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108 Terms
El pincel
(4.01) A paintbrush; the tool used to apply paint to a canvas or surface in visual art.
El liénzo
(4.01) A canvas; the stretched fabric surface used as the base for painting.
El caballete
(4.01) An easel; a stand used to hold a canvas upright while an artist paints.
La pintura al óleo
(4.01) Oil painting; a technique using pigments mixed with oil, known for rich color and slow drying.
La acuarela
(4.01) Watercolor; a painting technique using water-soluble pigments that create transparent, flowing effects.
La pintura acrílica
(4.01) Acrylic paint; a fast-drying synthetic paint that can mimic both oil and watercolor techniques.
La herramiénta
(4.01) A tool; any instrument or device used to create or craft something in art or construction.
Al carboncillo
(4.01) In charcoal; a drawing technique using sticks of burned wood to create dark, smudged lines.
La tinta
(4.01) Ink; a colored liquid used for drawing, writing, or printmaking in art.
El mármol
(4.01) Marble; a hard stone used in sculpture, known for its smooth texture and white appearance.
La piedra
(4.01) Stone or rock; a natural material used in sculpture and architecture throughout history.
La arcilla
(4.01) Clay; a soft, moldable earth material used to create pottery and sculpture.
El múro
(4.01) A wall; the surface on which murals are painted; also a structural element in architecture.
Oscúro
(4.01) Dark; having little light or using deep, deep tones in art to create mood or shadow.
Cláro
(4.01) Light or clear; having bright tones or being well-lit, used to describe color value in art.
La sómbra
(4.01) A shadow or shade; the darker area in a painting or drawing caused by blocked light.
Abstracto
(4.01) Abstract; a style of art that does not represent reality literally but uses shapes, colors, and forms.
La intensidad
(4.01) Intensity; the strength or vividness of a color or emotion expressed in a work of art.
El cubísmo
(4.01) Cubism; an early 20th-century art movement that depicts subjects from multiple angles simultaneously, pioneered by Picasso.
El mural
(4.01) A mural; a large painting applied directly to a wall or ceiling, often with a social or cultural message.
La esculturá
(4.01) A sculpture; a three-dimensional work of art created by carving, molding, or assembling materials.
Pastel
(4.01) Pastel; a soft, chalky drawing medium, or describes soft, light colors in art.
La forma
(4.01) A form or shape; the outline or three-dimensional structure of an object in art.
El surrealísmo
(4.01) Surrealism; an art movement that explores the unconscious mind through dreamlike, irrational imagery.
La paleta
(4.01) A palette; a flat board on which an artist mixes colors, or the range of colors used in a work.
El bloc
(4.01) A sketchpad or notepad; a bound pad of paper used for drawing and sketching ideas.
La guerra
(4.02) War; armed conflict between nations or groups, a common theme in political and social art.
El odio
(4.02) Hatred; an intense feeling of hostility or dislike, often depicted in protest art and muralism.
Detestár
(4.02) To detest or hate; to feel a strong aversion or disgust toward something or someone.
La pérdida
(4.02) A loss; the experience of losing something or someone, a recurring emotional theme in art.
Maéabro
(4.02) Macabre; disturbing and focused on death or horror, often used to describe dark artistic imagery.
La inquisición
(4.02) The Inquisition; the historical Catholic tribunal that persecuted heresy, referenced in Spanish art and history.
La naturáléza
(4.02) Nature; the natural world, a frequent subject in landscape painting and artistic representation.
El retrato
(4.02) A portrait; a painting or image depicting a specific person, capturing their likeness and character.
El autorretráto
(4.02) A self-portrait; a work of art in which the artist depicts themselves.
Ojalá que
(4.02) Hopefully / I hope that; a subjunctive trigger expressing a wish or hope for something to happen.
Conviene que…
(4.02) It is advisable that…; a subjunctive trigger used to recommend or suggest an appropriate action.
Más vale que
(4.02) It is better that / you had better; a subjunctive trigger expressing strong advice or warning.
Es dudoso que
(4.02) It is doubtful that; a subjunctive trigger expressing doubt or uncertainty about something.
Es incierto que
(4.02) It is uncertain that; a subjunctive trigger used when the truth of something is not confirmed.
Es (una) lástima que…
(4.02) It is a shame / pity that…; a subjunctive trigger expressing regret or sorrow about a situation.
El fascísmo
(4.02) Fascism; an authoritarian political ideology marked by dictatorial power and suppression of opposition.
La revolución
(4.02) A revolution; a fundamental and often violent change in political power or social structure.
El trauma
(4.02) Trauma; a deeply distressing experience that leaves lasting psychological effects, often depicted in art.
La rebellón
(4.02) A rebellion; an organized resistance or uprising against authority or oppression.
La opresion
(4.02) Oppression; prolonged cruel or unjust treatment of a group by those in power.
Exigir
(4.03) To demand or require; a subjunctive-triggering verb expressing a strong requirement or insistence.
Insistir
(4.03) To insist; to firmly demand or maintain something, triggering the subjunctive in subordinate clauses.
Agradecer
(4.03) To thank or be grateful for; to express appreciation for something received or done.
