CLAS242 - The Early Republic Period

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Winter 2025

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1
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Symposium scene, wall painting in the Tomb of the Diver, Paestum

Early Republic Period

509BE-211BCE

  • Symposium

    • Greek elite male drinking party

    • drink wine, listen to entertainment, sing, or discuss philosophical, cultural, or political topics

    • homosexual couples of older man + younger man representation

      • one couple per couch

  • Lyre

    • important component of music in symposium

    • associated with elite male status/identity

    • lyric poetry sung/lyrics accompanied by the lyre

  • reinforces elite status of tomb occupant

  • figures use Greek skin composition

    • red skin for men white skin for women

2
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Diver scene from the roof slab, wall painting in the Tomb of the Diver, Paestum

Early Republic Period

509 BCE - 211 BCE

  • Greek proportions and skin tone

  • Metaphorical

    • showing passage from life to death

  • transference of Greek styles into Etruscan art, but changed to better fit Etruscan culture

3
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Banquet scene, wall painting in the Tomb of the Leopards, Tarquinia

Early Republic Period

509 BCE - 211 BCE

  • compositions relies heavily on Greek models

    • profile faces, blocks of colour, and skin tone

  • archaic body proportions + garlands indicating a celebration

  • red lines

    • forming registers

    • forming ground line of above panel

  • Etruscan features:

    • banquet of male-female couples

    • hierarchy of scale

    • Horror vacui

  • Centre female

    • possibly male

    • possibly example of transgender individual in antiquity

4
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Dancers, wall painting from the Tomb of the Triclinium, Tarquinia

Early Republic Period

509 BCE - 211 BCE

  • influence of Greek archaic artistic style

  • dancing as worship for Dionysus

    • part of his celebration

  • No Dionysus iconography/symbolism representing him in this piece

  • Etruscan showing of a Greek act

  • Etruscan features

    • clothes

    • long fingers

    • trees + birds

  • Greek features

    • coloured skin tone

    • profile faces/legs and front torsos

5
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Pediment relief sculpture from Temple A, Pyrgi

Early Republic Period

509 BCE - 211 BCE

  • Pedimental

    • relief within top triangle front piece at top of temple

    • usually never a historical event and purely mythological

    • historical event tends to date the temple and set it in one time period

    • Use of myth is allegorical

      • to send a message

    • painted terracotta

  • Pyrgi

    • major battle between Greeks, Carthaginians, and Etruscans

    • Etruscans lost so to appease the Gods they built this temple in Pyrgi as a gift to them

    • Obviously had no favour from the gods because they lost so they needed to gain it back

  • Greek myth of 7 princes

    • 7 princes of Thebes, a city-state, all banished from it

    • They come back for revenge

    • 7 gates for 7 princes

      • one prince per gate

  • Top Row

    • Minerva on proper right

      • Aegis cloak + helmet

    • Jupiter second from proper right

      • arm raised to spear Keraunos with his lightning bolt

  • Bottom Row

    • battle of Tydeus and Melanippus

    • Tydeus eating the brain of Melanippus

      • act revokes his promise of eventual Godhood

    • cannibalism NEVER shown in Greek art

    • Message to Greeks: don’t mess with us(?)

6
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Funerary games of boxers and gladiators, wall painting from Tomb 90a, Paestum

Early Republic Period

509 BCE - 211 BCE

  • funerary painting tradition carries on into 4th century BCE

  • Boxing + Gladiator Fight

  • Blood as a sacrifice to chthonic deities

    • spilt over deceased’s tomb to ease passage

    • blood being drawn not a primary thing in funerary games

    • only later in Roman times does it become more important

    • Not necessarily killing someone but rather just first blood

    • New Etruscan idea

  • Turning death into a spectacle

    • joy of the spectacle warding off death

7
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Funerary games of charioteers, wall painting from Tomb X, Paestum

Early Republic Period

509 BCE - 211 BCE

  • chariot racing as a funerary game

    • Greek culture adopted by Lucanians

  • Ritual

    • garland around column, garlands in space above the horses

      • taking it into realm of religion/mythology/not reality

    • pomegranate

      • associated with death and rebirth

      • the rape of Persephone

    • all lead to funeral ritual iconography

8
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Scenes of woman’s funeral and travel into the underworld, Paestum

Early Republic Period

509 BCE - 211 BCE

  • Funerary Stella

    • big painted rock/tombstone

  • Dado

    • painted in red at bottom register

    • the lower portion of the wall of a room, distinctly painted with panels/contrasting colours

  • Below Panel

    • Aspects of Funeral

      • left woman - pulling her hair out in grief

      • middle women - tables of loaves of bread and food as a sacrifice on their heads

      • right man - priest

      • Cow sacrifice

        • man with a hammer to stun the cow before slitting it’s throat

  • Above Panel

    • Little girl + older woman

      • mother bringing daughter to safe passage? both going together?

    • Vanth

      • winged, female Etruscan. chthonic figure

      • Psychopomp: deity/spirit that brought spirits across the river

      • resembles Gorgon with wings and big head

      • Apotropaic image

        • so scary in order to ward off evil

      • show of mixture of Greek and Etruscan imagery in Lucanian culture

9
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Historical battle, tomb painting from Tomb 114, Paestum

Early Republic Period

509 BCE - 211 BCE

  • Lucanian Tomb Painting

  • Greek arête, Latin virtus

    • men often celebrated through paintings of evidence of their masculine excellence

    • Lucanian word unknown

  • Moment prior to battle

    • left - army lined up with shields in formation

    • middle - mountain with cows behind it

    • right - another army ready to fight

  • Right figure

    • stands out against the rest

      • hierarchy of scale

      • facial features

      • helmet

  • Figure in front of army

    • Naked except for Lucanian helmet

    • holding up spear

    • Mars leading them?

10
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Carved and painted reliefs, Tomb of the Reliefs, Cerveteri,

Early Republic Period

509 BCE - 211 BCE

  • Change in subjects

    • from banquets and festivities

      • celebrating life

    • to darker themes

      • mourning death

      • Reliefs of Charun and Cerberus

        • emphasis on chthonic creatures

  • Reliefs of Helmets and Shields

    • helmets, shields, greaves, and swords

    • high status of a male

    • military

  • Painted terracotta columns

    • filled with images of household items

11
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Portrait of Velia, tomb painting, Tomb of Orcus, Tarquinia

Early Republic Period

509 BCE - 211 BCE

  • Velia

    • name written backwards as if image was speaking straight to you

  • Very Decorative

    • detailed + intricate necklace

      • egg and dart style

    • clothing with tassles

    • hair up in back with hair piece

    • laurel

    • intricate curls

    • lipstick and eyeliner

  • sense of individual

    • very strong profile

  • showing specifics - not idealized

  • Profile Eye

    • no longer unrealistic front eye with profile face

12
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Banqueting couple, wall painting from the Tomb of the Shields, Tarquinia

Early Republic Period

509 BCE - 211 BCE

  • Hierarchy of Scale

    • people seated are bigger than musicians, showing importance

  • Names written backwards

    • as if people in the painting are speaking to you

  • ¾ Head Turn

  • Profile Eye

  • Intricately decorated couch

    • Etruscan style

  • Woman’s breasts

    • covered by see through fabric

    • showing of shape and nipples

    • very rare until later Roman times to show naked women

13
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Processional scene, Tomb of the Typhon, Tarquinia

Early Republic Period

509 BCE - 211 BCE

  • two reasons from line drawing version

    • painting is very deteriorated (reconstruction)

    • archaeologist who discovered it owns publishing rights

      • has yet to release actual image

  • Processions

    • seen in later Roman art

    • all different kinds

  • Tomb context - funeral procession

    • into afterlife or to the funeral itself

  • Instead of Hierarchy of Scale

    • background figures raised above others

    • looks like they’re taller, but only to show everyone/so no one is covered

  • Mixture of Real Life and Mythological Creatures

    • two possibilies

      • as part of funeral

        • people dressing up as chthonic deities/ancestors

      • actual demonic figures

        • ghosts physically present?

        • not demonic in a negative sense - only as “from the underworld”

  • Leader of Procession

    • most likely the deceased in question

    • Magistrate clothing

      • torch and hair band

      • maybe was genuinely a magistrate

      • maybe put in these clothes to show importance or status

14
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Tomb of Q. Fabius, wall painting from a tomb on the Esquiline Hill, Rome

Early Republic Period

509 BCE - 211 BCE

  • Due to names on paintings, very inclined to believe this is the tomb of Quintus Fabius Maximus Rullianus

  • Two names in tomb paintings:

  • Fabius

    • known Roman General who won against the Samnites

    • elected consul 5 times between 322 - 295 BCE

  • Fannius

    • the Samnite

      • a people from Italy

    • Depicted in being defeated by Fabius during second war against the Samnites

  • Episodic Narrative

    • various panels of story telling, like a comic strip

    • an advanced technique of story telling

    • key is to show same people in different scenes

      • through different times and places

      • this is what makes it “episodic”

    • later becomes Roman standard of representing stories

15
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Statue of Mars from Todi

Early Republic Period

509 BCE - 211 BCE

  • Bronze Statue

    • first Etruscan example of a bronze statue

      • thought to be more abundant, but were later pilgrimaged throughout the years to be melted down and used for other things

    • 90% copper, 10% tin

      • Copper could be found EVERYWHERE in Europe

        • Greek word for copper very close to “Cyprus”, which was filled with a bunch of copper and hence named for it

      • Tin - absolutely none

        • originally thought they were getting it from modern day Afghanistan where there’s lots

        • found in Cornwall, England

          • trade route between the two established far earlier than originally thought

  • no evidence of it being Mars

    • rather just a warrior

  • Patera

    • held in right hand

    • associated with sacrifice

      • filled with olive oil/wine/blood then poured as offering to the gods

    • in held in hand - religious context

      • as you’re actively giving it out as an offering

  • Cuirass

    • Etrusco-Italic breastplate

    • very typically made of hardened bits of leather that were sewn together

    • metal plates at bottom as skirt to reinforce abdominal area

  • Contrapposto

    • very Greek

    • “counterpose/counter posture”

    • weight put all on one foot with opposite leg bent, hips and shoulders tilted to adjust for weight distribution

    • meant to show natural movement of humans

  • Bronze Casting

    • 1 - create a core

    • 2 - layer of wax to cover core

    • 3 - place mould of terracotta over wax

    • 4 - heat up

      • “Lost Wax Method”

      • wax melts away to leave a perfect negative in the mould

    • 5 - Bronze poured in

    • 6 - Bronze Statue

    • 7 - Finishing work

      • buffing

      • additions in copper

        • lips, eyebrows, nipples, pubic hair

      • additional inlays

        • shells/glass

          • could be painted

          • used as whites of eyes

        • ivory/copper teeth

  • Segmented Casting

    • body parts made separately

      • weight + caution factors

    • People could then come in and pick/choose parts to add to the statue they wanted

    • richer men could commission from scratch since they could afford that

    • paintings of statue makers workshops as evidence

      • bronze heads + feet hanging on the walls in the background

16
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Bronze statuette of Hercules, probably from Cerveteri

Early Republic Period

509 BCE - 211 BCE

  • Votive

    • object of devotion

    • few inches tall

    • given to Gods as offering when going into the temple

    • usually cast images of the gods themselves

    • sold outside temples by vendors

  • More permanent materials like bronze and terracotta

    • increasing wealth?

    • increasing devotion?

    • or desperation of Etruscans as Romans took over their lands

      • appealing to the gods for their favour

  • Hercules

    • lion skin, club, and bow

    • nudism = heroism

  • Contrapposto

    • Greek

  • Patterning and Rib Detail

    • Etruscan

17
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Ficoroni Cista, Praeneste

Early Republic Period

509 BCE - 211 BCE

  • Cista

    • a specific kind of jar

    • meant for toiletries

      • comb, hair pins, mirrors, cosmetics, etc.

    • associated with marriage

  • Cast segmently

    • Lid/Lions feet/Figures on top are all separate

  • 3 Figures

    • Dionysus + Satyrs

      • Domestic Gods

      • associated with marriage processions

  • Inscribed Sphinxes

    • near Eastern influence

  • Jason + Argonauts Scene

    • Golden Fleece + Medea

    • all greats heroes on the same voyage

    • Amycus

      • ruler of the country of the Bebryces

      • Had to be beaten in boxing match in order for Argonauts to drink from his fountain

      • Pollux defeats him

    • Greek “Boxing”

      • more of a blood sport

        • fight until someone gives up/someone can’t fight anymore

      • “Gloves” - hardened straps of leather wrapped around hands

  • Novius Plautios

    • artist signed his name on it

    • Famous Greek painting by Mikon of same scene, lost, 5th cent bce

      • came to Rome - possibly that Novius copied this painting?

      • simply shows influence of Greeks on Romans/Etruscans

  • Dindia Macolnia

    • inscribed name “gave me to her daughter”

    • the woman who commissioned it for her daughter

    • Might represent a woman of elite status

    • Gives insight into what kinds of things women would commission

      • Plus sense of dowry, capabilities/wealth of women

18
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Bronze chimera from Arezzo

Early Republic Period

509 BCE - 211 BCE

  • Chimera

    • monstrous mixture of different animals into one

    • Antiquity definition - Snake as tail, lion’s head, ram’s body

    • Contemporary definition - used to describe a group of proteins because they're so warbled

  • Example of metal-working skill of Etruscans

  • Votive Offering

    • Inscription on side that meant "To the Gods"

    • Very expensive- came from someone wealthy

  • Bellerophon

    • Rides Pegasus

    • One of his major fights was slaying the chimera

    • Idea that 3 heads are looking up at Bellerophon in the sky on Pegasus

  • Snakes, Lions, and Rams/Goats common in Italy

    • Smaller lion in Italy but was hunted to extinction around 4th cent bce

    • So lion image probably from near east

19
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Terracotta statue of a man, Cales

