Music History III Exam 1 listenings
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21 Terms
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Carl Maria von Weber
Der Freischütz
Overture
1817-21
just orchestra
recording
Carl Maria von Weber
Der Freischütz
Wolf’s Glen Scene
1817-21
orchestra + voice
recording
Franz Liszt
Études d’exécution transcendante d’après Paganini, S.140
No. 6, “Theme and Variations”
1838
recording
Clara Schumann
Piano trio in G Minor, Op. 17
mvt 3
1846
piano, then violin enters, then cello
recording
Franz Schubert
Gretchen am Spinnrade
N/A
1814
female voice, German
agitated piano accompaniment depicting spinning wheel
minor
recording
Franz Schubert
Winterreise
No. 1 “Gute Nacht”
1828
male voice voice, German
simple piano accompaniment
minor sound for first 3 stanzas, major for the fourth stanza but back to minor at the end
recording
Hector Berlioz
Symphonie fantastique
mvt 1 “Rêveries—Passions” [Daydreams—Passions]
1830
recording
Hector Berlioz
Symphonie fantastique
mvt 5 “Songe d’une nuit du sabbat” [Dream of a Night of the Sabbath]
1830
recording
Frédéric Chopin
Nocturnes, Op. 15
no. 2 in F-sharp Major
1830-32
recording
Robert Schumann
Carnaval
“Eusebius,” “Florestan,” and “Coquette”
1834-35
recording
Franz Liszt
Les Préludes
1856
recording
Johannes Brahms
Symphony No. 4 in E Minor, Op. 98
mvt 4
1884-85
recording
Piotr Il’yich Tchaikovsky
The Nutcracker
Act I, Scene 4 (Dance)
1892
recording
Piotr Il’yich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74 (“Pathétique”)
mvt 3
1893