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Cataphoric reference
where a word refers to a later part of a text for its meaning (e.g. in the following text, the capitalized words refer cataphorically to "Sarah": Although I had not seen HER in years, I recognised my OLD FRIEND Sarah immediately.)
Dialectical structure
a three-part argument, moving from thesis (an initial argument) to antithesis (the
counterargument) and finally to a synthesis that combines the two
Direct speech
the use of the exact words spoken by a speaker/character
Discourse
any spoken or written language that is longer than a single sentence
Discursive
a style in which facts and opinions are put forward and explored in order to develop an argument
Exophoric reference
where a word refers to something outside a text for its meaning, typically as a consequence of a
writer or speaker's expectations as to the knowledge already possessed by the text's intended audience
First person narrative
where a character in a story narrates the events that they are experiencing. Recognised by the
use of "I", "we", "us", "our"
Foregrounding
using grammatical or syntactic devices to draw attention to a particular idea in a text
Form
generally, the specific type of whatever category is being considered (e.g. textual form, verb form, grammatical form). Used on its own, "form" often refers to textual form. The division of texts into specific
forms (e.g. speech, dialogue, poem, novel, website) involves categorising texts according to how
their structural elements combine to create a unified and recognisable whole.
Different forms of text can usually be subdivided into genres (e.g. persuasive speech, romantic
novel, cooperative dialogue), depending on their content.
Formality
the extent to which spoken or written texts either conform to standard conventions or employ more personal language strategies
Genre
a subdivision of textual form determined by the text's content (e.g. fantasy novel, tragic play ballad, online review, television commercial, formal report)
Implicature
a meaning that is suggested by an utterance, rather than being explicitly stated or directly entailed by the words used
In medias res
beginning a narrative in the middle of the events without any build-up or initial explanation
Inference
the act of deducing implied meanings
Intertextuality
where a text produces additional meaning by referring in some way to another text
Irony
when the intended meaning of a text or utterance differs radically from its literal interpretation
Narrative structure
the way in which a story is constructed
Omniscient narrator
where the narrator in a story knows all the thoughts, actions and feelings of the characters
Perspective
point of view
Prose
ordinary language, without a rhyming pattern or rhythmic structure
Protagonist
the main character in a literary work
Purpose
a writer or speaker's main aim when producing a text
Register
the variety of language used in a particular situation, particularly with regard to levels of formality
Second person narrative
when the reader is addressed directly, typically through the use of "you", "your", "yours", etc
Simile
a figure of speech which makes a comparison between two different things which have one point of likeness, usually using the words "like" or "as" (e.g. "she was as fast as lightning")