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15A PLUG
Standard domestic power connector in the US.
20A PLUG
Standard power connector in US theaters with three round metal contacts (live, neutral, and earth).
ADAPTOR
Connector allowing multiple devices to connect to a single power outlet; can also refer to a jumper.
AMBIENT LIGHT
Background light in a venue with no stage-lighting sources switched on.
AMPERE (AMP)
Standard unit for measuring electrical current in a circuit.
ATTRIBUTES
Controllable parameters of a moving light, including pan, tilt, color wheels, and gobo selection.
BACK PROJECTION
A method of projecting images onto a screen from behind.
BACKLIGHT
Light coming from behind scenery or actors to separate them from the background.
BATTEN PIPE
Horizontal metal tube from which lighting equipment and scenery may be suspended.
BARN DOORS
Rotatable metal flaps attached to lanterns to control the beam direction.
BATTENS
Timber used for various purposes in lighting, including carrying hanging cloths and joining flats.
BEAM ANGLE
The angle of the light cone produced by a lantern.
BELTPACK
Part of the communication system in a theater, containing controls for headsets.
BLACKOUT
Complete absence of stage lighting; can also refer to the act of turning off stage lighting.
BLINDERS (Audience)
Lamps directed into the auditorium to prevent spectators from seeing the stage.
BOOM
Vertical scaffolding pole for mounting lanterns, often used for side-lighting.
BOOM BASE
Wooden board used as a base for lighting booms.
BOOTH
Control room in a theater.
BORDER
Narrow horizontal masking piece to mask the lighting rig from the audience.
BREAKOUT
Connection at the end of a multicore cable allowing multiple items to connect.
BREAKUP
Abstract gobo used to create a textured light effect.
BRIDGE (CATWALK)
Walkway providing access to technical areas above the stage or auditorium.
BUMP
Sudden jump in light level.
BUMP CUE
Lighting cue that instantly increases lighting to a brighter level.
BURNT OUT
A colored gel that has lost its color due to excessive heat.
C CLAMP / C-CLAMP
US equivalent of the UK Hook Clamp, used for securing lighting equipment.
CALL
Notification for a working session or request for an actor to come to the stage.
CALLING THE SHOW
Process of giving verbal cues to technical departments during a performance.
CLEAR-COM
Communication system used for coordination during performances.
CHANNEL
Control path for signals in lighting or sound equipment.
CHASE
Repeated sequence of changing lighting states.
CHEAT SHEET
Smaller version of the lighting plan used by the lighting designer.
MASTER ELECTRICIAN
Senior member of the stage lighting team, responsible for electrical maintenance and design.
CIRCUIT
Means by which a lantern is connected to a dimmer or patch panel.
COLOR CHANGER (Scroller)
Device for changing colors in front of a lantern.
COLOR FRAME (Gel Frame)
Frame that holds the color filter in front of a lantern.
COLOR MIXING
Combining effects of two or more lighting gels.
CRESCENT WRENCH
Adjustable hand wrench used in lighting setups.
CROSSFADE
Bringing another lighting state up to replace the current one.
CUE
Command given to technical departments for a specific operation.
CUE TO CUE
Cutting out action between cues during a technical rehearsal.
CUEING
Standard sequence for giving verbal cues.
CYC LIGHTS
Fixtures that illuminate the cyclorama.
DIFFUSION
Filter used to soften the edges of a light beam.
DIGITAL DIMMER
New generation of dimmers responding directly to digital outputs.
DIMMER RACK
Collection of individual lighting dimmer circuits in a single case.
DMX Terminator
Connector used at the end of a DMX run to absorb data signals.
DMX512
Digital multiplex standard for lighting control.
DOWNLIGHT
Light coming from directly above the acting area.
DRESS LIGHTING
Low-level lights provided while the audience enters the venue.