MUSIC

IMPRESSIONISM

EXPRESSIONISM

NEOCLASSICISM

AVANT-GARDE

MODERN NATIONALISM

20th century

The Transitory Period and the Musical Movement (Music of the __—> Transitory)

world, 20th century, impressionism, earliest musical forms, modern era

As the — entered the —, a new era in music was introduced and — was

one of the — that paved the way to this —-.

Impressionism, French, late 19th, early 20th century

— is a — movement in the — and —.

Impression Sunrise by Claude Monet

SAMPLE ART IN IMPRESSIONISM

Color,

Combinations, and

Attempt to suggest reality not to depict it.

Features of Impressionism music are as follows:

CLAUDE DEBUSSY (1862–1918)

JOSEPH MAURICE RAVEL (1875–1937)

MUSIC ARTISTS IN IMPRESSIONISM

CLAUDE DEBUSSY (1862–1918), August 22, 1862, small, St. Germain-en-Layein, France

He was born on —-, in a — town called —- in —-.

CLAUDE DEBUSSY (1862–1918), more, less 22, orchestral music, chamber music, piano music, operas, ballets, songs, vocal music

He composed a total of — or — masterpieces which include —, —, —-, —, —, —, and other —.

CLAUDE DEBUSSY (1862–1918), Father of the Modern School of Composition, later 20th century, Igor Stravinsky

He was known as the “—-” and made his impact in the styles of the — composer like —.

String Quartet

La Mer (1905) (orchestra)

Première Arabesque

Claire de Lune (Moonlight)

Ariettes Oubliees

Prelude to the Afternoon of a Faun

Pelleas et Melisande (1895) (opera)

Images

Suite Bergamasque

Estampes

Debussy’s mature creative period was exemplified by the following works:

Joseph Maurice Ravel, Ciboure, France, Basque, Swiss

— was born in — to a — mother and a — father.

JOSEPH MAURICE RAVEL (1875–1937), 14, Paris Conservatory, French, Gabriel Faure

At age —, he entered the — where he was musically nurtured by a prominent — composer, —-.

Ravel, distinctively innovative, atonal style, harmonic treatment

The compositional style of — is mainly characterized by its — but not — of —-.

JOSEPH MAURICE RAVEL (1875–1937), intricate, modal melodies, extended chordal components

His works are defined with — and sometimes — and —-.

Pavane for a Dead Princess (1899)

String Quartet (1903)

Sonatine for Piano (c.1904)

Rhapsodie Espagnole

Bolero

Jeux d’Eau or Water Fountains

Miroirs

Gaspard de la Nuit

Nobles et Sentimentales

Ravel’s works include the following:

Expressionism, visual, literary arts, music, 1918, Schoenberg, Wassily Kandinsky (1866–1944), traditional forms of beauty, powerful feelings

The term “—-" was originally used in — and — and was probably first applied to — in —, especially to — because like the painter —-, he veered away from "—" to convey —- in his music.

a high degree of dissonance

extreme contrasts of dynamics

constant changing of textures

"distorted"

angular melodies with wide leaps

Features of expressionism music are as follows:

(The) Scream by Edvard Munch

SAMPLE ART IN EXPRESSIONISM

ARNOLD SCHOENBERG (1874–1951)

MUSIC ARTIST IN EXPRESSIONISM

Arnold Schoenberg, September 13, 1874, working-class suburb, Vienna, Austria

— was born on — in a —- of —-.

ARNOLD SCHOENBERG (1874–1951), music theory, counterpoint

He taught himself — but took lessons in —.

ARNOLD SCHOENBERG (1874–1951), German, Richard Wagner, symphonic poem, Pelleas et Melisande, Op. 5 (1903), counterpoint, Debussy’s opera, title

His works were greatly influenced by the — composer — as evident in his __ ___, a — of —- of the same —.

Schoenberg, reformed

___’s style in music — from time to time.

ARNOLD SCHOENBERG (1874–1951), Wagner, tonal, dissonant, atonal, chromatic harmonies

From the early influences of —, his — preference gradually revolved to something — and —-, as he explored the use of —-.

ARNOLD SCHOENBERG (1874–1951), twelve-tone system

He was responsible for the establishment of the —.

Verklarte Nacht

Three Pieces for Piano, op. 11

Pierrot Lunaire

Violin Concerto

Skandalkonzert, a concert of the Wiener Konzertverein.

ARNOLD SCHOENBERG’s works include the following:

Neo-classicism music, light, entertaining, cool, independent, emotional content

—- is different from the two movements. This is —, —, —, and — of its —.

NEOCLASSICISM, seven-note diatonic scale

The composition style used by the composer was the —.

NEOCLASSICISM, tonal harmonies, slight dissonance, three-movement, shifting time signatures, complex, exciting rhythmic patterns, harmonic dissonance, harsh chords

This period combines —- applying with — which has a — format like —, — but —-, as well as — that produce —-.