AP Psychology Sensation and Perception Unit

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82 Terms

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sensation

to detect stimuli from the environment around us

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perception

understanding the world around us

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bottom-up processing

sense something first then understand it second

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top-down processing

another word for perception

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selective attention

brain's ability to consciously do one thing at a time

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inattentional blindness

failure to notice certain details while focusing on one thing

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change blindness

failure to notice changes in the environment

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transduction

turn one type of energy into another

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psychophysics

how to measure components within psychology

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absolute threshold

minimum stimulus required to notice that stimulus 50% of the time

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subliminal

below absolute threshold

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priming

unconscious activation of certain associations

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signal detection theory

some of us are more likely to notice certain stimuli due to experiences

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difference threshold

noticing the difference between two similar stimuli 50% of the time

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Weber's law

stimulus must change by the same percentage not the same amount for it to be consistently noticable

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sensory adaptation

you notice stimuli less and less as you have more exposure

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wavelength

measure from peak to peak

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hue

color

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intensity

how bright or dark a color is; high = bright, low = dull

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amplitude

measure from peak to trough

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pupil

dilates due to light

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lens

behind pupil, moves light of back of eye

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retina

multi-layered, transduction

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fovea

point of central focus

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optic nerve

neural impulses

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blind spot

no rods & cones

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cornea

outer covering, first part light travels through

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iris

colored muscle, changes shape

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accommodation

process of bending and moving light to the back of the eye

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rods

able to see shades of gray, dull light, & peripheral

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cones

able to see color & bright light

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feature detectors

process different aspects of an image

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supercell clusters

specific objects

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Young-Helmholtz trichromatic theory

color receptors of red, green, blue; use cones

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opponent process theory

neurons in optic nerve accept and reject color; red-green, blue-yellow, black-white

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perceptual set

experiences effect perception

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context effect

experiences effect perception

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gesalt

the whole is greater than the some of its parts

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figure-ground

we separate objects & background

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grouping

different ways to group objects into a whole

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proximity

grouping things that are next to each other

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continuity

seeing one continuous line

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closure

put lines in an image to make sense of it

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depth perception

measure distance, seeing in 3D (visual cliff)

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binocular cues

measuring distance between objects close to us, two eyes

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retinal disparity

greater the difference an image is going into each eye, the closer it is

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monocular cues

measure distance between objects further away, one eye

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relative clarity

clear = close, blurry = far (monocular cue)

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relative size

small = further, larger = closer (monocular cue)

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interposition

objects blocked by others = further (monocular cue)

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linear perspective

more lines converge = further (monocular cue)

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texture gradient

more textured = closer (monocular cue)

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stroboscopic movement

stationary movements become smooth movements; flip books

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phi phenomenon

going between two stationary photos quickly and they appear that they're moving

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perceptual constancy

different wavelengths become constant

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color constancy

seeing color changes, yet seeing them the same

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lightness constancy

different light changes wavelengths, yet we see them as the same

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shape constancy

shape changes, yet we see it as the same

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size constancy

relative size

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critical period

time frame that you must learn something

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perceptual adaptation

brain's ability to adapt perceptually

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audition

sense of hearing

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frequency

number of wavelengths that pass through in a time frame

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pitch

highness and lowness

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conduction hearing loss

damage to eardrum or ossicles

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sensorineural hearing loss

damage to cochlea or auditory nerve (most common)

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cochlea implant

stimulates hair nerves

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compressed sound

can hear loud not quiet

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place theory

we hear various pitches due to the place where the hair cells move

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frequency theory

we hear pitches due to the speed of neural messages to the brain

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stereophonic hearing

can hear 3D, can locate sounds

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noiceptors

pain receptors

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gate-control theory

gates in spinal cord that block out or let in pain

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phantom limb sensations

feeling of a missing limb still there

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tinnitus

phantom sounds, constant ringing

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olfaction

sense of smell

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olfactory bulb

behind eyes

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pheromones

odorless smell that comes off of us that others smell

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sensory interaction

when senses work together, they're magnified

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kinesthesis

body position

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vestibular sense

balance

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embodied cognition

senses effect mood