Chapter 10 Quiz

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Last updated 10:41 PM on 9/5/26
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25 Terms

1
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What is one way that the development of music printing altered the economics of music?

music became a commodity for the first time

2
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In Book of the Courtier, what were Baldassare Castiglione's thoughts on music?

members of the upper and middle classes should be able to read musical notation

3
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What is a characteristic of the villancico?

AAB stanza structure

syllabic text-setting

mostly homophonic

4
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In villancicos, what is a copla?

a stanza

5
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What were eclogues?

one-act pastoral plays

6
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Which of the following describes the Italian frottola?

a strophic, syllabic, homophonic song in four parts that set existing poetry

7
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Who was an important patron of the frottola?

Isabella d'Este

8
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The typical Italian madrigal

is through-composed

9
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One poet whose texts were frequently used in the madrigal was

Francesco Petrarca

10
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Who was the principal composer of the early madrigal?

Philippe Verdelot

11
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What two sentiments did Petrarch seek in his poetry?

pleasingness and severity

12
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How did Adrian Willaert set Petrarch's lines "harsh and savage heart" and "sweet, humble, angelic face"?

with alternately harsh and sweet harmonies and textures

13
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Which of the following aptly describes the typical midcentury madrigal?

they were for five voices with frequent alternations between homophony, imitation, and free polyphony

14
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In his treatise Le istitutioni harmoniche, what emotions does Gioseffo Zarlino believe major thirds and major sixths communicate?

harshness and bitterness

15
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Where did midcentury madrigalist Cipriano de Rore work?

St. Mark's in Venice

16
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What is one compositional technique, previously forbidden, employed by midcentury and later madrigalists for the purpose of text expression?

direct chromatic motion

17
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What was the most readily available way for women to win renown in music in the sixteenth century?

as singers

18
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What is a madrigalism?

word-painting that is a close representation of the text

19
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Who is among the later madrigalists?

Carlo Gesualdo

20
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Which Italian genre of music contained "fa-la-la" refrains?

balletto

21
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What was one thing about madrigals that greatly impacted future genres?

shaping all aspects of the music to express the text

22
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Which describes the sixteenth-century air de cour?

French song for voice and accompaniment

23
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What was musique mesurée?

French music that approximated ancient poetic meter

24
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What is one important way that the Italian madrigal became fashionable in England?

a collection of Italian madrigals translated into English was published

25
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Who was among the most prominent lute song composers?

John Dowland