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What: Bracero Program
was a U.S.-Mexico agreement bringing millions of temporary Mexican laborers. offering short-term contracts but often failing to provide promised wages, housing, and protections, leading to exploitation, strikes, and significant, lasting impacts on Mexican-American communities and immigration patterns.
Who: Bracero Program
Mostly male labor from Mexico
When: Bracero Program
1942-1964
ended in 1947 but was renewed same year
Where: Bracero Program
primarily took place in the United States, with the largest numbers of workers going to California and Texas
Why: Bracero Program
when a shortage of agricultural labor results in a guest worker program to fill the labor needs of fields during and after WWII
What: The Origins of the United Farm workers
AWOC (Agricultural Workers ORganizing Committee) organized successful wildcat strikes in the Coachella Valley
Made mostly of Filipino farmworkers, they initially found it difficult to organize effective strikes because of the surplus of Mexican “Scab” labor
Who: The Origins of the United Farm workers
Philip Vera Cruz and Larry Itliong, Pete Velasco, and others organized the 1965 Grape Strike along with Cesar Chavez and Dolores Huerta, forming the UFW
When: The Origins of the United Farm workers
tarted in 1962 as the National Farm Workers Association (NFWA) by Chavez and Huerta, merging with Larry Itliong's Filipino-led Agricultural Workers Organizing Committee (AWOC) in 1966 to form the UFW.
Where: The Origins of the United Farm workers
movement originated and centered in California's Central Valley, especially Delano
Why: The Origins of the United Farm workers
because migrant farmworkers faced brutal exploitation: low wages, pesticide exposure, no rights, poor housing, and child labor, with organizers brutally suppressed
What: El Plan de Delano
a foundational declaration for the United Farm Workers (UFW) movement, modeled after Mexico's Plan de Ayala, calling for farmworkers' liberation, fair wages, dignity, and justice, using non-violence, boycotts, and strikes to achieve social and economic rights against oppressive growers.
Who: El Plan de Delano
penned by Cesar Chavez, Dolores Huerta, and Luis Valdez
When: El Plan de Delano
during the 1965 Delano grape strike,
Where: El Plan de Delano
Delano, CA
Why: El Plan de Delano
for the rights of farm workers
What: Crusade for Justice
A grassroots civil rights and cultural center for Mexican Americans (Chicanos).
Promoted Chicano identity, pride, and self-determination.
helped organize the first Mexican American based third party organization, LA RAZA UNIDA party
Who: Crusade for Justice
Mexican-American activist, poet, and boxer Rodolfo "Corky" Gonzales
When: Crusade for Justice
founded in 1966
Where: Crusade for Justice
Denver, CO
Why: Crusade for Justice
Fought against racism, police brutality, and discrimination in education.
Rodolfo “Corky” Gonzales
Leader of Crusade for Justice, wrote poem “I am Joaquin”, became symbol of Chicano identity
What: Denver Chicano National Youth Liberation Conference 1969
a cultural festival to reaffirm a connection to the Southwest and Mexico
Who: Denver Chicano National Youth Liberation Conference 1969
over 1,000 attended, Chicanos from all walks of life attended the conference, including ex-pintos, students, workers, artists, musicians, farmworkers
When: Denver Chicano National Youth Liberation Conference 1969
1969
Where: Denver Chicano National Youth Liberation Conference 1969
Denver
Why: Denver Chicano National Youth Liberation Conference 1969
Political discussions on how to organize regionally
Provided the cohesion to a forming Chicano identity
Created a plan for a Chicano movement based on cultural affirmation and political self-determination
The Plan Espiritual de Aztlan charts the movement
What: El Plan Espiritual de Aztlan
The manifesto describing the origins of a Chicano identity and the future political project of Chicanismo, a growing political ethos
Aztlan, a nahuatl word for the place of cranes, was identified as the original homeland of Mexicanos. Chicanos were only re-claiming their right to be on their ancestral land
Who: El Plan Espiritual de Aztlan
