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basilica
has a nave that is higher than the two side aisles
dome
evenly curved vault
placed above the crossing
fieldstone
rocks taken from the landscape without altercation
masonry: taking the rocks and making them into somethin
ashar masonry
natural stone has been shapen and worked
rustication: bottom tones petrtude while top stones are smooth
brickwork
manmade and can be made hollow so it easier to put together
bonds: how the bricks are arranged
clinker bricks
bricks that have been cooked and look different
plaster
a material that smooths the wall and dries hard
axonometry
3d visual of the building cut in half
floorplan
shows what interacts with the floor
nave
west side
divided into bay (architectural unit of the church)
aisles
space between column and nave
arcade
bottom row of columns and arches
alternation of columns for support and for decoration
gallery
above the arcade, walkable
triforium
similar to gallery: may or may not be a walkway
smaller and more shallow
clerestory
windows which let light in
windows are above the roof of the side aisles
transept
north south
makes church crucifix
crossing
where nave and transept meet
possibly tower or dome
compound pier
supports the weight and vault
columns grouped together
choir
where the choir and clergy reside
slightly elevated
rood loft
between choir and nave
crypt
basement
relics of martyrs were kept
apse
where the alter resides
stained glass
decorations of stories in the bible
lancet windows
thin narrow windows
contain mullions
mullions
thin vertical stone which divides the window
tracery
intricate stone work
little designs such as clovers
trefoil quartefoil cinfoil
possibly tracery desgns
ambulatory
improves circulation
wraps around the chancel
chancel
word for the combo of choir and apse
narthex
church entrance
west work
main entrance of the church
hall church
nave is asa high as the side aisles
aisleless church
church with no aisles
buttresses
carries the weight of the roof vault and ceiling
attached to the wall
flyerbuttress
removes the buttress from the wall
ribbed vaulting
along the top of the ceiling
pier
gives support and holds weight
rose window
west end of the church and north and south
circular with stained glass
sail vault
pendentive
gradual change from square to dome
tambour
inverted corinthian capital
squinch
completes the square before creating the dome
keystone
middle stone which holds the arch together
voussoir
wedge that makes up arch
springer
final stone in the arch
pointed arch
gothic
helps get light and high
stronger than a round arch so it can carry more weight
barrel vault
arches put together
rounded
not very strong and cant be very wide
groin vault
barrel vaults/arches crossing together diagonally
much stronger
rib vault
groin vault with more stone added and pointed which can carry more weight
liern/stellar vault
decoration
webbed meeting
tierceron
stone ribs that reach out from pier for structure
transverse rib
differentiates the vaults
horizontal lines
keystones
stone at the apex of a vault
fan vault
complicated ribs to adorne the vault
pendant vault
keystone that drops down
portal
part of the enterance
tyrpanum
area for art in the portal
jamb
column for supporting the portal
archivolt
arches that make up the portal
trumeau
middle support of the portal
portico
roof like classical piece of architechture
pediment
triangular globe which forms part of the roof
aedicula
structure of a pediment on top of two vertical supports
dormer
doric
simple capital with ribs down the column
tuscan
doric but no indentation down the column
corinthian
decorative greek capital
pillar
doesnt have a capital
columns can only be columns with a capital
colonnade
like a arcade but instead of being made up arches its make up of columns
pilaster
column that is in the wall
colossal order
goes up two floors or more
ionic capital
has little swirls
composite
corinthian but with ionic swirls