Music History up to 1750 Final Exam/Harmony
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10 Terms
Stasimon Chorus
Euripides
408 BC
Dochmaic rhythm ssslsl (intense agitation and grief), chromatic, quarter tones
Genus (three different scales, each 4 notes, quarter tones, based on intervals)
Victimae Paschali Laudes
Wipo of Burgundy
Early 11th Century
Monophonic chant
Orientis Partibus
Unknown composer
12th Century
Melody + percussion and drone
Sumer is Icumen in
Unknown composer
1250
Bouncy
A’larme, a’larme
Grimace
1370
3 voice parts
Highly syncopated (Ars Subtilior)
Le Chant de Oiseaux
Clement Janequin
1537
Polyphony, staccato notes, trills
O Magnum Mysterium
Tomas Luis de Victoria
1570
Imitative at beginning and homophonic in middle/end
Solo e pensoso
Luca Marenzio
1590s
Madrigal, 5 part setting (adds a second tenor); single stanza with 7-11 syllables, differing from formes fixes, which was strophic
In dulci jubilo
Michael Praetorius
1619
Much variation on texture
Saul, was verfolgst du mich
Heinrich Schutz
1632
6 solo voices, 2 violins, 2 4 voice choirs, orchestra doubles choral parts