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For Praxis 5641
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Parcan
Intense beam, great for effects.
ERS (Ellipsoidal Reflector Spotlight)
Precise spotlight.
Scoop
Floodlight with soft-edged circular beam.
Pin spot
Focuses a tight beam on a specific spot.
Beamlight
High-intensity parallel beam.
Birdie
Low-voltage light for uplighting/concealed set lighting.
Bifocal spot
Two shutter sets for hard and soft edges.
Moon box
Creates the effect of a rising moon.
Aero
Originally an aircraft light, very tight, intense beam.
CID / CSI
High-intensity lamps simulating daylight.
Pearl
Frosted lamp for diffused, soft lighting.
Yo-yo
Device to remotely adjust gobos.
A1 Code
is the code used by the Lighting Industry Forum to identify the recommend usage of various lamps. Recommended for projection
Advance Bar
a lighting bar that is set up downstage of the proscenium arch
Animation disc
metal disc with slots that can be rotated in front of a lantern to give the effect of movement in the light.
Baffle
material that is used to prevent light from spilling over from one area into another. It may also refer to a panel used in an auditorium to reduce the reflection of sound
Ballyhoo
the lighting effect produced when swinging a spot beam in a figure eight pattern
Bleed through
the unwanted projection of light from one area to another, often occurring in lighting design.
Bleeding
when dimmers are not trimmed correctly, allowing the lantern to glow even when the dimmer control is at a minimum.
Blinders
lamps that are set up around a stage facing the audience to prevent them from seeing backstage
Blues
used backstage as working lights; usually remain on even when blackouts occur to help actors and technicians see what they are doing.
Breakup
abstract Gobo* that is used to provide a textured light with no distinctive pattern.
Chase
repetitious sequence in which the lighting state is changed
CID
compact iodide daylight: a light with a high-intensity lamp that simulates the look of daylight.
Cleaners
lights that are turned on in order to clean and set up a theatre venue.
CMY
refers to the colors cyan, yellow and magenta, which are used to mix colors in moving lights.
CSI
compact source iodide: light used in followspots.
DLC
digital light curtain: a remote-controlled batten with color changers.
Donut
refers to a metal plate with a center hole that can be inserted into lanterns to sharpen focus.
Douser
metal flag that can be moved to block a beam of light in order to eliminate the need to cut off electricity.
Effects projector
a lantern that can project images such as clouds or rain
ERS
ellipsoidal reflector spotlight
Flagging
waving one's hand in and out of a beam of light in order to determine where it is focused on stage.
Focus chart
the record created by the lighting designer that reveals the exact focus of each lantern in a rig.
Hot spot
the brightest part of a light beam; certain lanterns have controls to eliminate hot spots.
Iris
the aperture device placed in a profile lantern to change the size of the light beam; common in followspots
Kicker lights
refers to lights that flank actors; can be used to enhance the three-dimensional look of things on stage.
Lamp tray
part of a lantern upon which the lamp holder is set; can be hinged, removable or fixed.
Lux
the level of illumination appearing on a surface
Neutral density filter
light filter that can be used to decrease the intensity of light without altering its color
Overlay
the wider spot when there are two followspots on the same performer.
Parcan
lantern that can produce an intense beam of light; ideal for special effects
Pearl
lamp with a frosted finish that serves to diffuse light; used when soft light is needed.
Perches
lighting platforms located on sides of a stage behind the proscenium
Pin spot
luminaire used to focus a small tight beam of light onto a specific spot.
Silk
light filter used to stretch light in a particular direction.
Wash
a lighting cover that blankets the whole stage in a certain type or color of light
Throw
refers to the distance between a light source and the person or item being lit