King Lear critics

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19 Terms

1
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Kibin quote about deception

‘Deception and lies are what make ‘King Lear’ a tragedy’

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Quote from ‘Filthy Shakespeare’ By Pauline Keirnan (Oxford Professor)

‘We don’t realise that harmless sounding words are actually displays of sparkling coded sexy dialogue’

3
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Aja Romano on Lear and Trump

‘Donald Trump has drawn comparisons to Shakespeare’s famous madman, King Lear… tendencies to be brash, full of rage and bellows’

4
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Bartelby Research on the wise fool

‘King Lear's fool is undoubtedly one of the wisest characters in the play.’

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John Danby on Edmund’s illegitimate soliloquy

    ‘No medieval devil ever bounced on to the stage with a more scandalous self-announcement.’

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Jan Knott on the theme of King Lear

‘The theme of King Lear is the decay and fall of the world’

8
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AC Bradley on the plays poetry

‘One of the world’s greatest poems’

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Jordan Peterson on archetypes

‘Shakespeare is a master of exploring the contours of the architypes’

10
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Kathleen McCluskie on misogyny

‘Lear is a misogynist’

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Critic on the Fools truths

They become ‘inescapably urgent during this age of fake news and self-deluding echo chambers’

12
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E.M Forster on characters

E M Forster ‘Aspects of the Novel’ (1927) famously divided characters into ‘flat’ and ‘round’.

13
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Jan Knott on Lear’s character

‘Lear is ridiculous, naive and stupid’

14
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Helen Norris on Gonerill and Rhegan’s sins

‘these are not only personal sins, but an upsetting of civilised values’

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Lamar on the principal theme in the play

‘The education and purification of Lear’

16
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John Danby on nature

‘King Lear can be regarded as a play dramatising the meaning of the single word ‘nature’’

17
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Critic Woods on Edgar’s disguise

‘If madness involves a loss of self as identity becomes incoherent, Edgar’s disguise is a form of madness’

18
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Critic King on violence and morality

Shakespeare’s aim is to convert the stuff of violent entertainment into a shocking moral ordeal for its witnesses’

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O’Toole on the ending

‘we are brought back from the brink of a comfortable conclusion, forced to remember Lear and his suffering'