Alurista, the poet laureate for Chicanos, wrote the preamble of the Plan with the intent of grounding a Chicano identity to a pre-columbian past
Also made by corky
When: El Plan Espiritual de Aztlan
1969
Where: El Plan Espiritual de Aztlan
Denver
Why: El Plan Espiritual de Aztlan
to inspire Mexican American self-determination, cultural pride, and political power by uniting Chicanos around their indigenous heritage (Aztlán) to achieve social, economic, and political liberation from oppression, demanding control over their communities, education, and destiny
What: Aztlan
The birthplace of Mexica peoples
Who: Aztlan
The Mexica came from the caves of Chicomoztoc
Where: Aztlan
Said to have been in what is now the US Southwest
Why: Aztlan
Introduced by Chicana/o artists and pets as a place where Chicanos could ground themselves
What: Hijas de Cuahtemoc
A chicana feminist newspaper
Who: Hijas de Cuahtemoc
founded by Anna Nieto-Gómez and Adelaida Castillo at CSU Long Beach
When: Hijas de Cuahtemoc
1971
Where: Hijas de Cuahtemoc
CSU Long Beach
Why: Hijas de Cuahtemoc
Addressed Chicana-specific issues ignored by the male-dominated Chicano Movement and mainstream feminism, focusing on economic justice, community empowerment, domestic violence, employment, and the sexual double standard.
What: The approaches to Chicana movidas
movidas are submerged, strategic, often undercover political maneuvers—small-scale acts of resistance carried out in “backrooms and bedrooms, hallways and kitchens,” rather than the public stage of major movement actions. They are acts that work “within, around, and between” formal movement structures, challenging power from the margins.
Who: The approaches to Chicana movidas
Chicana activists of the 1960s–1970s—women navigating intersecting conditions of race, gender, class, and sexuality—developed these political and cultural “technologies” as part of their praxis
Key figures: Gloria Anzaldua and Chela Sandoval
When: The approaches to Chicana movidas
primarily during the 1960s–1970s Chicano Movement era
Where: The approaches to Chicana movidas
Movidas occur in informal domestic and semi-private spaces—kitchens, hallways, living rooms—as well as within the margins of larger Chicano movement organizations (church groups, student groups, welfare rights groups, coalitions)
Why: The approaches to Chicana movidas
challenge their exclusion and invisibility in male-dominated movements
name forms of oppression “ignored, subordinated, or not perceived”
carve out new spaces and counterpublics for Chicana feminist thought
create cross-racial, cross-movement coalitions
build a feminist praxis rooted in everyday life
What: Brown Berets
Chicano youth activist organization known for militant stances against police brutality, community service projects, and the symbolic use of the brown beret as a marker of Chicano power. They blended cultural and revolutionary nationalism and were often compared to the Black Panthers and Young Lords
Who: Brown Berets
Primarily working-class and poor Chicano youth, ages 14–24.
When: Brown Berets
Origins: 1967, evolving from the Young Citizens to Young Chicanos for Community Action (YCCA).
Name “Brown Berets” widely adopted late December 1967–January 1968.
Period of major mobilization: 1968–1970 (walkouts, anti-war marches, free clinic work, La Causa newspaper)
Where: Brown Berets
Founded in East Los Angeles, with chapters later spreading across the Southwest, Pacific Northwest, Midwest, and even unexpected places like Kansas City and Minnesota
Key early spaces included:
the Piranya Coffeehouse (early organizing space), East L.A.
various Brown Beret headquarters (moved due to eviction and a bombing)
Why: Brown Berets
to combat:
police brutality
racism and discrimination against Mexican Americans
social and economic inequality
lack of youth political representation
What: Chicanas within the Brown Berets
Chicanas played essential yet often marginalized roles within the Brown Berets—performing political, editorial, organizational, and community labor while confronting internal sexism. They produced art, edited newspapers, organized marches, staffed the Free Clinic, and articulated early forms of Chicana feminist consciousness.
