W3: Colour Perception

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37 Terms

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THE DRESS: Why do people see it in different colours?

  • Over-exposure of the image.

  • Different viewing angles/screens affecting color perception.

  • Varying color terminology used among individuals.

  • Color blindness.

  • Individual differences in individual color processing

  • Individual differences in individual experiences.

  • Failures in color constancy leading to discrepancies in perception.

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(1) The image is overexposed

  • Over-exposure makes colors in the photograph differ from the actual dress.

  • However, people varied in how they saw the colours in the PHOTOGRAPGH not between the pic + irl

  • SO = over-exposure = not the only cause

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(2) Different viewing conditions

  • Evident variations in perceived colors due to:

    • Changes in image size

    • Changes in viewing angle

  • Laboratory findings (Sousa, Hermann and Conway, 2015):

    • 53% of individuals perceive the dress as blue-black

    • 40% as white-gold

  • SO = not just viewing conditions

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(3) Problems naming colours

  • Different names used for perceived colors.

  • It was a forced-choice question

    • ‘is this white and gold or blue and black?’

  • Forced-choice questions can lead to variances in responses.

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Investigating colour naming

  1. Naïve observers tend to provide similar answers in open-ended questions = forced-answer q is not the issue

  2. Distinctions appear when asked to match colors; groups favor different matches.

  3. SO = Naming discrepancies do NOT fully explain color perception differences.

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Visible Spectrum

  • Overview of light wavelengths and how they correspond to different types of light, including:

    • Cosmic rays, X-rays, ultraviolet, infrared, and visible spectrum.

<ul><li><p>Overview of light wavelengths and how they correspond to different types of light, including:</p><ul><li><p>Cosmic rays, X-rays, ultraviolet, infrared, and visible spectrum.</p></li></ul></li></ul><p></p><p></p>
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Where is colour processed?

  • Color processed across various areas:

    • Retina ➔ LGN ➔ V1 ➔ V4/V8

  • Dorsal stream = ‘Where / Action’

    • involved in motion detection

    • 3D shape recognition

    • actions (events, sequences)

    • emotions

  • Ventral stream = ‘What / Perception’

    • involved in form perception

    • object identification

    • facial recognition

    • colour

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Photoreceptor types: Rods and Cones

  • Rods: Responsible for night vision, monochromatic (one colour only)

  • Cones: Three types (S, M, L) for color vision + daylight

    • Blue = S-type

    • Green = M-type

    • Red = L-type (daylight vision only)

  • Sensitivity analysis of cones across different wavelengths (blue, green, red).

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Colour Vision and the Visible Spectrum

  • Visible spectrum = the part of the spectrum that human eyes are sensitive to

  • Most mammals = only 2 cone types

  • Humans, apes, monkeys = 3 cone types

  • Many other animals = multiple (>3)

  • Snakes = can see infra-red (we don’t bc we’re warm blooded)

  • Birds + Insects = can see ultra-violet (we don’t bc it damages retina over long periods so we screen most of it out - birds don’t live as long as us)

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Summary of Photoreceptors

  • 3 types of cone photoreceptor for daylight vision

  • Each type responds to a range of colours = but most strongly to one wavelength (colour)

  • With 1 cone type = can see a range of colours BUT cannot discriminate between them

  • With 2 tuned to blue + yellow = can discriminate blues from yellows BUT not green-yellow-orange-red

  • With 3 = can discriminate all colours in the visible spectrum

  • We only have one type of rod photoreceptor for night vision = we are colour blind at night

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With 1 cone type we can…

see a wide range of colours but cannot discriminate between them

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With 2 cone types tuned to blue + yellow we can…

discriminate blues from yellows but not green-yellow-orange-red

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With 3 cone types we can…

discriminate between all the colours in the visible spectrum

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Colour blindness

  • most ‘colour blind’ people can see colour - just not properly

  • some have mis-tuned cone type = they can’t discriminate certain colours well

  • some have a missing cone type = dichromats

  • common colour-blindness = mis-tuned green cone

    • red-green cone colour genes carried on X chromosome = red-green colour blindness is more common in men than women

  • some women have 4 cone types = tetrachromats

  • monochromats = 1 cone type (rare)

  • v rare = rod monochromats = no cones = truly colour blind + cannot see in daylight

