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Critical reading about Orsino’s passion
“Orsino’s initial passion, although he claims it is for Olivia, is rather for the spectacle of himself in love”
Critical Reading about Malvolio
“Malvolio is a joyless, self-styled ‘Puritan’… a class-jumping climber”
Excess Love and Desire - Orsino
“If music be the food of love, play on”
symbolism
Excess Love and Desire - Viola
“She sat like patience on a monument, smiling at grief, was not this love indeed?”
Personification
Excess Love and Desire - Olivia
“Love sought is good, but giv’n unsought is better”
Parallelism
Subplot - criticised by Sir Toby
“Art any more than a steward? Dost thou think that because thou art virtuous there shall be no more cakes and ale?”
Rhetorical question
Subplot - Maria introduces Malvolio to Olivia
“He’s coming madam, but in very strange madam. He is sure possessed madam.”
Supernatural imagery
Subplot - moment of anagnorosis
“I’ll be revenged on the whole pack of you.”
Anticlimax ending
Disguise - Viola’s first arrival of Illyria
“Conceal me what I am, and be my aid, for such disguise as haply shall become the form of my intent”
Dramatic irony
Disguise - Viola and Malvolio’s first interaction
“Disguise, I see thou art a wickedness wherein the pregnant enemy does much”
Religious Imagery
Disguise - Feste mistakes Sebastian for Cesario
“Nothing that is so is so”
Paradox/paradoxical phrase