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Call and Response
From the communal work songs.
(Song: Rosie)
Field Holler
Another work song
long distance, trying to communicate with someone far away. Start high in range and get lower as the song progresses
Work Songs
Songs created to accompany any physical labr
Blue Notes
Usually the third and seventh note of a scale.
They sound “out of tune” but not out of tune.
Using a different system of intonation
Polyrhythms
More than one rhythmic unit that happen simultaneously.
Associated with rural blues style
See it in boogie woogie piano
Blues text form
AAB
line of text
line of text again
closing thought
all 12-bar blues follow this
Slapped bass
Percussive sound of the string from the bass
pulled away to fall back
ticking sound
Memphis country rock
bill Haley and the comets
Walking Bass
plays a new note on every beat
hear it during solos where there are instrumental solos
listen to the bass line
Tonic
built on 1 scale
Dominant
5 scale
subdominant
4 scale
two-beat bass
foiled or walking bass. walking bass is more complicated.
alternates between 2 notes on the first and third beat.
Ostinato
boogie woogie
a stubborn on the left hand
they don’t want to move
where you have this group of notes that is repeating bass line. over and over again.
right hand is improvising over the left hand
downbeat
beats 1 and 3
Backbeat
beats 2 and 4
Turnaround
End of the 12 bar blues when you have a little bit of extra music
indicates that the song is not over yet
when you briefly slip in another dominant before you go all the way back to the beginning of the 12 bar blues to start it again
Race records
Given to this fell out of fashion as the charts started overlap a little bit more
early term for recordings of African American musicians that were targeted to be sold to audiences
large umbrella term for various types of blues.
Slide guitar
A thing (bottle or metals or sleeves) put over the finger to push down the strings to slide it up and down. has a very distinctive sound
came originally from mississpi delta rural blues
country string band
What wouldn’t or would be in there
fiddle, acoustic bass, guitar, mandolin, banjos, lap steel guitar
Not in country string band: Drums, and anything electric
Barrelhouse rhythm
term for juke joint. bear holes that boogie woogie would have been heard in. It comes from the barrel of beer in the establishment.
It is a triple subdivision that you can play all three of them, hear one and three, so it sounds like a slow rhythm
Shouter and smooch tenor
From jump blues
is the one in the risky songs (big ten-inch records)
going to do more lovey Dovey songs.
The jump blue bands had two singers one of each of these.
Carter cratch
A sort of old timey way of playing the guitar
where the thumb on the low strings is plucking the melody
The rest of the chorus is being brushed with your fingers on the higher strings
Standard song form
go to another key and then go back again
the defining feature the bridge leans to parts from the orginal notes in some way
Strophic song form
Same thing happens over and over again
the lyrics change
the decorations change
the films are going to be different
turnaround is going to be different
underlying harmonic structure is going to be the same over and over again
we have two things together that are going to be exactly. verse and chorus- repeats
Riff
one upper projection playing this tiny melodic music that repeat, but it isn’t a ostinato bass line.
it is a little piece of something that repeats. we heard this in chuck berry.
Double stops
highly associated with Chicago style urban blues, and rock roll
hold down two strings at once multiple stops if you hold more than two
Bent notes
highly associated with Chicago style urban blues, and rock roll
push the strings sideways and it bends to a different pitch
let it go and it bends back
Clave rhythm
associated with bo diddley
groups of five beats divided into three and two
Reverb
associated with bo diddley
physical mechanism
two springs inside of the box and the soundwaves travel up and down the springs are what makes that sound of the reverb
Double tracking
This is the idea of laying a track down and making another recording and line it up together
explore by eddy Cockram- or something
Also, what buddy Holley used to make a reverb effect.
Wall of sound
large ensembles, heavy layering, and echo to create a dense, immersive, orchestral-like sound
W.C Handy
Father of the blues
important composer of blues
credited with codifying 12-bar blues as a form
rural blues
Jackie Brenston
And his delta cats
His first song about a car
uses distortion on electric guitar
Recorded at sun studios
rhythm and blues
frequently cited as a contender for the first rock and roll song
88 rockets
Scotty Moore
session with elvis presley
played on the guitar
Sam Philips
Sun studio
Memphis country rock
the success was helped by Elvis
slapback ech effect
Norman Petty
that’ll be the day was recorded this studio in clovis, NM
petty was a “shrewd” businessman
Willie Mae Thorton
Gospel background, self taught drummer, strongly influenced by Bessie smith
Hound dog
imitations of dog howls and barks
rhythm & Blues
Cosimo Matassa
studio heyday
use of room acoustics for live sound
no overdubbing effects
strong drums, vocal lead, heavy guitar, bass piano, and light horns
J&M Recording studio
new orleans
Bill Black
bass player for elvis presley
Phil & Leonard Chess
owned chess records and its subsidiart label checker
Phil Spector
session player for leiber and stoller
composing and arranging and producing recorders for leiber and stoller
producing girl groups
vocal groups
created wall of sound
he is evil
Alan Freed
radio DJ in cleaveland
Moondhog house
payolla
begginning of rock n roll
Dave Bartholomew
composer, arranger, producer, trumpet, vocals
became the house band at J&M studio
New orleans rock and roll
Colonel Tom Parker
took over as elvis manager
oversaw buyout by RCA from Sun
Contract specified that presley must be named as a co-composer of every song he recorded
Bob Wills
light crust doughboys
his texas playboys
moved home base to oklahoma
added horns, drumes, steel guitar, and piano
decline in populatiy post-WWII
western swing
Jerry Leiber & Mike Stoller
worked with phil spector
song writing duo