AP Glossary of Literary and Rhetorical Devices

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Vocabulary flashcards covering literary devices, rhetorical terms, sentence structures, and principles of logic/argumentation as defined in the AP Language and Composition glossary.

Last updated 4:18 PM on 6/28/26
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103 Terms

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Active Voice

The style of writing where the subject of the sentence performs the action, considered more direct and often preferred.

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Allusion

An indirect reference to something commonly known, such as a literary text, play, song, or historical event, with which the reader is supposed to be familiar.

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Alter-ego

A character used by the author to speak their own thoughts directly to the audience; for example, Prospero in Shakespeare’s The Tempest.

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Anecdote

A brief recounting of a relevant episode often used to develop a point or inject humor.

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Antecedent

The word, phrase, or clause referred to by a pronoun.

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Classicism

Art or literature characterized by a realistic view of people and the world that sticks to traditional themes and structures.

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Comic relief

A humorous scene inserted into a serious story to lighten the mood, such as the gatekeeper scene in Macbeth.

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Diction

Word choice, particularly as an element of style; it should be described as formal, informal, ornate, or plain rather than simply stated that it is used.

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Colloquial

An ordinary or familiar type of conversation; a colloquialism is a common saying similar to an adage or aphorism.

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Connotation

The associations suggested by a word rather than its literal dictionary definition.

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Denotation

The literal, explicit meaning of a word, without its connotations.

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Jargon

The specific diction used by a group practicing a similar profession or activity, such as lawyers or soccer players.

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Vernacular

The language or dialect of a particular country, regional clan, or group; also refers to plain everyday speech.

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Didactic

A term describing writing intended to teach a specific lesson or moral, or to provide a model of correct behavior or thinking.

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Adage

A folk saying with a lesson, such as "A rolling stone gathers no moss."

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Allegory

A story in which characters, things, and events represent qualities or concepts to reveal an abstraction or truth, like Animal Farm by George Orwell.

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Aphorism

A terse statement that expresses a general truth or moral principle, often as a memorable summation of a point.

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Ellipsis

The deliberate omission of a word or phrase from prose for effect; also refers to the three periods used to show omitted text in a quotation.

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Euphemism

A more agreeable or less offensive substitute for generally unpleasant words or concepts.

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Figurative Language

Writing that is not meant to be taken literally, serving as the opposite of literal language.

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Analogy

A comparison of one pair of variables to a parallel set of variables to argue a shared relationship.

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Hyperbole

Exaggeration used for effect.

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Idiom

A common expression that does not make sense if taken literally, such as "I got chewed out."

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Metaphor

An implied comparison not using words such as ‐like‐ or ‐as‐; an extended metaphor continued later in a work is called a conceit.

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Metonymy

Replacing an actual word or idea with a related word or concept, such as using "tongue" to mean language.

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Synecdoche

A kind of metonymy where a whole is represented by naming one of its parts, such as "500 head" of cattle or "new wheels."

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Simile

A direct comparison between two very different things using words such as ‐like‐ or ‐as‐.

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Synesthesia

A description involving a crossing of the senses, such as a ‐purplish scent‐ or being ‐deafened by brightly-colored clothing.‐

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Personification

Giving human-like qualities to something that is not human.

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Foreshadowing

Hints given by an author about what will occur later in a story.

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Genre

The major category into which a literary work fits, such as prose, poetry, and drama.

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Gothic

Writing characterized by gloom, mystery, fear, death, or medieval architectural styles.

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Imagery

Words that create a picture in the reader's mind, usually involving the five senses.

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Invective

A long, emotionally violent attack using strong, abusive language.

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Irony

When the opposite of what you expect to happen occurs; includes verbal, dramatic, and situational types.

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Juxtaposition

Placing things side by side for the purposes of comparison or social commentary.

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Mood

The atmosphere created by literature through diction, syntax, setting, and tone.

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Motif

A recurring idea in a piece of literature.

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Oxymoron

A grouping of apparently contradictory terms that suggest a paradox, such as "wise fool."

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Pacing

The speed or tempo of an author's writing, which can be altered using devices like syntax or anaphora.

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Paradox

A seemingly contradictory situation which is actually true.

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Parallelism

Sentence construction placing equal grammatical constructions near each other or repeating identical patterns for emphasis.

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Anaphora

The deliberate repetition of a word or phrase at the beginning of two or more sentences or clauses in a row.

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Chiasmus

When words are used twice in succession but the order is reversed the second time; also called antimetabole.

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Antithesis

Two opposite or contrasting words or ideas with parallel structure.

