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Audience, Purpose, Use, Process, Scheduling Concerns, Quantity, Quality
What are the 7 considerations of production planning?
Spek a Job
Process of submitting a specified proposal for printing work a printer uses to price services on
Who are audience is, what the purpose of the project is, and what the piece will be used for
What are 3 things we need to consider as designers?
Trapping
Process where color is set to slightly overlap each other so white gaps won’t appear
Choke
Slightly REDUCING size of image to create hairline trap
Spreads
Slightly OVERLAPPING size of image to create hairline trap
Blueline
Composite proof used for all details except color. Film is exposed to photo sensitive paper at press sheet size
Whiteprint (velox)
Contact proof of each neg on separate paper
Intergral (iris and match point)
Iris is high end ink jet not ideal for color matching and match prints film can be used for color matching
Overlay (color key)
Color key, each color on a separate acetate overlay
Set off
Ink doesn’t dry properly and transfers from top of sheet to back of another
Hickies
Dust, dirt on blanket to prevent ink from printing creating halos
Show through
Printing from one side interferes with the other due to low opacity
Poor trapping
Incorrect trap, too large/small wrong type makes boundary area/overlap very noticable
Poor regeristration
White gaps between colors or blurriness due to screens misregistered
Surprinting
Colors don’t trap but overlap or print directly over each other
Disk Prep Checklist
Name of files, folders, documents, only turn in files/documents needed to open file, images placed 100% of actual size used detailed markup, full size color comp
1000
M refers to
Price break
Printing cost per unit decreases with an increase in quanity
1 million (1,000,000)
MM refers to
Cost Per Unit
Price associated with one idividual printed piece
Quantity
Q stands for
To look for a price break in quantity and get a better deal for your client
Why is it good to quote your client 1,5, 2, and 3 times greater than the projected amount?
False
T/F: The cost per unit in offset lithography remains the same regardless of the quantity printed
True
T/F: Printers allow a 10% over/under tolerance for print runs under 10,000
Dot Grain
A phenomenon of halftone dots printing larger on paper than they are on plates, reducing detail and lowering contrast
Make sure all images are over 300 dpi, and saved as CMYK
When handing over files to a printer it is best to
False
T/F: When sending fonts to a printer it is ok to substitute Adobe Garamond if you are using ITC Garamond in your layout
When checking proofs you should
Sign your name if everything is ok, use permanent red ink, circle areas of concern
True
T/F: Technically, signing a press proof is considered and legally binding contract
True
T/F: Some printing problems such as hickies, poor registration, chalking and set off can be fixes while the job is on press
TIFF
What is the preferred format for placing an image in InDesign
True
T/F: Technically it is a violation of copyright to share or trade fonts
Fonts, images, and native inDesign file
What are 3 things you should include on a disk when handing a file over to a printer?
Folding comp, mark-ups, seperations
In addition to a disk what will you give to a printer when you hand over a job
False
T/F: If you forget to include all the fonts you need for your file, the printer will just use the one he has
True
T/F: Supplying the printer with mark-ups endures that he will fully understand all aspects of the job
True
T/F: All of your special effects will be set up in inDesign as spot colors assigned in the color palette
False
T/F: It is ok to scale, rotate, and/or flip your images in inDesign
True
T/F: Along with mark-ups you should supply the printer with color separated black and white prints. This will endure that all your colors are used correctly and you have not extra color in your file
Convert image to greyscale, apply pantone spot color , save as eps, will know its done correctly because when you place the image in indesign the spot colors will appear in swatches panel
When creating a duotone in photoshop you should: