Marie Antoinette /

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26 Terms

1
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Overview sentence?

Marie Antoinette en Chemise (1783), Vigee Le Brun, oil on canvas, (89.8 × 72cm), (MET)

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Date?

1783

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Dimensions?

89.8 × 72cm

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Location?

MET

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What was challenging about this portrait?

  • Too much deviation from tradition was challenging for public - confident cope as monarchy was in decline.

  • Robe en Chemise = shocking.

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Where can the influence of nature be seen?

  • Influence of Rousseau & idea of natural mother.

  • Flowers & ribbons = traditional.

  • Sublime background = dramatic.

7
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Source: what did Mary D Sheriff say about the Robe en Chemise reaction at the time?

“Malicious people said the Queen appeared in her underwear”

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Source: Albert Biome - how was she stereotyped?

“History tend to reduce people to stereotypes…Austrian Bitch”

9
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Composition key points?

  • Grand Status Portrait tradition.

  • Noble figure dominates space.

  • 3/4 pose to face viewer.

  • Clothing dominates

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Space key points?

  • Dominated by sitter

  • Ambiguous plain background.

  • Pushed towards picture plane - shallow space.

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Scale key points?

  • Domestic & intimate for Status Portrait.

  • Large straw hat & huge plume of ostrich feathers.

  • Smaller, delicate flowers act as foil & magnify her importance.

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Line key points?

  • Informality

  • Strong directional lines = structure & movement.

  • Downward diagonal of upper arm - follows gentle slope upwards = eye led to the rose.

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Form key points?

  • Softly modelled & sense of mass - gentle volumes of muslin.

  • Painterly - Watteau & Rubens influence.

  • Delicately defined forms of feathers - transparent oil glazes.

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Light & tone key points?

  • Tenebrism - illuminates Marie Antoinette - status.

  • Lit from side = dramatic, spotlight effect.

  • Gradation of tone in dress & arms define volumes of fabric & naturalistic anatomy.

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Colour key points?

  • Rococo palette - pale blues & pinks (feminine)

  • Neutral palette & brown desk create more serious mood = gravitas.

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Pattern, ornament & texture key points?

  • Free from excessive ornament apart from carving on console.

  • Naturalistic patterns = folds/ruffles of fabric.

  • Soft, tactile textures - delicate transparent oil glazes e.g. hair & feathers.

17
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Robe en Chemise context?

  • Imported from England

  • Sheer white muslin

  • Fastened down back, court at waist with a sash.

  • Underneath = layers of pale blue/pink silk.

  • Became synonymous with MA - her circle known as Chemise a la Reine.

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Status portrait effect?

Challenges & maintains conventions

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What was Vigee Le Brun inspired by in terms of philosophy?

  • Rousseau & The Enlightenment e.g. dress, hat & flowers.

  • But, her dress was seen as immodest for public appearances.

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In what context must the hostility towards the female monarch & female artist be seen?

  • Trianon (Grand & Petit).

  • Located in grounds of Versailles - given to MA in 1774 by King Louis XVI.

  • Intended as an escape from court life - based on English garden (less formal).

  • Trianon = problematic (not seen as French) & a product of the Enlightenment.

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How was this portrait inspired by technology?

  • Despite simplicity, Robe en Chemise was a luxury garment in 1780s.

  • Made from expensive fine, cotton fabric imported from England.

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Why did the French fear the monarchy and MA?

  • Feared the crown would form an alliance with MA mother’s house.

  • Mother = empress of Austria.

  • Many slanderous accusations levelled against her - worse because she was Austrian.

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How did this influence the perception of the monarchy?

  • Inflammatory - occupied an unusually threatening position & potentially powerful in her own right.

  • Louis XVI seen as weak & w no mistress.

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Context of materials, techniques & processes?

Palette & use of translucent oil glazes = excessively feminine.

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What satellite work removes this sense of femininity from a MA portrait?

David’s linear ‘Portrait of Marie Antoinette Before her Death” (1793).

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Who criticised this work?

  • Visitors to the Salon of 1783.

  • Key Salon for the reception of the monarchy.

  • VLG & MA underestimated poor timing of the portrait.

  • Anxious mood & desire for stability in France meant reception would only be hostile.