AP Language Terms Davis | Quizlet

0.0(0)
Studied by 0 people
call kaiCall Kai
Locked
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
GameKnowt Play
Card Sorting

1/85

encourage image

There's no tags or description

Looks like no tags are added yet.

Last updated 6:53 PM on 8/9/26
Name
Mastery
Learn
Test
Matching
Spaced
Call with Kai
Chat

No analytics yet

Send a link to your students to track their progress

86 Terms

1
New cards

Latin for "against the man."

Attacking the person instead of the argument proposed by that individual.

An argument directed to the personality, prejudices, previous words and actions of an opponent rather than an appeal to pure reason.

Example: "Rush Limbaugh is a big fat idiot" writes left-wing comedian Al Franken.

ad hominem

2
New cards

A fiction or nonfiction narrative, in which characters, things, and events represent qualities, moral values, or concepts.

Playing out of the narrative is designed to reveal an abstraction or truth.

Characters and other elements may be symbolic of the ideas referred to in the piece.

Example: The Pilgrim's Progress by John Bunyan or Animal Farm by George Orwell.

allegory

3
New cards

A reference, explicit or indirect, to a person, place, or event, or to another literary work or passage.

Generally speaking, the writer assumes the educated reader will recognize the reference.

Often humorous, but not always.

Establishes a connection between writer and reader, or to make a subtle point.

Example: "In gulfs enchanted, where the Siren sings."

allusion

4
New cards

Repetition of a word, phrase or clause at the beginning of two or more sentences in a row.

Deliberate form of repetition to reinforce point or to make it more coherent.

Example: In the Declaration of Independence, Thomas Jefferson places the subject, "He," at the beginning of twenty accusations in a row, each as a single paragraph, to put the weight of responsibility for the problems with King George III, whom Jefferson refers to in the third person.

anaphora

5
New cards

The endowment of something that is not human with human characteristics. Fancier term than personification.

Anthropomorphism

6
New cards

In writing, denotes a writer's intentional drop from the serious and elevated to the trivial and lowly, in order to achieve a comic or satiric effect.

An event (as at the end of a series) that is strikingly less important than what has preceded it.

The transition towards this ending.

anticlimax

7
New cards

A balancing of two opposite or contrasting words, phrases or clauses.

Example: ". . .one seeing more where the other sees less, one seeing black where the other sees white, one seeing big where the other sees small. . . .";

Example: Shakespeare's Macbeth, Act I, Scene I, Line 11: "Fair is foul and foul is fair."

Oxymoron: rhetorical antithesis, juxtaposing two contradictory terms like "wise fool" or "eloquent silent."

antithesis

8
New cards

A brief recounting of a relevant episode.

Used in fiction and nonfiction.

Develops point or injects humor.

Commonly used as an illustration for an abstract point being made.

Example: Mark Twain is famous for his _____ about growing up in Missouri intertwined with humor and an abstract truth about human nature.

anecdote

9
New cards

A terse statement of known authorship that expresses a general truth or moral principle

Aphorism

10
New cards

An interruption in a poem or narrative so that the speaker or writer can address a dead or absent person or particular audience or notion directly. "Oh Time thou must untangle this not " Viola in Twelfth Night

Apostrophe

11
New cards

Meaning: model, example, standard, original, classic.

Elemental patterns of ritual, mythology and folklore that recur in the legends, ceremonies and stories of the most diverse cultures.

In literature, applies to narrative designs, character types, or images which are said to be identifiable in a wide variety of works of literature, as well as myths, and even ritualized modes of social behavior.

Example: Over 300 different versions of the Cinderella tale exist from around the world, and all of them have certain archetypal characteristics: wicked step-mother, mean sisters, handsome prince who rescues the girl. These common characteristics are qualities that strike a strong emotional reaction in all who own the story.

archetype

12
New cards

Sentence where commas are used with no conjunctions to separate a series of words.

Gives equal weight to each part.

Speeds up the flow of the sentence.

Formula: X, Y, Z. As opposed to X, Y, and Z.

asyndeton

13
New cards

Originally meant "cotton stuffing."

Adopted to signify verbose and inflated diction that is disproportionate to the matter it expresses.

Popular with the heroic drama of the late seventeenth and early eighteenth centuries.

Although a century after the height of this style, James Fenimore Cooper's Leatherstocking Sagas (Last of the Mohicans for example) are typical of bombastic speeches.

bombast

14
New cards

A purging of the emotions which takes place at the end of a tragedy.

Catharsis

15
New cards

Arrangement of repeated thoughts in the pattern of X Y Y X.

Usually short and summarizes the main idea.