Who: Chicanas within the Brown Berets
Gloria Arellanes (one of the most active and central leaders, though publicly erased)
Andrea Sanchez, Yolanda Solis, and numerous high school and working-class young women
“Gang girls” like Cha Cha and Cookie, who were drop-in affiliates
When: Chicanas within the Brown Berets
Initial significant influx of women: late 1967–1968
Heavy involvement in La Causa: 1968–1969
Height of contribution and rising feminist consciousness: 1969 (articles like “Palabras para la Chicana” and “Chicanas de Aztlán”)
Departure and founding of Las Adelitas de Aztlán: 1970, shortly before and after the August 29 National Chicano Moratorium march
Where: Chicanas within the Brown Berets
Their work occurred in:
Brown Beret headquarters (multiple relocations due to eviction/bombing)
the Free Clinic, where women did critical labor and stayed after hours pasting up La Causa newspaper
national youth conferences and movement gatherings where women were often relegated to cooking/cleaning roles (e.g., Denver Youth Conference at Corky Gonzalez’s home)
Why: Chicanas within the Brown Berets
Chicanas joined the Berets to:
participate in anti-police brutality organizing
serve their communities
enact revolutionary politics
assert leadership and challenge sexist constraints
transform the movement from within by claiming space as “revolutionary sisters”
What: East LA Blowouts
we see the largest manifestation of high school protests or “blow outs”
The “blow outs” shut down East L.A. schools
Who: East LA Blowouts
over 15,000 Mexican American high school students walked out of classes
Sal Castro
Lincoln High School Teacher
Thirteen organizers were charged with inciting unlawful protest and faced decades in prison
When: East LA Blowouts
beginning March 6, 1968
Where: East LA Blowouts
East LA schools
Why: East LA Blowouts
High school students in particular were increasingly protesting the decades of neglect
Students were not allowed to speak Spanish in class, and when they did, they would punish kids as if they did if they did something terrible
wanted representation and more chicano classes & teachers
What: COINTELPRO
was a series of covert and often illegal FBI projects aimed at surveilling, infiltrating, discrediting, and disrupting domestic political organizations deemed subversive
Who: COINTELPRO
the FBI and undercover police
When: COINTELPRO
1956-1971
Where: COINTELPRO
throughout US, infiltrating groups like communist party, black panther party, and chicano movement
Why: COINTELPRO
expose, disrupt, misdirect, discredit, or otherwise neutralize" the activities of these movements and especially their leaders.
What: The Massacre in Tlateloco
Mexican military opened fire on a large, peaceful student protest in the Plaza de las Tres Culturas, resulting in hundreds of deaths
Who: The Massacre in Tlateloco
the Mexican gov against peaceful student protests
When: The Massacre in Tlateloco
October 2, 1968
Where: The Massacre in Tlateloco
Plaza de las Tres Culturas, in Mexico City
Why: The Massacre in Tlateloco
Students were protesting government authoritarianism, demanding greater democracy, and opposing the upcoming Olympics
What: Chicana Feminism
is a social, political, and cultural movement for Mexican American women, born from the Chicano Civil Rights Movement in the 1960s, that addresses the unique, intersecting oppressions of sexism, racism, and classism, challenging patriarchal norms within their own communities and the limitations of mainstream feminism.
Who: Chicana Feminism
Mexican American women
When: Chicana Feminism
starting in 60s
Why: Chicana Feminism
Latinas faced unique oppression from sexism within the Chicano Movement (machismo, subservient roles) AND racism/classism from mainstream feminism
What: CASA
a marxist-leninist organization
Who: CASA
led by Bert Corona
When: CASA
1970s
Where: CASA
LA
Why: CASA
a mutualista-style social service organization, providing legal and social assistance to undocumented workers and their families.
What: Queer Aztlan
A decolonized, utopian, queer-inclusive vision of Aztlán, the mythical homeland of the Aztec people, reimagined as a spiritual and political space for all Chicanx people.