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Common colour deficiencies

  • Protanopia = no red

  • Protanomaly = miss-tuned red

  • Deuteranopia = no green

  • Deuteranomaly = miss-tuned green

  • Tritanopia = no blue

<ul><li><p>Protanopia = no red</p></li><li><p>Protanomaly = miss-tuned red</p></li><li><p>Deuteranopia = no green</p></li><li><p>Deuteranomaly = miss-tuned green</p></li><li><p>Tritanopia = no blue</p></li></ul><p></p>
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True colour blindness

  • Cone monochromates = only 1 cone type

  • Rod monochromats = no cones at all (cannot see in daylight)

  • = both very rare

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Cerebral achromatopsia

= cortical colour blindness

  • following a stroke / injury = patient cannot see colour at all

  • photoreceptors, retina, LGN, V1 = all intact

  • stroke affects V8 region of visual cortex

<p>= cortical colour blindness</p><ul><li><p>following a stroke / injury = patient cannot see colour at all</p></li><li><p>photoreceptors, retina, LGN, V1 = all intact</p></li><li><p>stroke affects V8 region of visual cortex</p></li></ul><p></p>
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(4) Colour blindness and the dress

  • the number of people who are colour blind is much LOWER than the people who saw the dress as an ‘odd’ colour

  • the colours in the photograph = blue + yellow/brown

  • the number of people with blue cone colour blindness = v low (<0.01% of population)

  • SO, colour blindness CANNOT explain the dress illusion

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How colours are processed in human vision = colour opponency

2 colour systems:

  1. Ancient luminance + yellow/blue system (common in most mammals)

  2. Newer red/green systems = genetic adaptation of the yellow part of the older system

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Colour opponency

  • One member of the color pair suppresses the other color.

  • We do see yellowish-greens and reddish-yellows, but we never see reddish-green or yellowish-blue color hues.

  • Opponent Colors: Our vision system doesn’t just detect individual colors—it compares them.

  • There are two main opponent color pairs:

    • Red vs. Green

    • Blue vs. Yellow

      This means that when one color in a pair is active, the other is suppressed. For example, if you see red, green is reduced.

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Colour opponency image

knowt flashcard image
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Colour opponency in retina and LGN

  • the Red-Green, Blue-Yellow appearance is misleading

  • Red-Green is closer to what we would call reddish and greenish orange

  • Yellow-Blue is closer to lime-violet

  • the centre-surround properties of retinal ganglion cells = provides the mechanism for colour opponency

  • these cells calculate the ratio of colours and provide edge detection mechanism

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(5) Individual differences in colour processing and the dress

  • blue + brown dots are measured colours from the dress image

  • most of the variation is on the blue-yellow system

  • the red dots show peoples setting for neutral grey/white

  • SO - what people see as neutral varies between the colours in the dress image

  • SO - individual variations in the blue-yellow system could explain people’s perception of the dress

<ul><li><p>blue + brown dots are measured colours from the dress image</p></li><li><p>most of the variation is on the blue-yellow system</p></li><li><p>the red dots show peoples setting for neutral grey/white</p></li><li><p>SO - what people see as neutral varies between the colours in the dress image</p></li><li><p>SO - individual variations in the blue-yellow system could explain people’s perception of the dress</p></li></ul><p></p>
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Inhibition over space + centre-surround + simultaneous colour contrast

  • perhaps the spatial context in which you view the dress can change its colours

<ul><li><p>perhaps the spatial context in which you view the dress can change its colours</p></li></ul><p></p>
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Inhibition over time: colour after-effects

  • perhaps the lighting conditions over time in which you view the dress can change its colours

<ul><li><p>perhaps the lighting conditions over time in which you view the dress can change its colours</p></li></ul><p></p>
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Excitation in cortex - colour filling in

  • colour centre-surround cells in the retina only transmit the colour edges = the cortex must reconstruct the body colour of the object

  • water colour illusion: these images show only the edges outlined in colour

    • they pass through the retina to the cortex

    • cortex automatically fills in the gaps with a sense of colour

  • SO - maybe the stripes in the dress could facilitate filling in + alter the perception of the dress

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(6) individual differences - experience and the dress

  • things that alter colour perception

    • simultaneous colour contrast

    • colour after-effects

    • water colour illusion (filling in)

