Davidson Art 1010 Online Final Test Images

The Venus of Willendorf

(Paleolithic, Prehistoric)

Lamassu (Assyrian)

Great Pyramids of Giza and Sphinx

(Egyptian)

Queen Nefertiti

(Armana Period; Egyptian)

The Parthenon, Acropolis, Athens, Greece

By Iktinos and Kallikrates

Nike of Samothrace

(Greek: Hellenistic period)

The Augustus of Primaporta

(Roman)

The Colosseum

(the Flavian Amphitheater), Rome

Justinian and His Attendants

Theodora and Her Attendants

(Byzantine)

Hagia Sophia Constantinople (Istanbul, Turkey)

by Anthemus of Tralles & Isidorus of Miletus

(Byzantine)

Notre Dame

Paris, France

(Gothic)

Lamentation by Giotto

Ghent Altarpiece by Jan Van Eyck

(Northern Renaissance)

Birth of Venus by Sandro Botticelli

(Renaissance)

St. Mark by Donatello

Renaissance

Holy Trinity by Masaccio

(Renaissance)

David by Michelangelo

(Renaissance)

Sistine Chapel ceiling

by Michelangelo

(Renaissance)

School of Athens

by Raphael

(Renaissance)

Plans for New St. Peter's

by Bramante, Michelangelo, Maderno

(Renaissance)

Last Judgment,

Sistine chapel

by Michelangelo

The Entombment

by Caravaggio

(Baroque)

The Ecstasy of St. Theresa

by Bernini

(Baroque)

Raising of the Cross

by Rubens

(Baroque)

Night Watch by Rembrandt

(Baroque)

Girl with Pearl Earring

by Vermeer

(Baroque)

The Swing

by Jean-Honore Fragonard

(Rococo)

Oath of the Horatii

by Jacques-Louis David

(Neoclassicism)

Terra cotta soldiers

depicting armies of Qin Shi Huang

(Chinese)

Easter Island Statue Heads,

Moai

(Eastern Polynesia)

Teotihuacan Pyramids

(Pre-Columbian, Mesoamerica)

Gleaners by Millet

(Realism)

Luncheon on the Grass

by Edouard Manet

(Realism)

Japanese Bridge

by Claude Monet

(Impressionism)

The Scream by Munch

(Expressionism)

The Kiss by Gustav Klimt

Les Demoiselles d'Avignon

by Pablo Picasso

(Cubism)

Still Life Chair Caning

by Picasso

(Cubism)

Guernica

by Pablo Picasso

(Cubism)

The Persistence of Memory

by Salvador Dalí

(Surrealism)

arch

In architecture, a curved structure, usually made of wedge-shaped stones, that serves to span an opening. An arch may be semicircular or rise to a point at the top.

assemblages

art that is made by assembling disparate elements – often everyday objects – scavenged by the artist or bought specially for the project

avant-garde

A French military term for the vanguard or advanced guard, it was appropriated for artistic usage in early 19th-century France to describe art that was at the forefront of artistic development. The concept originated in socialist political theory and its first major artistic exponent was Gustave Courbet in his Realist paintings of the 1850s. Today avant-garde is almost synonymous with modern.

capital

In architecture, the decorative sculpted block surmounting a column. In Classical architecture, the form of the capital is the most distinctive element of the various orders

catacombs

an underground cemetery consisting of a subterranean gallery with recesses for tombs, as constructed by the early Christians

centering

framing used to support an arch or dome while it is under construction

chiaroscuro

An Italian word meaning light and dark that refers to the modulation of light and dark in order to produce an illusion of three-dimensional form.Also called modeling or shading.

Chi-rho monogram

is one of the earliest forms of christogram, formed by superimposing the first two (capital) letters—chi and rho (ΧΡ)

“Classical”

“of the highest standard” usually ascribed to idealism seen in ancient Greek and Roman thought

Conceptual Art

Art created according to the belief that the essence of art resides in a motivating idea, and that any physical realization or recording of this idea is secondary. Conceptual art arose during the 1960s as artists tried to move away from producing objects that could be bought and sold. Conceptual works are often realized physically in materials that have little or no inherent value, such as a series of photographs or texts that document an activity. They are often ephemeral.

contrapposto

The shift of weight of a standing figure onto one leg resulting in an asymmetrical realignment of the entire body. The ancient Greeks invented the position. As a result of contrapposto, this figure looks as though it can move, and it looks much more alive.

Counter

Reformation

Cubism

A movement developed during the early 20th century by Pablo Picasso and Georges Braque. In its most severe “analytical” phase, Cubism abstracted the forms of the visible world into fragments or facets drawn from multiple points of view, then constructed an image from them which had its own internal logic. A severely restricted

cuneiform

the earliest system of writing

Dada

An international art movement that emerged during World War I (1914–18). Believing that society itself had gone mad, Dada refused to make sense or to provide any sort of aesthetic refuge or comfort. Instead, it created “anti-art” that emphasized absurdity, irrationality, chance, whimsy, irony, and childishness. Deliberately shocking or provocative works, actions, and events were aimed at disrupting public complacency.

dome

In architecture, a convex, evenly curved roof; technically, an arch rotated 360 degrees on its vertical axis. Like an arch, a dome may be hemispherical or pointed.

Edict of Milan

A.D. 313

Fauvism

A short-lived but influential art movement in France in the early 20th century that emphasized bold, arbitrary, expressive color

flying buttress

consists of a strut or arch segment running from a freestanding pier to an outer wall

Gothic

Style of art and architecture that flourished in Europe, especially northern Europe, from the mid–12th to the 16th century. Gothic architecture found its finest expression in cathedrals, which are characterized by soaring interiors and large stained glass windows, features made possible by the use of the pointed arch and the flying buttress.