Example: From Yeats's "An Irish Airman Foresees His Death"; the poet writes:

"The years to come seemed waste of breath,

A waste of breath the years behind."

Chiasmus/Antimetabole

16
New cards

Fiction or nonfiction that teaches a specific lesson or moral or provides a model of correct behavior or thinking.

Designed to expound a branch of theoretical, moral, or practical knowledge, or else to instantiate, in an impressive and persuasive imaginative or fictional form, a moral, religious, or philosophical theme or doctrine.

Example: "On the Nature of Things" by Lucretius; "Essay on Man" by Pope; "Faerie Queene" by Spencer; "The Pilgrim's Progress" by Bunyan.

didactic

17
New cards

Reducing an argument or issue to two polar opposites and ignoring any alternatives.

either-or reasoning

18
New cards

A meditative poem, usually sad and reflective in nature. Sometimes, though not always, it is concerned with the theme of death.

Elegy

19
New cards

The deliberate omission of a word or words that are readily implied by the context; it creates and elegant or daring economy of words.

Ellipsis

20
New cards

A feeling on the part of the reader of sharing the particular experience being described by the character or writer.

Empathy

21
New cards

Appealing to the emotions of the reader in order to excite and involve them in the argument.

Makes use of pathos: the quality in an experience, narrative, literary work, etc., which arouses profound feelings of compassion or sorrow.

Pathos is Greek for "suffering."

emotional appeal

22
New cards

Literally means "a manifestation."

Traditionally, Christianity used the word to signify a manifestation of God's presence in the world.

Irishman James Joyce, in A Portrait of the Artist as a Young Man, first adapted the word to a secular meaning: a sudden radiance and revelation while observing a commonplace object.

Joyce replaced what earlier writers had called "the moment," an instance or moment of revelation.

epiphany

23
New cards

The repetition of the same word or group of words at the ends of successive clauses; it sets up a pronounced rhythm and gains a special emphasis both by repeating the word and by putting the words in the final position.

Epistrophe

24
New cards

A metaphor developed at great length, occurring frequently in or throughout a work.

Extendend Metaphor

25
New cards

A play that aims to entertain the audience through absurd and ridiculous characters and actions.

Farce

26
New cards

Contains language that creates an elevated tone; free of slang, idioms, colloquialisms, and contractions; contains polysyllabic words, sophisticated syntax, and elegant word choice

High/Formal Diction

27
New cards

Gives a Command

Imperative Sentence

28
New cards

To draw a reasonable conclusion from the information presented

Infer (inference)

29
New cards

The language of everyday use; relaxed and conversational; common and simple words, idioms, slang, jargon

Informal/low diction

30
New cards

Asks a question

Interrogative Sentence

31
New cards

An emotionally violent, verbal denunciation or attack using strong, abusive language.

Invective

32
New cards

Variation of the normal word order (subject, verb, complement) which puts the verb or complement at the head of the sentence.

The sentence element appearing first is emphasized more than the subject that is buried in the sentence.

Inversion/ Inverted order of a sentence

33
New cards

A characteristic language of a particular group (as among thieves); "they don't speak our lingo"

Jargon

34
New cards

A poetic and rhetorical device in which normally unassociated ideas, words, or phrases are placed next to one another, often creating an effect of surprise and wit. Ex. "The apparition of these faces in the crowd:/ Petals on a wet, black bough." ("In a Station of the Metro" by Ezra Pound).

Juxtaposition

35
New cards

Noun.

From Greek lítōtēs for "plain" or "simple."

Assertion of an affirmative by negating its contrary. Example: "He's not the brightest man in the world," meaning "he is stupid."

It is a simple form of understatement, often in Anglo-Saxon poetry, like Beowulf, it is a statement of grim irony. Example, in describing the dwelling place of the monster Grendel, Hrothgar states, "That is not a pleasant place."

General example: "He is two bricks shy of a full load," meaning his reasoning powers are not all there.

litotes

36
New cards

Makes complete sense if brought to a close before the actual ending. Ex. "We reached Edmonton that morning after a turbulent flight and some exciting experiences, tired but exhilarated, full of stories to tell our friends and neighbors." The sentence could end before the modifying phrases without losing its coherence.

Loose or Cumulative Sentence

37
New cards

Noun.

From Greek metōnymía for "change of name."

A figure of speech where the term for one thing is applied for another with which it has become closely associated in experience, or where a part represents the whole.

Example: "the crown" is figuratively the king.

Example: the word "petticoat" represents femininity; whereas the word "pants" represents being in control.

Reminder: This is not a synecdoche; the tools are different. For one, a metonymy is used so much that it has become a figure of speech.

metonymy

38
New cards

A fallacy of argument in which claims, reasons or warrants fail to connect logically; one point doesn't follow from another.

