Direct realism

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Indirect Realism

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13 Terms

1

Indirect Realism

A theory of perception where sense data, mental representations of objects, mediate our awareness of mind-independent objects.

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2

Sense Data

Mental representations experienced of the object of perception, distinct from mind-independent objects and are mind-dependent.

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3

Fallible Knowledge

Understanding in indirect realism where knowledge of mind-independent objects is inferred from sense data, making it potentially erroneous.

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4

Immediate Perception

Indirect realists view perception as indirect due to the causal chain involved in becoming aware of sense data.

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5

Veil of Perception

Sense data in indirect realism are described as a barrier between the mind's eye and the mind-independent world.

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6

Naïve Direct Realism

Belief that we directly perceive mind-independent objects without mediation, challenged by the argument from illusion.

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7

Philosophical Direct Realism

The belief that we directly perceive mind-independent objects in the external world, rather than sense data representing these objects.

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8

Relational Properties

Properties that exist in the interaction between a mind-independent object and the subject of perception, such as the perceptual variations of an object due to perspective.

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9

Hallucination

Perceiving something that does not mind-independently exist, leading to the conclusion that what is perceived must be mental sense-data.

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10

Time-lag in Perception

The delay between an event happening in the mind-independent world and its perception due to factors like the finite speed of light, suggesting indirect perception of the external world.

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11

Indirect Realism

Philosophers like John Locke and Bertrand Russell argue that our access to the mind-independent world is always indirect, through inferences from knowledge of mind-dependent sense data.

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12

Primary Qualities

Qualities such as extension, shape, motion, number, and solidity that are measurable objectively and inseparable from the mind-independent object, as proposed by Locke to support indirect realism.

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13

Secondary Qualities

Qualities like color, taste, smell, and temperature that arise from the interaction of the mind-independent object and the subject of perception, not essential to the existence of the object, contrasting with primary qualities.

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