Hellenistic

literally “Greek-like” or “based in Greek culture.” Descriptive of the art produced in Greece and in regions under Greek rule or cultural influence from 323 B.C.E. until the rise of the Roman Empire in the final decades of the 1st century B.C.E. Hellenistic art followed three broad trends: a continuing classicism; a new style characterized by dramatic emotion and turbulence; and a closely observed realism

humanism

celebrated humanity’s spiritual, intellectual, and physical capabilities.

Icons/Iconoclasm

In Byzantine and later Orthodox Christian art, a portrait of a sacred person or an image of a sacred event. Iconoclasm is the destruction of images or icons

keystone

The wedge-shaped, central stone in an arch. Inserted last, the keystone locks the other stones in place.

lamassu

an Assyrian protective deity, often depicted as having a human's head, a body of an ox or a lion, and bird's wings.

Medici family

A powerful Florentine family. Originally merchant bankers, the Medici rose in wealth, power, and prestige until figures such as Cosimo (1389-1464) and Lorenzo de’ Medici (the Magnificent) (1449-1492) assumed control of Florence. The Medici family would eventually produce two popes (Leo X, 1513-1521 and Clement VII, 1523

Minimalism

A broad tendency during the 1960s and 1970s toward simple, primary forms. Minimalist artists often favored industrial materials (sheet metal, bricks, plywood, fluorescent lights), and their sculptures (which they preferred to call objects) tended to be set on the floor or attached to the wall rather than placed on a pedestal.

Neoclassical

Literally “new classicism,” a Western movement in painting, sculpture, and architecture of the late 18th and early 19th centuries that looked to the civilizations of ancient Greece and Rome for inspiration. Neoclassical artists worked in a variety of individual styles, but in general, like any art labeled classical, Neoclassical art emphasized order, clarity, and restraint.

oculus

A circular opening in a wall or at the top of a dome.

pilgrimage

religious journey or expedition, popular in the Romanesque and Gothic era

pointed arch

An arch with a pointed apex

Pop Art

An art style of the 1960s, deriving its imagery from popular, mass-produced culture. Deliberately mundane, Pop art focused on the overfamiliar objects of daily life to give them new meanings as visual emblems.

post-and-lintel

In architecture, a structural system based on two or more uprights (posts) supporting a horizontal crosspiece (lintel or beam).

radiating chapels

Small, semi-circular chapels arranged around the apse of large church.

relics

A holy object that is supposedly from a saint.

reliquaries

A container or receptacle, such as a coffer or shrine, used to keep or display sacred relics.

“Renaissance”

literally means “re-birth”; characterized by a renewed interest in Classical art, architecture, literature, and philosophy. The Renaissance began in Italy and gradually spread to the rest of Europe.

rib vault

A variation on groin vaults, a ribbed barrel vault.

Rococo

A style of art popular in Europe in the first three quarters of the 18th century. Rococo architecture and furnishings emphasized ornate but small

Romanesque

A style of architecture and art dominant in Europe from the 10th to the 12th century. Romanesque architecture, based on ancient Roman precedents, emphasizes the round arch and the barrel vault

Romanticism

A movement in Western art of the late 18th and early 19th century, generally assumed to be in opposition to Neoclassicism. Romantic works are marked by intense colors, turbulent emotions, complex composition, soft outlines, and sometimes heroic or exotic subject matter

stained glass

The technique of creating images or decorations from precisely cut pieces of colored glass held together with strips of lead.

Surrealism

A movement of the early 20th century that emphasized imagery from dreams and fantasies

The Protestant Reformation – 1517

a major 16th century European movement aimed initially at reforming the beliefs and practices of the Roman Catholic Church.

The Salon

an annual exhibition of works of art by living artists, originally held at the Salon d'Apollon: it became, during the 19th century, the focal point of artistic controversy and was identified with academicism and official hostility to progress in art.

ziggurats

In ancient Mesopotamian architecture, a monumental stepped structure symbolically understood as a mountain and serving as a platform for one or more temples.

GOTHIC

Achieved architecture with height and light with use of the pointed arch, ribbed vault, and flying buttress. Created churches for the glory of God and made use of stained glass.

NORTHERN RENAISSANCE

Symbolic layers of meaning, small details, new use of oil paint.

RENAISSANCE

Classical ideals, humanism, triangular compositions, balance, beautiful perfection, linear perspective

BAROQUE

Drama, theatrical lighting, emotion, movement, response to the Counter-Reformation

ROMANTICISM

Emotional appeal, spirit of individuality and freedom of expression, and ‘sublime’ in nature

NEOCLASSICISM

Classicism, symmetry, ideal proportions, rational, tight brushwork

REALISM

Aimed to show the reality of life for the middle and lower class, unidealized subjects, earthy tones

IMPRESSIONISM

Capture fleeing effects of light, motion, and atmosphere, clear, bright colors, choppy/ loose brushwork, middle, influence of Japanese prints

CUBISM

Aimed to break down form into angles and shapes , multiple viewpoints, influenced by the geometry of African art

DADA

Rebellion of conventional methods and materials, conceptual, ready-mades, challenging

SURREALISM

Unseen world of dreams, subconscious thoughts, and quest for true veiled reality

POP ART

Celebrated commonplace objects and people of everyday life, mass media, and popular culture

Ch. 14: Ancient Mediterranean Worlds

Ancient Near East & Egyptian