Non Sequitur

39
New cards

1 a : something neglected or left undone b : apathy toward or neglect of duty

2 : the act of omitting : the state of being omitted

Omission

40
New cards

Noun.

From Greek: oxi means "sharp, keen, acute, pungent, acid"; moron means "dull, stupid, foolish."

A figure of speech in which two contradictory words are placed side-by-side for effect.

Words are obviously opposed or markedly contradictory terms.

Casually reference: contradiction of terms.

Examples: "civil war," "alone together," "deafening silence," or "jumbo shrimp."

oxymoron

41
New cards

Imitates the serious materials and manner of a particular work, or the characteristic style of a particular author, and applies it to a lowly or grossly discordant subject.

An exaggerated imitation of a serious work for humorous purposes.

Sometimes called "burlesque" and "travesty."

An English essayist of the early twentieth century, Max Beerbohm is known for his parody.

James Thurber of The New Yorker magazine was an American writer also known for parody.

The cartoon series The Simpsons often does a parody of a famous poem or novel.

parody

42
New cards

Noun.

Etymology: Greek.

A quality in an experience, narrative, literary work, etc., which arouses profound feelings of compassion or sorrow.

Pathetic expression or emotion; transient or emotional.

Example: For many audience members, the first time viewing Braveheart in a darkened theatre produced a profound pathos while watching William Wallace scream out "Freedom!" in his last dying moments after suffering a barbaric torture at the hands of the civilized English.

pathos

43
New cards

An adjective that describes words, phrases, or general tone that is overly scholarly, academic, or bookish. The term implies showing off knowledge, not helpful teaching of it.

Pedantic

44
New cards

Sentence that places the main idea or central complete thought at the end of the sentence, after all introductory elements.

Periodic sentence

45
New cards

Sentence that uses and or other conjunctions multiple times with no commas to separate items in a series.

Stresses equally each member of the series.

Slows the flow of the sentence for effect, making items more emphatic than in the asyndeton.

Formula: X and Y and Z.

See asyndeton for variation.

polysyndeton

46
New cards

Latin for "after this, therefore because of this."

When a writer implies that because one thing follows another, the first caused the second.

post hoc, egro propter hoc

47
New cards

Signifies a sudden heightening of rhythm, diction, and figurative language that makes a section of verse or prose—especially a descriptive passage—stand out from its context.

Sometimes applied to a set piece, separable and quotable, in which an author rises to an occasion.

Example: From the 1999 film Cider House Rules, in which Dr. Wilbur Larch (Michael Caine) salutes the boy orphans crowded in the attic bedroom with,"Goodnight, you princes of Maine. You kings of New England"; thereby heightening just how precious these orphaned lads and the struggling orphanage are to the doctor.

Example: Shakespeare's eulogy of England by the dying John of Gaunt in Shakespeare's Richard II (Act II, Scene I, lines 40-43). The dying John says:

This royal throne of kings, this scept'red isle,

This earth of majesty, this seat of Mars,

This other Eden, demi-paradise . . . .

purple patch

48
New cards

When a writer raises an irrelevant issue to draw attention away from the real issue.

red herring

49
New cards

The art of effective communication, especially persuasive discourse.

Focuses on the interrelationship of invention, arrangement, and style in order to create fitting and appropriate discourse.

Might also be used as an adjective to describe the elements of effective communication (rhetorical situation, rhetorical question, rhetorical example, etc.).

rhetoric

50
New cards

A question that requires no answer. It is used to draw attention to a point and is generally stronger than a direct statement. Ex. "If Mr. Ferchoff is always fair, as you have said, why did he refuse to listen to Mrs. Baldwin's arguments?"

Rhetorical Question

51
New cards

Text that reveals a critical attitude toward some element of human behavior by portraying it in an extreme way.

Satire is meant to improve society through humor, not to tear it down through vicious ridicule.

Doesn't simply abuse (as in invective) or get personal (as in sarcasm).

Targets groups or large concepts rather than individuals.

As opposed to sarcasm, which is meant to abuse and ridicule an individual.

Very creative and takes audience knowledge and perception to appreciate.

satire

52
New cards

Argues against a claim that nobody actually holds or is universally considered weak.

Diverts attention away from the real issues.

straw man

53
New cards

Noun.

From the Greek word syllogismos, meaning "inference or conclusion."

A form of argument or reasoning, consisting of two premises and a conclusion.

syllogism

54
New cards

Greek, for "taking together."

A part of something is used to signify the whole.

Or, more rarely, a whole to signify a part.

