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Music
The intentional arrangement of sounds in time by and for humans
Acoustics
science of sound; investigates how sound is produced and behaves
Acoustician
a person who studies the theory and science of acoustics
Acoustical Engineer
a person who works in the area of acoustic technology
Noise
Sounds not related by harmonious ratios
Sound
Mechanical movement of an audible pressure through a medium, and the recognition of it
Definite Pitch
a tone that is composed of an organized sound wave; easily discernable
Indefinite Pitch
Tone composed of a less organized wave; perceived as noise
Frequency
Repetitions of a wave pattern over time (Hertz or cycles per second)
Fundamental Pitch
The lowest pitch in the harmonic series
Overtones
Tones heard over the fundamental pitch, twice as fast as fundamental
Interval
Distance between two pitches
Octave
Relationship between same note with different frequencies (low C and high C)
Dynamic
Volume of a sound which corresponds with the amplitude
Timbre
Tone color, quality of sound. Shaped by equalization of fundamental
Melody
Coherent succession of definite pitches in time
Phrases
units that make up a melody
Motive
Single Rhythm (2-3 pitches) repeat often in sequences
Sequence
Repetition of motive or phrase at different pitch
Harmony
The way a melody is accompanied (concerned w/ different music sounds occurring simultaneously)
Chord
Simultaneous sounding of three or more pitches
Constant Interval
Pleasing to the ear, (unisons, octaves, 3rds,6ths, 4ths,5ths)
Dissonant Interval
Harsh/tense (seconds, sevenths, tritones)
Triad
Chord with 3 pitches (stacked)
Seventh Cord
4 pitches stacked
Tempo
Speed at which the beat is played
Tonic
Note from which other pitches are derived
Scale
Series of pitches ordered by interval between notes
Rhythm
Way music is organized with respect to time
Beat
Base unit of time in music
Tempo
Speed at which a beat is played (BPM)
Middle Ages
400-1400 CE, time between the end of the Roman Empire and the beginning of the Renaissance. Credited with the development of the Gregorian chant, polyphones and gothic style
Pythagoras
Father of modern study of acoustics, credited for knowledge prior to middle ages
Chant
Monophonic acapella music
Monophony
Music with one melodic line, done by one or many at a time
Hymns
4 line strophes in Latin, same length/rhythm
Melisma
Singing of multiple pitches on one syllable of text
Cadence
Ends of musical sections or phrases
Perfect Intervals
Hollow/disturbing, 4th, 5th, octaves. Used in church because “perfect” is good for worship
Refrain
Repeating musical selection, generally w/ repeated text
Hildegard Von Bingen
1090-1179 CE, ¼ women considered a “doctor of the church”
Guillaume de Machaut
1300-1377 CE, 32 preserved manuscripts, first composer to write a polyphonic setting of the mass ordinary
Guido de Arezzo
991-1050 CE, created unified system of musical notation around 1000 CE
Renaissance Era
1400-1600 CE, shift towards humanism (renewed interest in learning, art, etc) Printing press was invented (Gutenberg press). Sistine chapel constructed
Imitation Polyphony
One voice introduces melody, another repeats it shortly after
Protestant Reformation
1517, Led by Martin Luther, protest against the church, led to increased congregational singing instead of just trained
Counter Reformation
Churches response, agreed whats the point if people do not understand
Giovanni Pierluigi de Palestrina
1525-1594 CE. Helped create music for the church with the needed balance (Missa Papae Marcelli). Served 10 popes, music to be used as outline for sacred music
Josquin des Prez
1489-1495, famous for polyphonic music in form of motets, masses. Highly recognized, others imitated
Characteristics of Ren music
Steady beat, imitative polyphony, thirds/triads (more merchant class) Worship AND entertainment/courtly love
Ottaviano Petrucci
1466-1539, first to large scale print Polyphonic music
Madrigal
Musical piece for several solo voices, set to a short poem
Motet
Scared Latin polyphonic choir work
Pavane
Solemn, duple meter (in twos), stomping with music
Gulliard
Typically with Pavane, triple meter (in threes) alternate rhythm to Pavane
Henry Purcell
1659-1695, wrote Dido and Aeneas(true opera) others were semi operas. Known for vocal writing and dramatic expression
Semi-Opera
Dialogue with dancing scenes
Baroque Era
1600-1750, highly ornamental/elaborate. Baroque was used like grotesque(not a compliment). Artistic experimentation, international trade, more opera. Palace of Versailles built
Opera
Invented ~1600. Has music, drama, costumes, acting. Pinnacle of storytelling in Baroque era. Two parts recitative and aria
Recitative
Imitates natural speech, “converstation”
Aria
Elaborate songs, explores feelings and demonstrates skill
Baroque orchestral instruments
String family(violin, viola,cello, double bass), bass continuo, woodwinds, brass
Basso Continuo
Continuous bass line that provides harmonic support (harpsichord, small organ, lute, cello, and/or bassoon)
Oratorio
Large scale vocal work (religious) without costumes/acting
Cantata
Multiple movements for singers + instrumental accompaniment. Can be sacred or secular
Concerto
Solo instrument (or group) performing with orchestra
Sonata
Written for solo or small group, explores techniques/expressions
Suite
Collection of short pieces performed as one, provides variety through tempo/mood
Figue
Highly organized, built around single idea(subject), voices/instruments introduced one after another. most associated with Bach
Allemande
Moderate Tempo
Courante
Lively/flowing tempo
Sarabande
Slow/Expressive tempo
Gigue
Fast/energetic tempo
Claudio Monteverdi
1567-1643, helped bridge gap between Ren and Baroque era, developed early operas
Antonio Vivaldi
1678-1741, “red priest'“ wrote concertos showcasing violin (including 4 seasons)
George Frideric Handel
1685-1759, famous for large scale dramatic/memorable oratorios and operas
Johann Sebastian Bach
1685-1750, one of the greatest western composers. Worked primarily for churches. 4/20 of his kids became composers. Death marked end of Baroque era