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verse
a poem, or piece of poetry; Poetry, esp. as involving metrical form; a particular type of metrical line
meter
the measured and rhythmic pattern of stresses and unstressed syllables in a line of poetry ( the type and number of feet in a line)
feet
the groups of stressed (long) and unstressed (short) syllables in a line of poetry
prosody
the science or study of poetic meters and versification
scansion
the art/act of scanning a line to determine metrical feet
normative meter
the standard, dominant, or guiding meter of a work
catalexis
common exception to normative meter; the omission of a syllable in a metrical foot (almost always the omission of an unstressed syllable in the final foot of a line)
trochee/trochiac
a pair of syllables with the stress on the first
iamb/iambic
a pair of syllables with the stress on the second
spondee/spondaic
a pair of stressed syllables
pyrrhic/pyrrhic
a pair of unstressed syllables
dactyl/dactylic
a foot of three syllables with the stress on the first
amphibrach/amphibrachic
a foot of three syllables with the stress on the middle
anapest/anapestic
a foot of three syllables with the stress on the last
monometer
line of one foot
dimeter
line of two feet
trimeter
line of three feet
tetrameter
line of four feet
pentameter
line of five feet
hexameter
line of six feet
heptameter
line of seven feet
octameter
line of eight feet
masculine rhyme
accented, one syllable rhyme
double rhyme
two syllable rhyme
feminine rhyme
double rhyme in which the first syllable is stressed
triple rhyme
three syllable rhyme
end rhyme
rhyme positioned at the end of lines
internal rhyme
rhyme positioned within lines
rime riche ( rich rhyme)
consonants proceeding the rhyming elements are also identical
eye rhyme
spellings of the rhyming elements match, but sounds do not
half-rhyme (slant rhyme)
vowel sounds of the rhyming elements do not match
rhyme scheme
correspondence of rhyming sounds; identified by the first end rhyme represented by an “a”, the next by a “b”, so on
couplet
two lines of verse coupled by rhyme
heroic couplet
two lines of rhyming iambic pentameter
tercet
three lines of verse linked by a single rhyme
quatrain
a stanza of four lines, rhymed or unrhymed
ballad stanza
only one set of rhymes in a quatrain; most abcb
quintet
fine line stanza
sestet
six line stanza
septet
seven line stanza
octave/octet
eight line stanza
sonnet
14 lines of iambic pentameter with intricate rhyme scheme
Italian (Petrarchan) sonnet
consists of an octave and a sestet, typically abba abba cde cde
English (Shakespearian) sonnet
consists of 3 quatrains and a couplet, typically abab cdcd efef gg
rhyme royal
seven lines of iambic pentameter rhyming ababbcc; also known as the chaucerian stanza,
ottava rima
eight line stanza rhyming abababcc
Spenserian stanza
nine lines, the first eight of iambic pentameter and the last of iambic hexameter (alexandrine), rhyming ababbcbcc
blank verse
line of unrhymed iambic pentameter
free verse
no regular meter and no end rhyme, although containing possible repetitive patterns
limerick
English verse form consisting of five anapestic lines first found in the 1820s; uses rhyme schema abba ( the third and fourth Ines containing two stresses and the others three); usually self contained, humorous (often bawdy), and involving the names of people or places
visual poetry, concrete poetry, or technopaegnia
communicates using the visual appearance of a poem on the page
descriptive
evocative descriptive language is used
discursive
organized like an argument or essay
dramatic
consisting of a series of scenes, vivid with detail
narrative
straight forward chronological framework
imitative
mirroring the structure of something that already exists
reflective or meditative
pondering a subject of theme, turning it over in the mind