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1st Movements
slow intro
sonata allegro form
slow intros often have double dotted notes
1st Mvts → Mendelssohn Italian
no slow intro
allegro 6/8 → unusual for 1st Mvts
1st Mvts → Beethoven 5
4 bar intro creates illusion of slower tempo
varied tempo → oboe cadenza
opening rhythmic motif dominates the movement
1st Mvts → Mahler 1
slow intro →
intro is interrupted 5x by piu mosso fanfare
frequent tempo variation
2nd Movements
usually slow
2nd Mvts → Haydn 104
sextuplets develop melody
sturm and drang semiquavers → intensity
2nd Mvts → Mendelssohn Italian
funeral march
walking bass
3rd Movements
Minuet and Trio → Stately, 3/4, dance-like
3rd Mvts → Stamitz Op3 No2
traditional example → Minuet + Trio
3rd Mvts → Haydn 104
¾ dance metre
anacrusis develops into hemiola
3rd Mvts → Beethoven 3
faster → scherzo (too fast to dance)
3rd Mvts → Tchaik 6
waltz replaced by 5/4 dance
3rd Mvts → Mahler 1
uses Austrian landler rhythms (different kind of dance)
4th Movements
fastest movement
4th Mvts → Haydn 104
fast finale in cut common time
4th Mvts → Mendelssohn Italian
very fast saltarello
4th Mvts → Tchaik 6
breaks convention → slowest mvt in symphony
1st Movement Order
Mendelssohn Italian
Beethoven 5
Mahler 1
2nd Movement Order
Haydn 104
Mendelssohn Italian
3rd Movement Order
Stamitz Op3 No2
Haydn 104
Beethoven 3
Tchaik 6
Mahler 1
4th Movement Order
Haydn 104
Mendelssohn Italian
Tchaik 6