The Geometric Period

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49 Terms

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Geometric Period

  • 900-700 BC

  • Split in 3 Parts

    • Early Geometric: (900-850)

    • Middle Geometric: (850-750)

    • Late Geometric: (750-690)

      • Late Geometric I 750-730

      • Late Geometric II 

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<p>Attic neck-handled amphora </p>

Attic neck-handled amphora

  • was used for male cremation urn

  • minimal geometric design

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Early Geometric Pottery

  • 900-850

  • light on dark

  • minimal geometric design

  • Introduction of meander 

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Meander 

  • A repetitive decorative pattern found on pottery 

  • represents concepts of infinity 

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<p>Middle Geometric Period </p>

Middle Geometric Period

  • 850-750 BC

  • greater elaborative design 

  • Meander is the focus 

  • Light on dark 

  • focus on geometric pattern more intense

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pyxis

  • a cosmetic box

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<p>Late Geometric Period I</p>

Late Geometric Period I

  • 750-730 BC

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Dipyleon Gate and Karameikos Cemetary

  • The main gate outside Athens 

  • Cemetery around the walls of Athens 

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<p>Dipyleon Amphora&nbsp;</p>

Dipyleon Amphora 

  • worked as grave markers 

  • Late Geometric

  • 5’ 1”

  • c. 750 BC

    • When the establishment of the first cities began

  • made by the dipyleon master 

  • female grave marker 

    • belly handle 

    • marked an inhumation burial 

    • Likely for an aristocratic woman 

      • Marks the existence of the aristocratic class 

        • was a world where there were influential and wealthy women

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Decoration on the Dipyleon Amphora

  • meander

  • zigzags 

  • chevrons  → These designs would be everywhere

  • lozenges

  • concentric bands

  • Humans

    • the 8th century is the first time that the human form reappears in art.

  • gazelles

  • horses

  • goats

  • ducks

  • *Prothesis

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8th century 

  • the 8th century is the first time that the human form reappears in art.

    • the 8th cent was a Renaissance period

      • colonization, reemergence of writing and art, establishment of literature, philosophical development, the emergence of the state 

    • a desire for order and patterns

    • The State supersedes the powers of families who were the dominant

      forces before.

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Prothesis

  • laying of the deceased

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Prothesis on the Dipyleon Amphora 

  • the men are depicted as naked, the women are clothed 

  • There is a shroud wrapped around the deceased 

  • women kneeling 

  • men seated and standing 

    • are all pulling at their heads as if they are pulling out their hair

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Burial in the Geometric Period

  • In the 8th century, there were both inhumation and cremation burials 

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<p>Dipyleon Krater </p>

Dipyleon Krater

  • Dipylon Krater

  • Late Geometric

  • 4’

  • c. 750 BC

  • Symposium vessel

  • Male grave marker

  • depicts a prothesis as a well an Ekphora 

    • there are soldiers using figure 8 Shields, but people from this time wouldn't know about the Mycenaean

      • So likely a reference to Homer

        • This krater could depict a Homeric scene 

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ekphora

  • a funeral procession

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symposium

  • an event for men to eat, drink, and discuss topics concerning military, philosophy, society, and mythology 

  • sometimes high-class prostitutes would be present and participate

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Development of Athenian cremation burials over time

10th-9th century (cinerary urns)

  • Men : Neck-handled

  • women : Belly handle

8th century (grave markers)

  • Men : Krater

  • Women : Belly handle

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<p>Krater&nbsp;</p>

Krater 

  • 760-735 BC, Late Geometric I

    • depicts combat on a ship

    • has a mythological reference

      • Jason and the Argonauts?

      • Trojan War?

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<p>Krater, Thebes</p>

Krater, Thebes

  • 730 BC

  • Paris abducting Helen?

