Visual Effects, Sound Design, Marketing, and Distribution

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Flashcards on key vocabulary terms from lecture notes.

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36 Terms

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Visual Effect Supervisor

Creatively responsible for achieving VFX for director and producer; manages artists, technical aspects, and production talent.

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Sound Design

Sound effects, ADR, foley, and music

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Sound Designer

Creative force for a film's audio track (dialog, sound effects, mix, etc.)

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Score

Original music written specifically for a film.

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Titles

Opening credits

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Audio Mix

Combine dialogue, ambiance, sound effects, and music; includes volume, echo, frequency, dynamics, reverberation.

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M&E

Music and effects; basically entire audio track minus dialog

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Chain of Title

Documentation/all agreements, deal memos, certificate of origin/nationality, E&O insurance, residuals.

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Composition

Notes and words on a page; the underlying musical work that is copyrighted

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Phonorecord/Master Recording

Derivative work of composition recorded by artist as expression of composition

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Still Images/Photos

First glimpse of a film/tv for the public

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Theatrical Trailers

First chance to truly promote to target audience

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One Sheet

A film poster in theaters

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Product Placement

Paid active or passive insertion of film brand in TV show or mention in dialogue

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WOM

Word of mouth

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Promotional Tour

Stars, directors, writers, and producers appear for media.

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Press Junket

Journalists, entertainment reporters and movie critics flown to a special location to interview creators and stars

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Publicity Stunt

Orchestrated media event with something crazy or spectacular to draw attention to film

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Immersive Experience

Create a ‘world’ for fans to partake in firsthand

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Demographic Marketing

Market to specific targets or niches

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Tracking

Audience awareness of film -> important six weeks out

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Domestic Theatrical Distribution

United States and Canada

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Platform Release

Marketing campaign to force large per-screen averages high to encourage further booking in other theaters and other towns

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International Distribution

Outside US and Canada

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Box-office Gross Ticket Sales

Money received at the box-office

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Theatrical Rentals

Amount of money from box-office gross that eventually reaches the distributor/ after fee

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Distribution Fee

First thing distributor does with Theatrical Rentals is carve a percentage as a commission

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Distributor/P&A Expenses

Prints and Advertising costs: any expenses made by the distributor in connection with the release/ includes press junkets/ advanced by distributor and recouped from the remaining (after fee) theatrical rentals before paying anything to producer studio indie finance

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Negative Cost

Entire cost of producing and finishing film/ amount paid back to investors fro private or other money provided by producer indie finance or studio/ paid investors AFTER theatrical rentals number has paid back all p&a by distributor/ “may include finance fees that could go to producer for raising funds for film vs producing film

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Distributor Split

Arrangement made by then Producer/Studio/Indie Financier and Distributor as to what happens to money left over from Theatrical Rentals after Distribution Fee and P&A expenses are fully recouped/ favor distributor: may require split fo remaining money with prod studio indie finance/ large distribution fee 27% (may be overall pay for the job) no better deal taje advantage of 20-30 or 50 of leftover money/ distributor often takes much lower fee 12-15 to justify splitting remaining rentals with producer

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distribution fee

25-30%/ first thing distributor does with theatrical rentals is percentage a commission aka dis fee/ amount lost to producer/ indie financier studio stays with distributor regardless of producer or indie finance collect money

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distributor expenses

P&A ie marketing

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P&A

prints and advertising ie marketing

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distributor split

left over if any is split with producer studio indie financier and distributor

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theatrical rentals

money from box office gross that eventually reaches the distributor/ paid by various theaters and theater companies/ 47.5% box office for indie[endent production companies and high as 53% for studios/ box office gross reported in the trades in approx double what is paid to the distributor: number needed is theatrical rental number not gross

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order of math

domestic rentals/ distribution fee/ p&a cost/ split/ negative cost