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Introduction
-Stevenson uses it to show everyone contains good and evil within
-It challenges the Victorian belief of outward respectability by revealing the hidden side of human nature
-Stevenson shows duality is dangerous and unescapable when suppressed
Duality is shown through J&H who are physical manifestations of a split personality
-J is ‘well made and smooth faced’
-H is ‘pale and dwarfish’ and gives an impression of deformity though ‘without any nameable malformation’
-The vagueness implies H’s deformities are spiritual not physical and represents the ugliness inside J’s soul showing evil is a reflection of suppressed desire
Stevenson uses J to explore psychological conflict within humans
-J describes man as ‘not truly 1 but truly 2’ and his experiment is an attempt to separate his good and evil self
-This division explores the struggle between moral behavior and sinful desires
-J looks respectable but H does his ‘pleasures’ he can’t publicly admit to
Duality is shown through the setting
-London is shown as a city of contrasts with ‘2 doors’ connected to the same house
-1 elegant and one sinister
-This mirrors J’s double life with a respectable front and a hidden immoral reality at the back
-Stevenson uses the fog, darkness and winding streets to sympathize hidden depths of human nature suggesting beneath the surface of civilization lies something deeper
Conclusion
-Duality of man is presented as an inescapable part of human nature
-Through J’s transformation to H, divided setting of London, Stevenson warns about denying ones darker side can lead to destruction