Key Terms in Film Scoring and Music Techniques

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40 Terms

1

Temp track

A temporary music track used during editing to help set the mood before the final score is composed.

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2

Streamer/punch

Visual cues (lines or flashes) added to the film to help conductors synchronize music with on-screen action.

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3

Audio-viewing

The way audiences perceive and interpret film music in relation to the visuals.

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4

Cue

A specific piece of music written for a scene in a film.

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5

Spotting

The process where the director and composer decide where music should be placed in a film.

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6

Music editor

The person responsible for managing the film's music, ensuring proper synchronization and overseeing the final mix.

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7

SMPTE

(Society of Motion Picture and Television Engineers) - A timecode standard used to synchronize audio and video.

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8

Diegetic music

Music that exists within the film world (e.g., a character playing a radio).

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9

Non-diegetic music

Background music that the characters cannot hear, used for audience effect.

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10

Meta-diegetic music

Music that represents a character's inner thoughts or hallucinations.

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11

Acousmatic sound

A sound heard without seeing its source.

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12

Acousmêtre

A character whose voice is heard but is not seen on screen.

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13

Foley sound

Custom sound effects created to match the visuals, like footsteps or rustling clothes.

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14

Source music

Another term for diegetic music.

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15

Underscore

Non-diegetic background music that enhances the emotional impact.

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16

Leitmotif

A recurring musical theme associated with a person, place, or idea.

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17

"Hitting the action"

Composing music that directly matches on-screen movements or events.

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18

"Mickey Mousing"

Exaggerated synchronization of music with character actions, common in cartoons.

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19

"Playing through the drama"

When music maintains a consistent mood rather than following exact actions.

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20

"Phrasing the drama"

Music that aligns with the emotional beats of a scene rather than every movement.

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21

Orchestrator

The person who arranges the composer's ideas for full orchestra.

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22

"Silent film"

Early films without synchronized recorded sound, often accompanied by live music.

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23

Cue sheet

A list of all music used in a film, detailing timing and purpose.

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24

Anthology

A collection of musical works, sometimes used in film to reference previous compositions.

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25

Quotations

Direct references to pre-existing music within a score.

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26

Titles

Opening or closing sequences featuring credits and often a musical theme.

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27

Fanfare

A short, triumphant brass theme, often used in studio logos.

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28

Studio system

The old Hollywood system where studios controlled production, including composers.

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29

Film musical

A genre where songs are integral to the narrative.

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30

Wordless choir

Vocal music without lyrics, often used for an ethereal or dramatic effect.

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31

Synchronization

Aligning music with the visuals in a film.

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32

Film noir

A dark, stylistic film genre that often features jazz-influenced or orchestral scores.

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33

Theremin

An electronic instrument used to create eerie, wavy sounds, popular in sci-fi films.

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34

Monothematic

A score based on a single recurring theme.

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35

Juilliard

A prestigious music conservatory known for training film composers.

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36

Ballad

A slow, emotional song, often featured in film musicals.

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37

Modernism

A 20th-century movement embracing dissonance and experimental music.

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38

"Electronic tonalities"

A term used in Forbidden Planet (1956) to describe early electronic film music.

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39

Auteur

A director with a distinctive artistic vision, often shaping the film's music.

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40

Kaleidoscopic orchestral fandango

A vibrant, shifting orchestral piece, likely referring to a complex musical sequence.

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