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Anthropomorphic
In human form
Caryatid
Female statue used in place of a column
Centaur
Beast combining human and equine form
Chiasmos
Structural pattern of balanced opposites, especially in a standing nude male sculpture.
Chiton
Long thin garment, usually sleeved.
Contrapposto
A type of weight shift that results in balance across a median axis. Often used for any weight-shift pose.
Cult Statue
Conventional term (not without its detractors) for statue set at the back of the cella of a temple. It is believed to mark or invite the presence of the deity at cult activities taking place before it.
Deadalic
Orientalizing style in art primarily of the seventh century.
Dialectic
In philosophy, use of argumentation to present and clarify an issue. Generally used for process of back-and-forth exchange.
Dorian
Dialect group primarily located in the Peloponnese, Crete and southern Aegan islands, believed to result from a “Dorian Invasion” during the Dark Age.
Doric
One of the three Greek architectural orders. Also used of Dorian dialext.
Hexastyle
Having six columns
Himation
Heavy wrapped mantle
Humanism/humanistic
Belief that mankind is, to some degree, in control of its own circumstances rather than being entirely subject to fate/divine will.
Hymettian marble
Blue-grey stone from Mt. Hymettos, often used for color contrast with white Pentelic marble. Both sources are in Attica.
Intercolumniation
Distance between two adjacent columns.
Kleos
Fame or glory
Kore (plural Korai)
An unwed girl. Used (in modern times) for the Archaic draped female statues used as votives and grave markers.
Kouros (plural Kouroi)
Archaic standing nude male figure.
Meander
Key pattern, very popular in Geometric art, but used throughout Greek art.
Metope
Panel alternating with triglyphs in Doric frieze. Often hold sculptured, occasionally painted, decoration.
Monopteros
Peristyle building with no sekos
Moschophoros
Calf-bearer
Neo-Attic
Originally used of a group of late Hellenistic and Roman sculptors who signed with Athenian ethics. Now extended variously to refer to works of that period that display Classicizing and Archaizing styles, often using fixed figural types.
Omphalos
“Navel.” That at Delphi, used as an attribute of Apollo, was held to be the center of the universe.
Opisthodomus
Back porch of a temple.
Panhellenic
Common to all Greeks
Paryphe
Widened central pleat of a draped garment, often decorated.
Patronymic
In signatures and other inscriptions, term indicating father’s name.
Pediment
Area within the gable at the end of a temple or similar structure.
Peplos
Heavy woolen garment worn by women. Used of two rather different garments, one common in Archaic times, the other in Classical and later eras.
Perceptual
A rendering that focuses on reproducing things as they appear more than as they actually are.
Physiognomics
Study of the relationship between human outward appearance and inner nature.
Plinth
Section of stone cut together with feet of statue to allow setting into a base.
Polis (pluaral poleis)
Greek city-state
Polos
Cylindrical headgear, either tall or flat, worn by goddesses in Near Eastern and Orientalizing Greek art
Polychromy
Use of multiple colors
Pronaos
Front porch of a temple
Strigil
Body-scraper used by athletes after training or competition
Synchronism
Dating method that depends on connecting undated finds from one culture with datable objects from one or more other cultures.
Synoptic or compressed narrative
A scene that implies narrative by depicting together elements from sequentially separate episodes.
Triglyph
Element separating metopes in Doric frieze
Tympanum
The back wall of a pediment
Verism/veristic
Of portraiture, indicates and image that appears to represent its subject with exact verisimilitude, with no suppression of flaws or signs of age. Contrasts with idealism.
Votive
An object dedicated to a deity, in hope of obtaining divine favor.