Baroque Music: Contrast, Instruments, and the Rise of the Concerto

0.0(0)
studied byStudied by 0 people
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
Card Sorting

1/14

flashcard set

Earn XP

Description and Tags

Question-and-answer flashcards covering major themes from the lecture notes on Baroque contrast, instrumental development, texture, and the early concerto.

Study Analytics
Name
Mastery
Learn
Test
Matching
Spaced

No study sessions yet.

15 Terms

1
New cards

What aesthetic principle is especially celebrated in Baroque art and music?

A love of strong CONTRAST between elements.

2
New cards

What does the term “Stile Concertato” refer to in Baroque music?

Music written for groups of instruments or voices whose sonorities are deliberately contrasted with one another.

3
New cards

At which Venetian church was Stile Concertato particularly cultivated?

St. Mark’s Basilica in Venice.

4
New cards

Which late-Renaissance/early-Baroque composer is most closely linked with Stile Concertato at St. Mark’s?

Giovanni Gabrieli.

5
New cards

During the Baroque period, what two related areas saw rapid improvement that enhanced instrumental music?

Instrument construction and performance technique.

6
New cards

Name three celebrated Baroque violin-makers whose instruments set new standards.

Stradivari, Amati, and Guarneri.

7
New cards

Which three violinist-composers were central to the early history of the concerto?

Arcangelo Corelli, Antonio Vivaldi, and Giuseppe Tartini.

8
New cards

What fundamental idea lies at the ORIGINS of the Baroque concerto?

Exploiting contrast between different instrumental forces (soloist vs. ensemble).

9
New cards

How were harmonic sequences often embellished in Baroque music?

With florid solo figuration placed above the sequence.

10
New cards

What structural device allowed composers to build larger forms by shifting between key areas such as I and V?

Systematic tonal contrast, paving the way for modern tonality.

11
New cards

Which stylistic development replaced modal thinking with a focus on major and minor keys?

The development of functional TONALITY.

12
New cards

What typical three-part pattern (Fast-Slow-Fast) derived from opera overtures was adopted in instrumental works?

The Italian overture (sinfonia) pattern.

13
New cards

Which formal design featuring recurring orchestral passages alternates with solo episodes in concertos and arias?

Ritornello form.

14
New cards

In the new Baroque texture, which two lines became the main structural pillars?

A florid, often independent Treble line and a Bass line realized as continuo.

15
New cards

How does Baroque texture differ from Renaissance polyphony?

Instead of equal, interweaving voices, Baroque music emphasizes contrast and hierarchy, spotlighting treble melody over a harmonic bass foundation.