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These flashcards cover key concepts from the MUMH 3500 lecture notes, focusing on significant composers, musical styles, and historical context from weeks 5 to 9.
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What is the characteristic style of Ars Subtilior?
Extreme rhythmic complexity, syncopation, intricate notation.
What innovative technique is associated with Francesco Landini's music?
Landini cadence (7–6–1 resolution) in the upper voice.
What musical style does John Dunstable's 'Quam pulchra es' represent?
Contenance angloise, characterized by rich 3rds and 6ths.
What features define Josquin des Prez's 'Ave Maria… virgo serena'?
Pervasive imitation, careful text setting, clear textual declamation.
What type of melodies are found in the early Lutheran chorales such as Luther's 'Ein feste Burg'?
Simple monophonic melodies meant for congregational singing.
What distinguishes William Byrd's 'Sing joyfully unto God'?
Highly imitative polyphony, lively rhythms, word emphasis through repetition.
What are two characteristics of Palestrina's polyphony in the 'Missa Papae Marcelli'?
Stepwise melodies and minimal dissonance.
How does the Italian madrigal differ from the French chanson?
Madrigal is a polyphonic setting of poetic text with word painting, while chanson is a strophic, light, dance-like secular song.
What is the 'Seconda Prattica' according to Claudio Monteverdi?
A style that prioritizes expressive text over strict counterpoint.
What key development occurred with the printing press in 1501?
The first polyphonic music printed, increasing dissemination of compositions.
How does monody differ from traditional polyphony?
Monody features a solo vocal line with basso continuo focusing on text and emotion.
What are the main differences between recitative and aria?
Recitative advances the plot in a speech-like manner; aria expresses emotions melodically.
In the context of the Reformation, what is a chorale?
A simple, singable melody for congregational participation.
How did the Council of Trent influence music during the Counter-Reformation?
Addressed polyphony’s intelligibility, pushing for clearer text settings.
Who exemplifies the use of expressive dissonances in early dramatic music?
Claudio Monteverdi in 'Cruda Amarilli'.