Byzantine

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Art History

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19 Terms

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Hagia Sophia

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San Vitale

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Justinian and His Retinue

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Theodora and Her Court

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Christ Enthroned Between St. Vitalis and Bishop Ecclesius

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The Emperor Triumphant

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Theotokos and Child Between Saints Theodore and George

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Christ as Pantokrator

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Pendentive

Triangular segment of a sphere that filled the upper corners of a room to support a dome

<p>Triangular segment of a sphere that filled the upper corners of a room to support a dome</p>
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Encaustic

Painting technique that involves applying a heated wax medium mixed with pigment to a surface

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Icon

Sacred images of holy figures, events, and angels that were believed to connect worshippers to Christ, Mary, or other saints.

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Iconoclasm

Theological debate and a period of time when the production and use of religious images were as prohibited by imperial law

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Mandorla

Almond-shaped aureole that surrounds the entire body of a holy figure

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Theotokos

Virgin Mary as the Mother of God

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Pantocrator

Jesus Christ as the “ruler of all” or “all-powerful”

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Illuminated Manuscript

Religious documents that often depicted Christianity

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Theocracy

Empire’s political ideals and goals were based on Christian values and ideals

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Constantinople

The term for the Eastern half of the Roman Empire in the Middle Ages refers to the previous name of the city, Byzantium. Transformed and renamed by Constantine.

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Hagia Sophia and San Vitale

Emperor Justinian, in his efforts to reunite both halves of the Roman Empire, built these churches in Constantinople and Ravenna.