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Theatre
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Reacting
The process of responding to stimuli or events, often involving emotional or physiological changes. In a classroom context, reacting can refer to how students engage with or process information presented during lessons or discussions.
Climax
The point of highest tension in a narrative where the main conflict reaches its peak, leading to a turning point in the story.
Antagonist
The primary character or force that challenges the protagonist, often creating obstacles that lead to the central conflict of the story.
Protagonist
The main character in a narrative, often facing challenges and conflicts that drive the plot forward. The protagonist typically has goals and motivations that engage the reader's empathy.
Stage Left
The area of the stage that is to the left of the actor when facing the audience, often used for entrance and exit of characters during a performance.
Stage Right
The area of the stage that is to the right of the actor when facing the audience, commonly used for character entrances and exits during a performance.
Pantomime
A theatrical performance in which gestures and body movements are used to convey a story without spoken words, often employing exaggerated expressions.
Motivation
The reason behind a character's actions or behavior in a performance, which helps to drive the story and engage the audience.
Subtext
The underlying meaning or intention behind a character's spoken words, often conveying emotions or thoughts that are not directly expressed.
Improvisation
The act of creating and performing spontaneously, without a script or pre-planned dialogue, often involving quick thinking and creativity in acting.
Ensemble
A group of performers who work together to create a cohesive production, often emphasizing collaboration and collective artistry in theater or performance.
Cyclorama
A large, curved backdrop used in theater to create the illusion of sky or distant landscapes, often enhancing the overall visual effect of a production.
Script
A written text of a play, film, or broadcast, detailing the dialogue, actions, and instructions for performers.
Counter
A flat, horizontal surface or platform used in theater to support props, set pieces, or as a stage area for performers.
Open up/Cheat out
A technique used in theater to create a more open and accessible stage layout, allowing performers to engage the audience better.
Cross
To move from one side of the stage to another, often used in blocking to enhance visibility and interaction with the audience.
Proscenium
The part of a theater stage that is in front of the curtain, typically framed by an arch, allowing the audience to view the performance as if through a picture frame.
Chorus
A group of performers who sing or speak together, often providing commentary or background to the main action of the play.
Superobjective
The overarching goal or desire that drives a character throughout a play, guiding their actions and decisions.
Thrust
A stage design that extends into the audience, allowing viewers to sit on three sides, enhancing audience engagement and intimacy.
Arena
A type of stage surrounded by the audience on all sides, creating a 360-degree viewing experience.
Prop
Any object used on stage by actors to enhance storytelling and visual effects.
Set
The arrangement of scenery and props used in a play or performance to create a specific environment.
Upstage
The area of the stage that is farthest from the audience, often used to indicate a position away from the primary action.
Downstage
The area of the stage that is closest to the audience, often used to indicate a position where the action is most visible.
Center Stage
The central area of the stage, typically where the main action occurs and is most visible to the audience.
Make note of at least 2 themes in A Wrinkle in Time and how they’re shown in the text
(evidence).
Themes of love and courage are prominently displayed through Meg's journey to rescue her father and her growth in self-acceptance throughout the story.