  • was a symposium vessel 

    • These painted images would be points of conversation 

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<p>Neck-handled Amphora&nbsp;</p>

Neck-handled Amphora 

  • Late Geometric II (730-690 BC)

  • Depicts

    • mourners, warriors, and horses 

    • snakes on the shoulder 

  • Repetitive patterns are now mixed in with wavy lines 

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<p>Ionian&nbsp;“bird bowl”</p>

Ionian “bird bowl”

  • 625 BC

  • “Subgeometric style” continues into the 7th century

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  • Human form reappears in art

  • Reinvention of writing

    • - earliest authors: Homer, Hesiod

  • Polis, c. 800 BC - all burials extramural; communal cemeteries → previously they were family plots

    • It was illegal for them to take place in the city

    • This was how they were able to identify the beginning of the polis

  • Rise in population → signals economic prosperity

  • Colonization (Korkyra; Syracuse; Magna Graecia)

    • There was land hunger

  • Formalization of religious centers (sanctuaries)

    • Panhellenic sanctuaries (Olympia, Delphi)

  • Rule largely by elite: aristocracies/ oligarchies

  • Trade increases (bronze reappears)

  • Hero cults flourish

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<p>Syrian-Cretan bronze lyre-player</p>

Syrian-Cretan bronze lyre-player

  • Crete

  • 8th century BC

  • could be a bard singing Homeric epics or Apollo

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<p>Bronze armor from a “heroic” burial at Argo</p>

Bronze armor from a “heroic” burial at Argo

  • late 8th century BC

  • The helmet resembles those worn by soldiers of the Assyrian Empire

    • demonstrates that the near east is stimulating a lot of these developments

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<p>Bronze cremation urn w/ marble lid and stone receptacle</p>

Bronze cremation urn w/ marble lid and stone receptacle

  • West Gate Cemetery at Eretria → is located on Euboea

  • c. 720 BC

  • Grave goods: gold diadem, iron weapons, bronze bowls, and Mycenaean bronze spearhead

  • 14 later graves were found around the burial

    • Family plot → aristocratic family

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Memory

  • the concept of memory was very important for the people of the time

    • the memory of ancestors

      • serve as the foundation of the aristocratic families

        • serves as a source of legitimacy

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Phases of the West gate cemetery at Eretria

  • showing how private graves evolved into family cemeteries and then monumental shrines to civic "heroes"

    • Communalization of memory (Neer)

      • the family memory becoming part of the memory of the community

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<p>Plan of a probable ruler’s dwelling (basileos) at Nichoria</p>

Plan of a probable ruler’s dwelling (basileos) at Nichoria

  • 975 - 800 BC

  • When the king is removed, the kings house becomes the religious part of the community and as cities developed a lot of the houses of the king become the location of temples 

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Elements of Greek Sanctuaries

  • Altar

    • Where offerings of food would be given

    • during special events animal would be sacrificed

      • The animals would be eaten

    • The altar was the most central and important part of the sanctuary

  • Temple

    • storage of the wealthiest and most important items, a treasury

      • would make artworks out of gold and offer it to the gods

      • on days of worship, the doors would be open in order for the cult statue to be seen

      • there were no windows

    • People did not worship in the temple

      • was considered the house of the god

    • It would have a cult statue of the gods and any offerings made to the gods

    • was the monumentialization of the altar

  • Temenos

    • "The sacred space" or “the boundary"

    • demarcated the mundane from the sacred

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Greek Religion

  • in Greek religion there is an understanding of reciprocity

    • at this point of time, it wasn't a personal relationship

    • it was about having the right relationship with the gods

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Greek Sanctuaries

  • Patron deity of polis often had sanctuary on acropolis

    • Temple of Athena at Athens

    • Temple of Hera at Argos

    • Temple of Apollo at Eretria

  • Sanctuaries were built on the borderlands of cities

    • would have one on the east and the west

      • Corinthian sanctuary of Poseidon at Isthmia

        • Corinth’s Sanctuary at Isthmia allowed them to control the entire Isthmus

          • eventually become a pan-hellenic sanctuary

      • Corinthian sanctuary of Hera at Perachora

        • Corinth’s Sanctuary at Perachora allowed them to control the Corinthian Gulf

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acropolis

the highest point of the city

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<p>Apsidal House or Temple</p>

Apsidal House or Temple

  • early 8th c. BC

  • Perachora near Corinth

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<p>Rectilinear clay temple model from the sanctuary of Hera near Argos</p>

Rectilinear clay temple model from the sanctuary of Hera near Argos

  • late 8th century BC

  • Meaning of painted patterns

    • decorative?

    • architectural features?

    • religious symbols?