Deseár
(4.03) To desire or wish; a subjunctive-triggering verb expressing a want or hope for something.
Lamentár
(4.03) To lament or regret; to feel or express sorrow about something that happened.
Negár
(4.03) To deny or refuse; to assert that something is untrue or to decline to do something.
Rogár
(4.03) To beg or plead; to urgently request something from someone, triggering the subjunctive.
Temér
(4.03) To fear; to feel afraid of something, used as a subjunctive trigger when expressing fear about an outcome.
Dudár
(4.03) To doubt; to feel uncertain about something, triggering the subjunctive in dependent clauses.
El taller
(4.03) A workshop or studio; a space where an artist works and creates their art.
La litografía
(4.03) Lithography; a printmaking technique where an image is drawn on a flat stone or plate and then printed.
La obra de arte
(4.03) A work of art; any creation — painting, sculpture, or otherwise — made with artistic intent.
La técnica mixta
(4.03) Mixed media; an artwork created using more than one material or technique.
Témpera
(4.03) Tempera; a fast-drying paint made with pigment and a water-soluble binder like egg yolk.
Expresár
(4.03) To express; to convey a feeling, idea, or message through art, words, or actions.
El expresionísmo
(4.03) Expressionism; an art movement focused on depicting emotional experience rather than physical reality.
El realísmo
(4.03) Realism; an art movement that depicts subjects as they appear in everyday life, without idealization.
La figúra
(4.03) A figure; the representation of a human or animal form in a work of art.
Recomendár
(4.03) To recommend; a subjunctive-triggering verb used to suggest something to someone.
Realizár
(4.03) To carry out or create; to complete or produce a work of art or project.
El gráfiti
(4.03) Graffiti; art or writing applied to public surfaces, ranging from tagging to elaborate murals.
El ensayo persuasivo
(4.04) A persuasive essay; a written argument designed to convince the reader to adopt a particular viewpoint.
Contra
(4.04) Against; a preposition used to express opposition or contrast in an argument.
Convencer
(4.04) To convince; to persuade someone to believe or do something through argument or evidence.
Un gancho
(4.04) A hook; the opening sentence or idea of an essay designed to grab the reader's attention.
Elegir
(4.04) To choose or select; to pick one option from among several possibilities.
Hácia
(4.04) Toward; a preposition indicating direction or a tendency toward something.
A través de
(4.04) Through or by means of; a prepositional phrase indicating the method or path used.
Júnto
(4.04) Together or next to; indicating proximity or combination of elements.
Tras
(4.04) After or behind; a preposition indicating sequence in time or position in space.
Debido a…
(4.04) Due to / because of; a prepositional phrase used to state the cause or reason for something.
Desde
(4.04) From or since; a preposition indicating a starting point in time or place.
Con respecto a…
(4.04) With respect to / regarding; a phrase used to introduce the topic being discussed or argued.
La posición
(4.04) A position or stance; the point of view or argument taken in a persuasive essay.
Los arguménto
(4.04) Arguments; the reasons and evidence used to support a position in a persuasive text.
La evidéncia
(4.04) Evidence; facts, examples, or data used to support a claim in an essay or argument.
El conservador / la conservadora
(4.06) An art conservator; a professional who preserves and restores damaged or aging works of art.
El restaurador / la restauradora
(4.06) An art restorer; a specialist who repairs and returns artworks to their original condition.
El tratante de arte / la tratante de arte
(4.06) An art dealer; a person who buys and sells works of art as a profession.
El subastador / la subastadora
(4.06) An auctioneer; a person who conducts auctions and sells items to the highest bidder.
El historiador / la historiadora
(4.06) An art historian; a scholar who studies and analyzes the history and meaning of artworks.
Me gustaría
(4.06) I would like; a conditional phrase used to express a polite wish or preference.
El artista de tatuaje / la artista de tatuaje
(4.06) A tattoo artist; a person who creates permanent designs on skin using ink and needles.
El maquillador artístico / la maquilladora artística
(4.06) A makeup artist; a professional who applies cosmetics for film, theater, television, or special events.
Preguntárse
(4.06) To wonder or ask oneself; to reflect internally on a question or possibility.
El dibujante de cómics / la dibujante de cómics
(4.06) A comic book artist; a person who draws and illustrates sequential art and comic stories.
Si yo fuera
(4.06) If I were; the past subjunctive used to introduce a hypothetical or contrary-to-fact condition.
Si tú fueras
(4.06) If you were; the past subjunctive second-person form used in hypothetical statements.
Si yo tuviéra
(4.06) If I had; the past subjunctive of tener used in hypothetical conditional sentences.
Si tú tuviéras
(4.06) If you had; the past subjunctive of tener in the second person for hypothetical conditions.
Debería
(4.06) Should or ought to; the conditional form of deber used to give advice or express obligation.
Podría
(4.06) Could or would be able to; the conditional form of poder expressing possibility or polite requests.
El escenógrafo / la escenógrafa
(4.06) A set designer; a person who designs the visual environment and scenery for theater or film productions.
Yo que tú
(4.06) If I were you; an idiomatic expression used to give advice from another person's perspective.