oil on panel. Alte Pinakothek, Munich, Germany.

Subjects:

Saint John the Evangelist, St. Peter, St. Mark, and St. Paul

Meaning: Word of God > Church Hierarchy

<p>1526. Oil on panel. Alte Pinakothek, Munich, Germany.</p><p>Subjects: </p><p>Saint John the Evangelist, St. Peter, St. Mark, and St. Paul</p><p>Meaning: Word of God &gt; Church Hierarchy</p>