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Interstate Sanctuaries

  • what happened there

    • athletic competitions

      • chariot racing, foot races

    • oracles ("binding arbitration") were found here

      • Also worked as arbiters for private matters but also polis matters

      • These pronouncements would be made by a woman

        • the breeks believed that women were closer to nature and more easily able to channel the gods

  • were places where the elite would show off their wealth and status

    • before the elite would focus their wealth into their family burials

    • with the invention of the polis, their wealth is invested into votives and offerings at sanctuaries

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<p>Bronze animal figurines from the sanctuary of Zeus at Olympia</p>

Bronze animal figurines from the sanctuary of Zeus at Olympia

  • Votives

  • mostly 8th century BC

  • The Greeks called these offerings agalma -"delight", because they were a delight to the gods

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<p>Tripod </p>

Tripod

  • Another type of votive offering that emerges is the tripod cauldron

  • was a victory prize in the funeral games in Homer

  • served as gift exchange and votives in sanctuaries 

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<p>"Smiting" bronze figure from the handle of a tripod from Olympia</p>

"Smiting" bronze figure from the handle of a tripod from Olympia

  • 8th cent .BC

  • don't know if it represented a god or a mortal

  • appear to be related to other "smiting" got statues from the near east

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<p>Bronze Semetic "smiting" god&nbsp;</p>

Bronze Semetic "smiting" god 

  • 9-8th cent. BC

  • Wearing an Egyptian crown

  • The Semitic stautes have clothes but the Greek are nude 

  • more natural looking 

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<p>Part of a <span style="background-color: transparent; font-size: 1.6rem;"><span>leg of a tripod from Olympia</span></span></p>

Part of a leg of a tripod from Olympia

  • 8th cent. BC

  • upper panel: two males dueling over a tripod

    • In later Greek art, this scene would represent a fight between Apollo and Herakles for the sacred tripod at Delphi

      • Does this early scene illustrate that myth," Or was the myth invented to make sense of enigmatic scenes like this one

  • Ekphrasis

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Ekphrasis

  • vividly pictorial literary description of an image in verse or prose

    • ex. The shield of Achilles in the Illiad

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<p>Mantiklos Apollo from Thebes</p>

Mantiklos Apollo from Thebes

  • c. 700 BC

  • Daedalic Style

    • named after Daedalus, the first style found on Crete

    • The body is triangular and cylindrical 

    • eyes are open, wide, and large 

    • rigid 

    • the hair is ordered and patterned

  • A hole in the left hand to hold objects 

    • maybe a silver bow

  • Inscription: “Mantiklos dedicated me to the far-shooter with the silver-bow who shoots from afar; grant Apollo, something good in return

    • demonstrated the reciprocal nature of Greek religion  

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<p>Sphyrelaton technique</p>

Sphyrelaton technique

  • taking a bronze sheet and hammering it around a wood core

  • Cult statues of Dreros 

    • 700BC

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Phoenician Alphabet

  • Greeks adopted the Phoenician alphabet in 8th cent. BC 

    • The alphabet only had consonants 

      • The vowels were assumed 

  • When the Greeks adopted the alphabet, they added vowels 

    • the greeks adopted a writing system in order to write down the Homeric epics

  • The Greeks were very passionate about poetry

    • vowels are crucial for hexameter which is used in Homer and other verse 

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<p>The Nestor Cup</p>

The Nestor Cup

  • 720 BC

  • Rhodian cop -> made in Rhodes, Late Geometric

  • Found on the Island of Ischia in the Bay of Naples -> Pithekoussai

  • Inscription: I am the cup of Nestor, good to drink from Whoever drinks from me will at

once be seized by the desire of fair-crowned Aphrodite

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Pithekoussai on Ischia (Italy),

  • 775-750 BC

  • Earliest known Greek colony beyond the Aegean

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Greek Colonization

  • Spain, North Africa, Italy, Southern France, Black Sea 

  • The colonization that happened was the result of military power → use of the phalanx

  • There was no open land → the land was inhabited or controlled by communities

  • The colonies were not on the interior but rather on the coastal, strategic areas 

  • The Greeks had to impose themselves 

    • They fought over the land or when they arrived the locals had to decide whether they were going to contest them 

  • Created a new kind of circumstance 

    • The Greeks are faced with the contrast of the local people

      • They were influenced by these cultures, and a new form of Greek culture emerged

  • Acculturation and fusion

  • New ideas of what it means to be Greek