  • simultaneous colour contrast + filling in might explain any effects = due to surrounding colours

  • colour after-effect might explain = short term changes over-time

  • surrounding + ambient colours do change over time (e.g. daylight vs indoor)

  • SO - these effects suggest variability over time (but within observers)

  • SO - not enough to explain the data collected under lab conditions

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Colour constancy

  • the colour of light reflected from objects depends on:

    • their colour

    • and the colour of the light that shines on them

  • we don’t notice objects changing colour when ambient light changes (dawn-dusk)

  • to do this = we ‘ignore’ the light source

  • we do not know how this is done

  • where = occurs in V8 (sub-section of area V4)

  • colour constancy = the ability to perceive colors of objects, invariant to the color of the light source

    • called white balance correction (on a camera)

<ul><li><p>the colour of light reflected from objects depends on:</p><ul><li><p>their colour </p></li><li><p>and the colour of the light that shines on them</p></li></ul></li><li><p>we don’t notice objects changing colour when ambient light changes (dawn-dusk)</p></li><li><p>to do this = we ‘ignore’ the light source</p></li><li><p>we do not know how this is done </p></li><li><p>where = occurs in V8 (sub-section of area V4)</p></li><li><p><strong>colour constancy </strong>= <span>the </span><strong>ability to perceive colors of objects, invariant to the color of the light source</strong></p><ul><li><p>called white balance correction (on a camera)</p></li></ul></li></ul><p></p>
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Cortical areas V1, V2, V4 + V8

  • colour sensitive cells in V1 + V2 cluster into regions of cortex that are separate from the rest of the cells

  • Colour signals are then passed to a sub-section of V4 = called V8

  • V8 = responsible for the conscious perception of colour

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Area V4/V8 + Colour Constancy

V1 vs. V4/V8 Areas in the Brain:

  • V1 (Primary Visual Cortex) = processes basic color information but does not adjust for changes in ambient light.

  • V4/V8 (Higher Visual Areas) = help correct for lighting changes, making colors appear more stable.

Colour perception:

  • V1 response to white patch when ambient light its green = response changes bc V1 does NOT discount ambient light

  • V4 response to white patch when light is green = stays the same bc V4 DOES discount ambient light

<p>V1 vs. V4/V8 Areas in the Brain:</p><ul><li><p><strong>V1 (Primary Visual Cortex)</strong> = processes basic color information but does not adjust for changes in ambient light.</p></li><li><p><strong>V4/V8 (Higher Visual Areas)</strong> = help correct for lighting changes, making colors appear more stable.</p></li></ul><p>Colour perception:</p><ul><li><p>V1 response to white patch when ambient light its green = response changes bc V1 does NOT discount ambient light</p></li><li><p>V4 response to white patch when light is green = stays the same bc V4 DOES discount ambient light</p></li></ul><p></p>
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(7) Colour constancy and the dress

  • In dress image = no context to tell actual colour of ambient light

  • SO - subconsciously pick either yellowish or blueish light

  • light source colour you pick = determines perception of dress

    • people who saw white-gold = assumed it was daylight = brain ignored bluer wavelengths

    • people who saw blue-black = assumes warm, artificial light = brain ignored redder wavelengths

  • this likely depends on the yellow-blue system = which is tuned to highlights and shadows

  • SO - individual differences in the yellow-blue system may promote one precept over the other

  • contrast effects and after-effects may produce additional biases over time = causing some people to change their precept

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Key points about colour vision

  • We get colour vision by having 3 cone photoreceptor types

  • rods = only support night vision (we are all colour blind at night)

  • most colour-blind people just have one missing or mis-tuned cone type

  • cerebral achromatopsia / cortical colour blindness = results from a loss of area V8

    • suggests this area is responsible for conscious colour perception

  • the colour system is arranged like spatial vision with:

    • centre-surround cells in the retina - centre-surround prefer diff colours

    • filling in (probs in area V1)

    • SO - we get simultaneous colour contrast + colour after effects + water colour illusion

  • colour constancy = our ability to ignore the colour of the light source (in area V4/V8)

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Protanopia

no red cone

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Protanomaly

mis-tuned red cone

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Deuteranopia

no green cone

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deuteranomaly

mis-tuned green cone

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tritanopia

no blue cone