Stanislavski's key words

Units

smaller sections of the scene where the character has a smaller objective, which will lead them to their main objective.

Subtext

the underlying thoughts, feelings, and intention behind the character’s words.

Objective

what a character wants in that specific moment

Super objective

the overarching goal of the entire play

Given circumstances

the specific details of the character's life and situation that influence their behaviour and choices.

Method of Physical action

building a character’s behaviour through specific performable actions

communion

rapport between the actors, the way we deliver lines can change

Tempo Rhythm

inner and outer rhythm, changes when something happens

Magic If

characters putting themselves into the character’s situation.