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Bata
Sacred drums used in rituals of the Santeria religion
Bossanova
Brazilian genre that emerged in the late 1950s and achieved great popularity both in Brazil and internationally in the 1960s; combined elements of samba and jazz in a cool, laid-back style
Cha Cha Cha
Cuban dance-music genre characterized by relatively simple dance rhythms and singing
Charanga
"Sweet sounding" Cuban ensemble associated with the danzon, danzon mambo, early Cuban cha cha cha and other dance-music styles; usually include flute, violins, piano, bass, and percussion with singers
Classic blues
A genre that came out of vaudeville, featured mainly women singers accompanied by professional jazz instrumentalists
Clave
Fundamental rhythm of Latin music; comes in four different varieties; often played on claves, but even if not actually played its presence is always implied
Creolization
Process of blending different cultures to create a new one
Cultural appropriation
Adoption of an element or elements of one culture by members of another culture
Cultural assimilation
A process of a majority culture forcing their beliefs and ways of being on minority groups or minority cultures
Cultural Genocide
Actions and measures of spiritual, societal, and cultural destruction employed with the intention of destroying the cultures and lifeways of particular nations or ethnic groups
Danzon
Creolized Cuban dance-music genre that essentially became the national dance of Cuba in the 1920s
Delivery
What the artists wear, how they dance, how they move on stage, and how the audience is invited to join in
Dum tek
The syllables for the two principal drum strokes used on the Egyptian tabla and other middle eastern percussion instruments. Dum is low pitched and deep, tek is high pitched and piercing
Egyptian tabla
Goblet-shaped, single-headed drum widely used in Middle Eastern and North African music, known for its vibrant and resonant sound
Localism
Pride in local traditions against foreignness
Mambo
Highly Afro-Cubanized form of Latin music that was crystallized by Perez Prado but is today principally identified with 1950s New York Latin big bands
Maqam
Term essentially meaning mode in Arab music; part of a large modal system comprising many maqamat
Mariachi
Popular music of Mexico that developed mainly in Mexico City through the synthesis of regional forms from rural areas and an eclectic range of Mexican and international music styles
Microtonalism
Use of intervals smaller than a semitone; aka "between the keys of the piano" is Western designation
Minstresly
In the mid 1850s, white performers appropriated and exaggerated African American performance practices, creating shows that were designed to entertain white audiences and that were derogatory to African Americans
Pan-Arabism
Identification with other Arabic-speaking peoples and Arab-Islamic history
Peking Opera
Best-known type of Chinese opera; features heightened speech, song, dance, mime, acting, and acrobatics
Raqs Baladi
Egyptian folk dancel term implies rural culture or origins
Raqs Sharqi
Professional entertainment and medium of women's dance, associated with Egyptian weddings
Regalia
Special clothing worn during music and dance ceremonies
Rural blues
Blues genre that developed in rural areas of the southern United States during the early 20th century
Samba
Umbrella term for a wide range of musical traditions of Brazil that share in common Afro-Brazilian musical and cultural ancestry
Santeria
Afro-Cuban religion based on traditional West African religious practices of the Yoruba people syncretized with Catholicism
Spiritual
Type of religious folk song that is most closely associated with the enslavement of African people in the American south
Steel pans
Afro-Trinidian instrument
Takht ensemble
Traditional Middle Eastern musical group, often considered the orchestra of Middle Eastern music; features instruments like the oud, qanun, kamanjah, ney, riqq, and darabukkah
Tango
Sensuous dance-music style of Argentine that achieved great international popularity in the 1920s/1930s
Taqism
Solo, instrumental improvisation in maqam-based Arab music
Vocables
Syllables used in vocal performances that do not necessarily have any linguistic meaning
Zar
Ancient healing ritual rooted in shamanistic practices and involving spirit possession and trance
Zheng
Chinese board zither chordophone of ancient heritage
Zither
Generic term for stringed instruments whose strings are fastened across a frame that lacks any projecting neck or arms
Black music features
Passed down orally
Sound quality- soulfulness
Technique-precise control over all elements of the musical performance
Delivery-what is worn, how they dance, how they move, how audience is involved