Who: Queer Aztlan
Key figures like Cherríe Moraga, who coined the term and wrote about it in works like The Hungry Woman: A Mexican Medea.
When: Queer Aztlan
Around the early 1990s, gaining traction in conversations and writings, notably by Cherríe Moraga, who contrasted it with the exclusionary nature of mainstream gay liberation (like "Queer Nation") and Chicano Nationalism.
Why: Queer Aztlan
To challenge patriarchal, heteronormative structures within Chicanx culture and movements that exclude queer individuals.
To offer a space of belonging and self-affirmation for queer Chicanx people, combating homophobia, sexism, and racism.
To fulfill the promise of liberation for all, recognizing that freedom for one group is dependent on freedom for all.
What: Queer Latino Archiving during AIDS epidemic
The community-driven preservation of queer Latino lives during the AIDS epidemic, mainly through AIDS obituaries in the Bay Area Reporter. These obituaries became an informal “gay Latino album of the dead,” documenting migration, sexuality, community life, and stigma that mainstream archives ignored.
Who: Queer Latino Archiving during AIDS epidemic
Queer Latino men whose deaths were recorded.
Families, friends, and partners who submitted obituaries.
Community historians/archivists like Horacio N. Roque Ramírez.
LGBTQ archives and grassroots AIDS organizations preserving materials.
When: Queer Latino Archiving during AIDS epidemic
Primarily 1984–1993, the height of AIDS deaths recorded in the BAR, with ongoing community archiving and oral history work continuing into the 1990s and 2000s.
Where: Queer Latino Archiving during AIDS epidemic
Centered in San Francisco, especially the Mission District and the Castro, with archival traces also revealing queer Latino migration from Mexico, Central America, Texas, and the Southwest.
Why: Queer Latino Archiving during AIDS epidemic
Because queer Latinos were silenced and erased in mainstream AIDS history, their deaths often hidden by stigma and racism. Obituaries and community archives created spaces to remember, honor, and document queer Latino life when no formal archive existed.
Elizabeth “Betita” Martinez
central figure in the Chicano and black movement, part of several collectives and organizations for liberation
worked with Student Non-violent Coordinating Committee
She has been involved in youth organizing and other movements in Bay-Area
co-edited the book “500-years of Chicana history”
What: El grito del Norte
A bilingual newspaper (Spanish/English) focused on Chicano, Latino, and broader human rights movements, featuring anti-imperialist, feminist (La Chicana), and land-rights issues.
Who: El grito del Norte
Co-founded by Elizabeth Martinez and Beverly Axelrod, with major contributions from Enriqueta Longeaux y Vásquez
When: El grito del Norte
Published from 1968 to 1973.
Where: El grito del Norte
Based in Española and Las Vegas, New Mexico, serving the Southwest and beyond.
Why: El grito del Norte
To give voice to the Chicano Movement, report on struggles (police brutality, land dispossession), challenge U.S. imperialism, and connect local Chicano issues to global liberation movements (like Vietnam).
What: The Houston Conference 1971
It was the first interstate assembly for Mexican-American feminists, focusing on Chicana identity and struggles.
Key issues discussed included gender discrimination, abortion, birth control, racism, educational inequality, and employment discrimination.
Who: The Houston Conference 1971
Around 600 women from 23 states, including students, social workers, and activists from various political groups.
When: The Houston Conference 1971
May 28–30, 1971.
Where: The Houston Conference 1971
Magnolia Park YWCA in Houston, Texas.
Why: The Houston Conference 1971
To address the unique, triple discrimination (racism, sexism, classism) faced by Chicanas.
To organize stronger advocacy for women's rights and work towards societal change.
Examples of how Chicana Artists forged a Chicana feminism thru their practice
Ester Hernandez: La virgen de las calles
reimagined the virgen de guadalupe
Yolanda Lopez: Our Lady of Guadalupe