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Zeugma (Syllepsis)

When a single word governs two or more other words, and its meaning must change for each word it governs.

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Parenthetical Idea

An idea set off from the rest of the sentence by parentheses, functioning as an aside or whisper.

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Parody

An exaggerated imitation of a serious work for humorous purposes, often referencing a previous text or event.

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Persona

The fictional mask or narrator that tells a story, distinct from an alter-ego.

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Alliteration

The repetition of the same consonant sound at the beginning of words.

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Assonance

The repetition of identical or similar vowel sounds.

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Consonance

The repetition of the same consonant sound at the end of or within words.

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Onomatopoeia

The use of a word that imitates or suggests the sound it makes, such as ‐boom‐ or ‐murmur.‐

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Slant rhyme

A rhyme where the two words do not rhyme exactly but are merely similar.

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Rhyme Scheme

The pattern of end rhymes in a poem.

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Iambic pentameter

Poetry written in lines of 1010 syllables, alternating stressed and unstressed syllables.

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Sonnet

A 1414 line poem written in iambic pentameter, usually divided into three quatrains and a couplet.

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Polysyndeton

A list of items separated by conjunctions to slow the pace or add an authoritative tone.

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Pun

A word with two or more meanings used in a humorous way.

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Rhetoric

The art of effective communication.

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Aristotle’s Rhetorical Triangle

The relationships in any piece of writing between the writer, the audience, and the subject.

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Rhetorical Question

A question asked for effect rather than to obtain information.

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Romanticism

Literature characterized by an idealistic view of the world and an emphasis on nature, avoiding traditional structures.

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Sarcasm

A bitter, mocking comment characterized by its tone, separating it from mere verbal irony.

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Satire

A work targeting human vices or social conventions to a humorous effect, often with a serious underlying point.

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Appositive

A word or group of words placed beside a noun to supplement its meaning.

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Independent clause

A grammatical unit containing a subject and verb that expresses a complete thought and can stand alone.

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Dependent (subordinate) clause

A grammatical unit that contains a subject and verb but cannot stand alone as a sentence.

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Balanced sentence

A sentence where two parallel elements are set off against each other like equal weights on a scale.

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Cumulative (loose) sentence

A sentence that begins with an independent clause followed by subordinate elements.

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Periodic sentence

A sentence where the main idea is postponed until the end, following subordinate elements.

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Simple sentence

A sentence containing only one independent clause.

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Declarative sentence

A sentence that states an idea without giving a command or asking a question.

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Imperative sentence

A sentence that issues a command.

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Interrogative sentence

Sentences incorporating pronouns like who or what to ask a question.

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Style

The conscious or unconscious choices in diction, tone, and syntax made by a writer.

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Symbol

A concrete object, action, or character that represents something more abstract.

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Syntax

The grammatical arrangement and grouping of words, focusing on sentence length and structure.

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Theme

The central idea or message of a work.

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Thesis

The sentence or sentences that directly express the author's opinion, purpose, or proposition.

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Tone

A writer's attitude toward the subject matter, revealed through diction, figurative language, and organization.

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Understatement

The ironic minimizing of fact by presenting something as less significant than it is.

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Litotes

A form of understatement generated by denying the opposite of the statement that would otherwise be used.

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Argument

A piece of reasoning consisting of one or more premises and a conclusion.

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Ethos (credibility)

A means of persuasion based on the credibility and authority of the author.

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Pathos (emotional)

A means of persuasion that appeals to the reader's emotions.

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Logos (logical)

A means of persuasion using reasoning, true premises, and valid arguments; considered the strongest form.

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Concession

Accepting part or all of an opposing viewpoint to strengthen one's own argument.

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Conditional Statement

An if-then statement consisting of an antecedent and a consequent.

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Contradiction

When two mutually exclusive propositions are asserted, requiring one to be false.

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Counterexample

An example used to oppose and falsify a generalization.

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Deductive argument

An argument where the premises are intended to guarantee the truth of the conclusion.

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Fallacy

An attractive but unreliable piece of reasoning.

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Ad hominem

Latin for "against the man‐; personally attacking opponents instead of their arguments.

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Appeal to authority

The claim that an idea must be right because someone famous supports it.

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Appeal to the bandwagon

Using the popularity of an idea as evidence of its correctness.

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False cause

Assuming that because two things happened in sequence, the first caused the second.

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Hasty generalization

A generalization reached based on too little or unrepresentative data.

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Non Sequitur

An invalid argument where the conclusion does not follow from its premises.

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Slippery slope

The assumption that a situation will continue to its most extreme possible outcome once started.