AP Euro Art

Answer with term

Leonardo da Vinci, 1495-1498, Renaissance

The Last Supper

Michelangelo, 1501-1504, Renaissance

David

School of Athens, Raphael, 1510, Renaissance

School of Athens

Rembrandt, 1633, Baroque

The Storm on the Sea of Galilee

Watteau, 1717, Baroque

Pilgrimage to Cythera

Jacopo da Pontormo, 1525-1528, Rococo

The Entombment of Christ

Jacques-Louis David, 1787, Neoclassism

The Death of Socrates

Jacques-Louis David, 1793, Neoclassism

The Death of Marat

Jan Van Eyck, 1434, Northern Renaissance

Arnolfini Portrait

Turner, 1838, Romanticism

The Fighting Temeraire

Géricault, 1818-1819, Romanticism

The Raft of the Medusa

Monet, 1872, Impressionism

Impression, Sunrise

Monet, 1899, Impressionism

The Water-Lily Pond

Van Gogh, 1889, Post-Impressionism

The Starry Night

Seurat, 1884-1886, Post-Impressionism

A Sunday Afternoon on the Island of La Grande Jatte

Munch, 1893, Expressionism

The Scream

Picasso, 1937, Cubism

Guernica

Focused only on religious themes, unrealistic and 2 dimensional (5th-15th centuries)

Medieval

A revival of classical ideas (greek/roman) that emphasized humanism/realism, moving away from religious themes (1350-1620)

Renaissance

Focused on capturing everyday life and the world in extreme detail, using oil paints (1400-1600)

Northern Renaissance

A reaction against the symmetry of renaissance art incorporating motion/emotion, used by catholic church (1600-1750)

Baroque

An artistic style that replaced baroque, highly secular, emphasizing grace, charm, and gentle action (1720-1760)

Rococo

A reaction to baroque and rococo art, reverting back to renaissance themes of straight, clear, lines and roman/greek ideals (1760-1840/50)

Neoclassism

Appealed to emotion rather than reason, emphasis on nature and a rejection of classism (1780-1850)

Romanticism

Captured fleeting moments and the effect of light/color, focused on ordinary subjects (1860-1880)

Impressionism

Rejected the limitations of Impressionism, distorting forms by emphasizing geometric forms and using unnatural/random colors (1886-1905)

Post-Impressionism

A break from traditional art, moving more towards abstraction and a focus on modern themes of industrialization/war

20th Century Art

Emphasized the artists inner emotions over reality, bold colors, distorted forms (~1905-1920)

Expressionism

Subject matter is portrayed by geometric forms, emphasizing the 2-dimensionality of the canvas (1907-1914)

Cubism

Accepted all open standards of art and behavior and delighted in outrageous conduct (1920-1930)

Dadaism

Italian Renaissance painter known for blending science and art, in his works “Mona Lisa” and “The Last Supper” (1452-1519)

Leonardo da Vinci

Italian Renaissance painter/sculptor/architect known for his representation of High Renaissance artistic styles in the Sistine Chapel or “David” (1475-1564)

Michelangelo

Italian Renaissance painter/architect known for his mastery of the frescoes shown in “The School of Athens” (1483-1520)

Raphael

Flemish Northern Renaissance painter known for his realistic, 3 dimensional works shown in “Arnolfini Portrait” (1390-1441)

Jan Van Eyck

Italian Baroque sculptor known for developing the Baroque style of sculpture shown in “Apollo and Daphne” (1598-1680)

Gian Lorenzo Bernini

French Rococo painter known for spurring a revival of interest in color and movement, shown in “The Embarkation Cythera” (1684-1721)

Jean-Antoine Watteau

French Neoclassical painter known for his works “Oath of the Horatii” and “The Death of Marat” (1748-1825)

Jacques-Louis David

English Romantic painter, known as “the painter of light” because of his interest in color used to portray the “mood” of the artwork, shown in “The Fighting Temeraire” and “The Shipwreck” (1775-1851)

J. M. W. Turner

French Realist painter, known for his paintings of peasant farmers like “The Gleaners” and “The Man with the Hoe” (1814-1875)

Jean-François Millet

French Impressionist painter and leader of the impressionist movement by experimenting with natural light and bright colors, shown in works like “Impression, Sunrise” and “The Water Lily Pond” (1840-1926)

Claude Monet

French Post-Impressionist painter known as the “father of modern art” because of his analytical approach to nature, bridging the gap between Impressionism and 20th Century Art, shown in “The Card Players” and “The Basket of Apples” (1839-1906)

Paul Cézanne

Dutch Post-Impressionist painter known for his vivid colors and expressive brushwork, shown in “The Starry Night” and “Café Terrace at Night” (1853-1890)

Vincent Van Gogh

Spanish 20th Century painter/sculptor known for founding Cubism, shown in “Guernica” (1881-1973)

Pablo Picasso