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Structure
Intro (4 bars repeated)
Verse 1 (11 bars)
Verse 2 (11 bars)
Bridge (8 bars = 5 + 3)
Verse 3 (11 bars)
Bridge (8 bars)
Verse 3 × 2
Coda / Outro
Tonality
A major key signature at the start
Bm in the bridge section
Melody
Limited range for the lead vocal, with the interval of a major 7th (E - D#)
Use of repeated notes and frequent stepwise movement
Harmony
Tonic pedal (A) in the intro
Alternating A major (tonic) and D major (subdominant) in 2nd inversion as well as as a sus4 (G natural) chord in the intro
Verses: A major moves up a tone to B7 followed by E7 with a distinctive added minor 9th (F natural)
Bridge: Bm - Bdim - A and B7 chords
Dissonance
Texture
Melody dominated homophony
Block chords in piano part
Guitar is prominant
Rhythm, Tempo & Metre
4/4 Time signature
Swung feel to the quavers
Use of triplet crotchets & quavers in accompaniment (bar38)
Occasional use of syncopation e.g. bass in bar 14
Sonority
Piano plays block chords
Lead vocal has a narrow range - limited mostly to a fourth
Backing vocals have a wider range
Use of melismatic chant similar to a call to prayer
Conventional band set up