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Principles of Dyeing
Dissolving
wetting out
immersion
agitation
migration
diffusion
fixation
Method of Dyeing
batch → through dye bath
winch → sewn onto tube, lifted in and out
jig → rolled back and forth
pad → pad force dye in
continuous → machines
foam
artistic → resistance
Environmental issues of Dyeing
pollution
health concerns
change requires innovation and money
Stages of Dyeing
pre-fibre → manufactured fibre, expensive, even colours
fibre → good quality, expensive
yarn → patterns, expensive
fabric → quick response to trends, blends can dye differently
product → cheap, quick, uneven results
Principles of Printing
printing bed with soft resist
print paint
print tool pressed onto fabric
registration
heat-set
washed to remove debris
Methods of Printing
direct → small
Block → carved, small
roller → large
warp → warp yarns, large
heat transfer
digital
discharge → bleach
resist → stencil, hand/machine screen
Embroidery and Applique
Embroidery involves stitching patterns onto the fabric
Appliqué adds fabric shapes on top of the base fabric
Swimwear Design Development
Pre 1900s → wool full length gowns
Early 20th century → from woollen bloomers (sewn in weights) to more fitted post WW1
Mid 20th century → technological innovation, bikini, self expression
Late 20th - Early 21st century → anything acceptable, high performance, inclusivity, sustainability
Swimwear → Technological Innovation and Impact
Fabric innovation
synthetic fabrics
improved fit and comfort
quick drying
increase stretch
reduce water absorption
Performance Enhancements
Shark-Skin Inspired → reduce drag, muscle compression reduce fatigue
Xtra Life Lycra → hold shape, resists fading and sun, more durable
Swimwear → Time period Influence
Pre 1900s
OF = societal norms, upper class
Late 19th - Early 20th Century
OF = increase participation, technological advances
ON = beach culture
Mid 20th Century
OF = post-war freedoms and personal expression, feminism
ON = synthetic fibres, tighter costumes
Late 20th Century - Present
OF = body image, inclusivity, environmental concerns
ON = fitness culture, campaigns
Peru → Textiles Production Forms
Alpaca Fibre and Wool
finer, softer
more valuable
water resistance and breathable when woven
Spinning
drop spindle (pushka)
feminine activity
takes years to master
Natural Dyes
Red → cochineal (small insects)
Blue → tara boiled with yarn
Peru → Textile Art Forms
Embroidery
capture Peruvian motifs of people, flora, fauna and shapes
Weaving
backstrap weaving loop
Knitting
hand needle to create high-quality with intricate designs
internationally recognised
source of income for women
Peru → Textiles as Communication
symbols carry meanings that are not easily translated
express identity, social status
record historical events
oral language so a way of converting thoughts and impressions
Peru → Textiles as Self Expression
Weaving
shape identities and lives
becomes a community activity
measure of wealth and role in society
Clothing
Lliclla → handwoven shawl for carrying and decoration
Chumpi → woven belt
Chullo → mens bowler hat, indicates marital status, religion, status, occupation
Peru → Effects of Peru on Contemporary Textile Design
Traditional Patterns and Motifs
Colour Pallets
Silhouettes
Peru → External Influences
Economy
rich deposits of natural resources
agricultural potential
traditional textile industry
tourism industry
Political
½ population live in poverty
social discrimination
Social Life
weaving is both social and communal
Environment
most ecologically diverse country in the world
Peru → Cultural Influences
Geographical Location
Coast, Peruvian Highlands, Amazon rainforest
Pacchanta → follow rules of Inca Ancestors
Available Resources and Technological Developments
alpacas
sheep
pima cotton
technological advancements → machinery
Religion
Workers skill and status
Skills → passed down through generations
status → rural vs city, upper class, clothing
Viktor & Rolf → Background and Style
Background
met at Dutch Arnhem Academy of Art and Design
big break at french fashion festival
Style
bring together art and fashion through highly sculpted, distorted and exaggerated pieces
Viktor & Rolf → Trends
Impacting Trends
sustainability
inclusivity
Comme Des Garcons → sculptural art
Surrealist artists
Impact on Trends
catwalks as performances
fashion appreciated as fine art
Viktor & Rolf → Internal Influences
Expertise
Schooling qualifications
originally did everything themselves, now highly skilled team
idea orientated and work collaboratively
Finance
dutch government grants
produce ready to wear → ‘Ready to Wear’ Collection 2014
collaboration with H&M
Only The Brave → NPO that bought a large share of company allow freedom to focus on haute couture
Diffusion Line
Perfume and accessories → bon bon, flowerbomb
"Flowerbomb’ collection → message of positivity
Facilities
based in Amsterdam
isolated atmosphere to choose when to enter the fashion world
Viktor & Rolf → External Influences
Politics
job uncertainty, raised interest, less disposable income to spend on haute couture
V&R dolls → commemoration
