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Tonic accent
Accent by rise of pitch, rather than by stress.
Dynamic accent
Accent by stress or reinforcement.
Natural accent
Accent on the downbeat.
Secondary accent
Accent on a beat other than the downbeat, e.g., beat three in common time.
Irregular accent
Accent on a normally unaccented beat.
Agogic accent
Accent by longer duration of a note.
Sforzando/Forzando
Accent by forcing/pressure.
Rinforzando
Accent by strengthening.
Legato
Smoothly connected.
Marcato
Marked emphasis.
Staccato
Detached.
Tenuto
Held, sustained.
Portato
Slurred staccato.
Staccatissimo (wedge)
Very short and detached; equivalent to the staccato from Couperin to Beethoven.
Attacca, Attacca subito, and Segue
Two movements should be connected with no break, the one following immediately after the other.