Copyright Final Exam Study Guide

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26 Terms

1
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What are the limitations of non-interactive streaming services compared to on-demand streaming?

Non-interactive streaming services offer less control and customization; users can skip tracks within limits but cannot choose specific songs.

2
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Name three examples of non-interactive streaming services.

Pandora, iHeartRadio, TuneIn Radio.

3
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What is the primary purpose of the Mechanical Licensing Collective (MLC)?

To administer mechanical licenses for digital music streaming and downloading services in the United States.

4
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Who should become a member of the MLC?

Songwriters who are administering their own songs.

5
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How do record labels obtain mechanical licenses?

Record labels obtain mechanical licenses from music publishers to legally reproduce and distribute songs.

6
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What are performance royalties?

Royalties paid for the public performance of music, collected by Performance Rights Organizations (PROs) like ASCAP and SESAC.

7
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What is SoundExchange?

A nonprofit organization that collects and distributes digital performance royalties on behalf of recording artists and record labels.

8
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How are artist royalties typically calculated?

Artist royalties are calculated based on a percentage of net revenue generated from sales or streams after deductions for expenses.

9
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What is the role of a music supervisor?

A professional responsible for selecting and licensing music for use in various media, including films and TV shows.

10
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What is a one-stop agreement in sync licensing?

An agreement that consolidates all necessary rights into a single agreement with one rights holder, simplifying the clearance process.

11
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What is the significance of Most Favored Nations (MFN) in sync agreements?

It ensures that a writer receives the same terms as other writers involved in the project.

12
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What are the key components of sync agreements?

Term (duration of use), Territory (geographic streaming area), and Payment (when payment is received).

13
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What is the process for sample clearance?

Identify samples, determine rights holders, contact rights holders, negotiate terms, obtain licenses, make payments, document clearance, and monitor usage.

14
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What does 'pro-rata' mean in the context of sampling?

It means that the sample holder's share reduces the share of all other writers proportionately.

15
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What are the phases of a civil lawsuit for copyright infringement?

Pleading Phase, Discovery Phase, Motions Phase.

16
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What must a plaintiff prove in a copyright infringement case?

The plaintiff must prove ownership of the work and that the defendant copied it, not just had similar ideas.

17
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What is required for a plaintiff to sue for copyright infringement?

Registration with the U.S. Copyright Office is necessary.

18
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What is the statute of limitations for bringing copyright infringement claims?

Three years after the date of infringement.

19
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What elements of a work are protected by copyright?

Only original elements; common elements like chord progressions or lyrical phrases are not protected.

20
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What is the role of musicologists in copyright infringement cases?

They are involved in the discovery phase for fact-finding.

21
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What happens to royalties when a sample is used in a new composition?

The sample holder's share reduces the available copyright share for all other writers on a pro-rata basis.

22
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What are the two sides of registering a song with a PRO?

Writer side registration and Publisher side registration.

23
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What is the basic producer royalty percentage?

3%.

24
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How do songwriters determine their publishing splits?

They negotiate splits based on contributions and document agreements in split sheets.

25
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What is the significance of registering splits with PROs?

It helps manage royalty distribution among songwriters.

26
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What is the difference between interactive and non-interactive streams in terms of royalties?

Interactive streams allow users to choose specific songs, while non-interactive streams do not.