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ashlar masonry
carefully cut and grooved stones that support a building without the use of concrete or other kinds of masonry
bandolier bag
a large heavily beaded pouch with a slit on top worn at the waist with a strap over the shoulders
chacmool
a Mayan figure that is half-sitting and half-lying on his back
corbel arch
a vault formed by layers of stone that gradually grow closer together as they rise and eventually meet
coyolxauhqui
an Aztec moon goddess whose name means “Golden Bells”
huitzilopochtli
an Aztec god of the sun and war; sometimes represented as they rise and eventually meet
kiva
a circular room wholly or partly underground, used for religious rites
potlach
a ceremonial feast among Northwest Coast American Inidan in which a host demonsrates his or her generosity by bestowing gifts
pueblo
a communla vilages of flat-roofed structures of many other stories that are stacked in terraces; made of stone or adobe
relief sculpture
a sculpture that projects from a flat background
repousse
a type of metal relief sculpture in which the back side of a plate is hammered to form a raised relief on the front
roof comb
a wall rising from the center ridge to a building to get the appearance of greater height
teepee
a portable Indian home made of stretched hides placed over wooden poles
thaloc
ancient American god who was highly revered; associated with rain, agriculture, and war
t’oqapu
small rectangular shapes in an Inkan garment
transformation mask
the chief feature of the mask is its ability to open and close, going from a bird-like exterior to a human faced interior
Coyolxauhqui
Moon goddess and warrior, wears bells as earrings. Daughter of Coatlicue,
Coatlicue
Earth goddess. Mother of Coyolxauhqui and Huizilopochtli.
tawantinsuya
“the land of four quarters”, what Incans called themsleves
Aclla
chosen women picked to serve in the city of Cusco, making maize alcohol and weaving things like cumbi (e.g. all-t’oqapu tunic)
ceques
imaginary lines radiating from Qorikancha to sacred shrines (wakas) in the Incan empire