Early Republic Period

509 BCE - 211 BCE

  • Illustrates connection between Greece and Rome

  • Face and hair – could very easily be inspired by Greek statue 

    • Eastern mediterranean style 

    • Most famously in portraits in alexander the great 

      • Though happened before and after him 

  • More expression than Apollo of Veii or other early/at the same time 

  • Roman Toga 

    • Represents wealth, nobility, depending on colour painting – could've been a magistrate 

    • Not just a piece of clothing but what the cloth symbolizes 

    • Greek world - would’ve been nude

  • Cultural coding of what a man should be 

    • Proud of Roman-ness 

    • Working 

  • Generic ideal 

20
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Terracotta votive statue of a woman, Lavinium

Early Republic Period

509 BCE - 211BCE

  • Cultural coding of what a woman should be  

    • Incredibly decorated 

      • Multiple necklaces, intricate breastplates, elaborate hairstyle, huge earrings, elaborate dress 

  • Head covered – religious context 

    • Priestess? A woman engaging in ritual? 

  • Representing the role of a woman in society 

    • Pious, decorus, show off wealth, adornments in lots of different ways 

 

21
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Bronze bust of a man “Brutus”

Early Republic Period

509 BCE - 211 BCE

  • Portraiture 

    • Etruscans and Roman inspired to present more realistic portraits 

      • More than Greeks/Eastern 

        • Showing of idealism 

  • Finest example of Etruscan portraiture that we have 

  • In depth idea of not only what they look like but who they are

    • A sense of personality

    • Conveyed through the physical

  • No evidence of who this person truly is

    • Why people say it represents Brutus 

      • The one who kicked out the last Etruscan kings 

  • Showing of age 

    • Wrinkles, prominent nasal labial lines (smile lines), beard (maybe), eye bags, crow's feet, slight jowls,  

  • Neck + robe added later in 16th century 

22
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“Servian Wall,” Rome

Early Republic Period

509 BCE - 211 BCE

  • First major wall to be put up all around city of Rome 

    • Rome not biggest city in population or size, yet this was the biggest wall built in the mediterranean 

  • Massive building project 

  • Very old, gets replaced often 

  • Only few places to see bits of the wall preserved 

  • Purpose 

    • Marks extreme territory of Rome 

      • Build house outside of the walls? You're not roman anymore 

    • Defense 

    • Religious separation 

    • Pomerium 

      • Ditch around inside the wall 

      • Spiritual limits of the walls 

      • Most important 

        • Gods reside on the inside 

        • Outside Gods to come to Rome had to have temples on outside of Rome 

          • Isis, big cult following in Rome, but temples were outside 

23
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Limestone relief of sulcus primigenius for a Roman colony

Early Republic Period

509 BCE - 211 BCE

  • Cattle plowing the ditches

  • Religious important ceremony of making of the pomerium

  • Would do this for any major settlement

    • You have a villa? Dig a tiny pomerium

    • Roman Military Camps – pomerium

    • All to appease the Gods

    • Gods are with us – this is where the reign goes to

24
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Ostia, plan of Roman colony centered on forum

Early Republic Period

509 BCE - 211 BCE

  • Shows where pomerium was

  • First example/attempt of city/urban planning?

  • West coast of Italy

  • Strategically important

    • Right next to a harbour

    • Also where the Tiber flows out into Mediterranean

    • Defensive position to guard the mouth of the Tiber

      • Eventual entry into Rome if enemies were to take it in

  • Main roads, houses coming off of them, main areas deisgned to be non-domestic (Forum, Temples, Amphitheatre etc.)

  • North South East West road – two roads entering each other

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Paestum, plan of Roman colony

Early Republic Period

509 BCE - 211 BCE

  • Orthogonal plan

    • "straight"/grid plan

  • Originally called Hippodamian plan

    • Hippodamius first to come up with this

      • Not true, 5th century bce when he was alive but first example was Egyptian and long before him

      • Maybe he popularized it

  • Very like New York

  • Everything neat and tidy

  • Decumanus – east-west street

  • Decumanus Maximus – main east-west street

    • Where intersection with cardo maximus will be major happenings – town square/Forum

  • Cardo – North-south street

  • Cardo Maximus – main north-south street

    • Where intersection with decumanus maximus will be major happenings – town square/Forum

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Cosa, reconstruction drawing of arx dominated by their Capitolium

Early Republic Period

509 BCE - 211 BCE

  • North/South/East/West gates will mark ends of the decumanus and cardo

  • Old greek colony – becomes a Mini Rome

    • Many buildings look like Rome buildings

  • Southern corner

    • Garnered lots of attention

    • Mini hill

      • Imitate one of seven hills of Rome

      • Placed a temple to Jupiter Capitallinus

        • Capitalinus – just means who is Optimus Maximus one

          • Also includescapitalline triade

      • Just foundation survives now