Examples: Milton in "Lycidas" calls the corrupt clergy of the Church of England "blind mouths," meaning their misguided sermons represent their total corruption.

Example: "Give me your hand," does not mean literally just your hand, but your entire physical help.

Reminder: although this is a subset of metonymy, be sure to be specific.

synecdoche

55
New cards

A sentence shorter than 5 words

Telegraphic sentence

56
New cards

The ironic minimalizing of fact, presents something as less significant than it is

Understatement

57
New cards

A device that joins together two apparently incongruous things by applying a verb or adjective to both which only really applies to one of them

"Kill the boys and the luggage" (Shakespeare's Henry V )s

Zeugma

58
New cards

A reduced form of the formal syllogism in which one piece of the argument is assumed or omitted.

ex. We are playing Meadowcreek this weekend, so we are going to win.

enthymeme

59
New cards

A call for a specific action that invites the listener to join the speaker in a cause.

ex. "We need to join together to end excessive plastic waste."

hortative

60
New cards

A short, general rule for living one's life. Overlapping with the idea of an aphorism, this rule does not necessarily imply wisdom.

ex. "Where there's a whip, there's a way." --animated version of Lord of the Rings.

maxim

61
New cards

imagery dealing with food or drink, appealing to the literal sense of taste.

ex. "The feast is finally upon us: let us taste of every plate, savor each salted morsel, delight in each sweet slice."

gustatory

62
New cards

a rhetorical blunder in which two or more figurative comparisons get blended together in a nonsensical way.

ex. "I have another ax to grind before the final buzzer sounds." (presumably the final buzzer in an ax-grinding contest?)

mixed metaphor

63
New cards

a brief and witty statement, not necessarily didactic. Originally used only to describe short poems, this term now applies more broadly.

ex. "I can resist everything except temptation" --Oscar Wilde

epigram

64
New cards

intentional catering to people who are wary of elitism through cliche, vernacular speech, and common man claims.

ex. "I am no orator, but a plain, blunt man. I have no words nor wit...but only speak right on." --Shakespeare's Julius Caesar

plain folk appeal

65
New cards

a steady increase in the severity of a statement. This can also be called rhetorical climax.

ex. "Morton found the food indifferent; Winston considered it abhorrent; Simon killed the cook."

auxesis

66
New cards

Dealing with only one source per paragraph, or letting the documents control your essay. Your argument must be central--it is not just an explanation of documents.

A common mistake in synthesis

67
New cards

A negative tone that highlights or assumes selfishness in another's motives.

Cynical

68
New cards

An attempt to make something seem rational even though it is clearly fallacious. Ex. I need to watch this movie before I study because I can only study well when I'm relaxed.

Rationalization

69
New cards

Fickle, easily changing opinions or preferences based on whim.

Capricious

70
New cards

"Exhausted and hungry, the journey was finished." Adjectives or phrases in a sentence have no logical reference. In this case, the grammatical subject that has become exhausted is the journey.

Dangling Modifier

71
New cards

A style of writing or speaking that takes an extreme and unapologetic position. Not necessarily as mean-spirited as invective, but it can be.

Polemic

72
New cards

In question 2, all analysis must deal with the writer's purpose. Avoid simply labeling devices or offering irrelevant details.

Explain "Purpose is King"

73
New cards

A fallacy that assumes further results as automatic based on one step. Ex. The four-team college playoff will destroy the bowl system and become just like the NFL.

Legalization of marijuana will lead to legalization of all drugs.

Slippery Slope

74
New cards

Written for the purpose of instruction, especially used with moral guidance. Safety videos shown to children and religious behavior guidelines are examples.

Didactic

75
New cards

Ask not what your country can do for you but what you can do for your country. -Kennedy

Antimetabole example

76
New cards

They carried their ammunition and their sense of responsibility

Zeugma example

77
New cards

My father was a hardworking, middle class shop owner.

Plain Folk Appeal example

78
New cards

Will you please give me strength in my hour of need, O Lord.

Apostrophe example

79
New cards

When we live no more, we shall live forever.

Paradox example

80
New cards

Having so many eyes on me makes me nervous.

Synecdoche example

81
New cards

Overly simplistic. Essentially, this type of reasoning falls under the fallacy of simple cause or post hoc.

Facile

82
New cards

That period of history was not unstudied.

Litotes example

83
New cards

To remove or bring into questions the basis of authority on which a point or speaker relies.

Undermine

84
New cards

A listless sort of sadness. Less severe than despair and often linked with nostalgia.

Melancholy

85
New cards

Celebratory or praising. It shares a root with applause.

Laudatory

86
New cards

A sense of being insulted or offended. This tone is employed by those who are shocked or bothered by an unexpected offense.

Indignation