‘Red Carpet’ Collection → statement towards paying top models and celebrities too much
Society
‘Atomic Bomb’ Collection → in touch with mood of the turn of the century, elements removed to showcase ready to wear, honoured great 20th century designers
‘Boulevard of Broken Dreams’ Collection → recycled couture
stopped using use animal skills in their collections
Technology
embrace new opportunities with new fabric, machinery, social media
‘Homage to the Blue Screen’ Collection → used blue screen technology to create effects, detailed garments destroyed with projected image
Economy
moved to cheaper fabrics
‘Credit Crunch Couture’
Fibre Properties
Staple
Cotton → cellulose, crystalline, anything
Wool → crimped, semi-crystalline, thermal properties, luxury, furnishings
Manufactured
Polyester → melt-spun polymers, semi-crystalline, anything
Nylon → melt-spun polymers, semi-crystalline, stockings
Rayon → cotton linters, amorphous, bandages
Elastomeric → polyurethane blend, amorphous, lycra, spandex
Yarn
Types
Staple → staple fibres, apparel, absorbent
Monofilament → single filament, strong
Multifilament → multiple filament strong, smooth
Twist
high → smooth, strong, quick drying
low → soft, good insulation, weak
Spinning methods
staple spinning → cotton and wool, involves carding, combing drawing and twisting
extrusion spinning → manufactured
Fabric
Wool
Plain → durable, shirts, dresses, formal wear
Twill → denim, durable, work wear
Satin → lustrous, good drape, formal wear
Speciality → jacquard, crape, pile, decorative with texture
Kint
Weft (stretch) Warp (stable)
Single → weft, jumpers, shirts
Double → weft, good drape, good dimensional stability, apparel
Pile → weft, good absorbancy, poor durability
Lace → warp
Net → warp
Non-woven
felts, web, films
disposable and industrial
Finishes that Enhance Appearance
Delustering
powder added to synthetic fibre solutions to reduce lustre
Mercerising
cotton immersed in alkali solution causing fibres to swell and straighten
Napping
pressed over barbed rollers to create softer surface
Finished that Improve Dimensional Stability
Sanforising
cotton stretched over rollers and heated, compressed and heated again
minimal shrinkage
Superwash Wool
chemical treatment to allow wool to be machine washed and dried
resin film to reduce friction
Finishes for Environmental Protection
Water repellent
hydrophobic chemicals cause water to remain on surface
Flourochemistry
applies to create a barrier to stains and oils
e.g. scotch gard
Antimicrobials
chemical treatment applied to fibre or fabrics to control growth of bacterial, fungi or dust mights
e.g. microban
Environmental Impact and Alternatives → Raw Material Extraction & Processing
Growing Natural
contaminated soil, leaches nutrients
organic materials
Processing of Synthetics
uses non-renewable, toxic, pollution
alternative fibre sources
Environmental Impact and Alternatives → Manufacturing/Packaging & Distribution
Fabric Production
finite resources, chemical fumes, water/energy usage
new technology, chemical-free
Finished
toxic, health hazards, disposal, water/energy usage
naturally colour materials
Biodegradable dyes
Apparel production
waste from offcuts, plastic packaging
low waste patterns, recycled packaging
Environmental Impact and Alternatives → Product Use
Consumer use of Product
packaging waste, chemical care, excess from changing trends
classic designs, long lasting
Recycling and Reusing Textiles
circular economy
seamless scheme
Government Legislation
Environmental Hazardous Chemicals Act 1985
Regulate manufacture processing, conveying, buying, selling or disposal of chemicals
Contaminated Land Management Act 1997
Respond to contamination that poses risk to human and environment health
Waste Avoidance & Resource Recovery Act 2001
Promotes waste avoidance and resource recovery
Impact of Globalisation on Design, Manufacture, Distribution, Markets
Design
global migration, trade, culture, communication
cross culture inspiration
global networking
Manufacturing
overseas → lower costs, efficient
Extended Overseas Assembly Provisions
value added goods set apart from imports
Distribution
e-commerce reduces time, transport, costs
Markets
understand opportunities of overseas trends, strategies, change
develop strong export markets to remain competitive
AusTrade
Ethical Issues Associated with Globalisation
sweatshops
Initiatives to support ethical clothing
Change in consumer demands
must meet consumer demands to remain competitive
Market place 4 Ps
Product
What is offered to the customers
Quality, key features, packaging, labeling
Place
Direct selling
Wholesale selling
Price
Reflect demographics, current market trends, quality
Promotion
To inform, persuade and remind consumers about a business’ products
personal selling, advertising, sales promotion, publicity
Product Life Cycle
1. Introduction Stage
Product launched into the market and consumers have little knowledge regarding quality and advantages
2. Growth Stage
Consumers become aware of the product and sales increase
3. Maturity Stage
Greatest sales and profit
4. Decline Stage
Replaced by a newer or better product is remained unchanged