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we be in choler,we’'ll draw
swords mentioned, male violece immediately introduced in play, greek black slip vase where men are presented as black as they are more violent, patriarchy
a dog of the house of montague moves me AND fetch me my rapier boy
pavlovian response to montagues
neighbour stained steel
verona is ruined by family fued, stained with blood
fiery tybalt
devil imagery, angry person
locks fair daylight out
darkened light imagery when romeo is not with juliet
bud bit with an envious worm
likens juliet to a flower that will never grow, foreshadows juliets death
sad hours seem long
foreshadows that most of this play will be in sorrow, romeos anguish when not with juliet nothing in excess
o brawling love o loving hate
oxymoron foreshadows conflict between love and violence in play
earth hath swallow’d all my hopes
grave hungry for bodies, foreshadows multiple deaths will follow,
earth- treading stars
star-cross’d lovers, death and fate
what lamb what ladybird
blood colour, sacrficial lamb, pure white colour of innocence to red foreshadows she will lose virginity
i had laid wormwood to my dug
coffin imagery, anticipates poison that juliet and romeo will take, relates to death mark’d as it was like she was sucking death, bad omen
under love’s heavy burden
contrast to “love’s light wings”
She is the fairies’ midwife
it is a paradox midwife brings life, but Queen Mab delivers false dreams foreshadows romeos love for juliet clashing with reality of family fued, leading to tragedy
maids lie on their backs/ that presses them
implies loss of innocence for juliet when she has sex, presses them is violent and has dark undertone meaning in future marriage will lead to suffering
inconstant than the wind
love, like the wind, can be unpredictable but also destructive
some consequence yet hanging in the stars
fate is against him, their love is doomed
He that hath the steerage of my course
fate controls him, ship metaphor
o she doth teach the torches to brun bright
fiery touch metaphor for heat of sexual excitement, plosive sounds bring, escalation of light imagery, simplex sigillum veri- purity of r and js love (contrats to feud and violence)
fetch me my rapier boy
pavlovian response
seeming sweet convert to bitt’rest gall
duality of love as joyful ajd tragic,
my lips two blushing pilgrims ready stand
elevates love for juliet to holy level, purity of love, ready stand shows instant attraction and desire impulsiveness of their love nothing in excess delphic maxim, pilgrims navigate obstacles on their way to holy place and so will r and j (pilgrims is metaphor for their love)
good pilgrim
mirrors romeos words,empowers juliet as she reverses the saint and pilgrim metaphor showing her as a masculine character which opposes gener expectations of a pasove women in elizabethan era, make a complete sonnet so love is unifed and perfect making the ending that more tragic, plato’s symposium where connection between two lovers reflects Aristophanes' idea of love as the search for one's "other half," where both Romeo and Juliet feel complete and whole when they are together, despite the tragic circumstances that ultimately separate them
palm to palm is holy palmers’ kiss
their kiss, is the answer to a prayer, symbolically portrays their love as sacred, transcending the social constraints, hubris reveals their hamartia. so they are cursed, ironic as saints die gruesome deaths (matyrs)
my grave is like to be my wedding bed
sex/love and death and inseperable, fate and foreshdawoing of juleits fate , love transcends death, ironic
young affection gapes to be his heir
heir means something u cannot escape like his fate, this choral sonnet is one of death,
time means to meet…. extreme sweet
delphic maxims, nothing in excess, time is running out, unreakable shackles of fate,
it is the east and juliet is the sun
light essential to life just like juliet is essential to romeos, light imagery escalation, courtly love where juliet is also elevated which foreshdaows her tragic fall and decent into tragedy, also breaks societal norms as she has the power here
two of the fairest stars in all the heaven
foreshadows romeo and juliet will die soon, star crossed lovers
daylight doth a lamp
light imagery increases and so does growing love
o romeo romeo wherefore art thou romeo
laments on family feud, tries to escape this but leads to death, frustrations with fate and society
love’s light wings
believes love transcends all, myth of icarus flying too close to sun whihc foreshadows his tragic fall, death imagery
god of my idolatry
not capitalised g in god, shows hubris, revere the scared, nothing in excess, sinful and their punishment is their fate
my bounty as boundless as the sea
mirrors romeos use of ship metaphors, salty water foreshadows tears, sea is destructive just like their uncontrolled relationship will be,
we met, we woo’d and made exchange of vows
monsyllabic, shows how quick it happened, heightens sense of doom and urgency, aristophnes on how pace makes a play, nothing in excess
they stumble that run fast
FL warning on fate being an obstacle to their love
love-devouring Death
love and death are intertwined, romeo dares death to do its worst tragic irony, death capatilised which shows emphasis like he is inviting death, the scene this is in is very short to convey short romanve and short marriage that will follow
violent delights have violent ends
FL warns, nothing in excess, ironic foreshdaowing
a plague a’both houses
volta, curse that causes tragic end of r and j, contaguous environment of the family feud’s hatred
i am fortune’s fool
impulsive actions controlled by fate, fate vs freewill
“will” and “kill”
this rhyming couplet takes us back to life and strife which was sperated by two lines but this rhyming couplet is one line after another suggesting violence is brought closer and death
can heaven be so envious
juliet angry at their love, without each other they are in hell, idolatry
o serpent heart
metaphor with deceit, christian serpent as devil, inner conflict, oxymoron, love and violence interwtined
all slain, all dead
tybaltb is dead but romeo who is everything to her is being banished, everythig menaingfu in her life is destoryed, nothing in excess, ironic as will be seperated by death also ,
heaven is here / where juliet lives
libe break is their speration from each other, idoltary, solipsitic behaviour where they think world revolves around them
thy tears are womanish
depicts patrirahcla standards, presnets romeo and feminine, FL to romeo
you be mine i give you to my friend
pater familias head of household and has power, phillip larkin they fuck you up your mum and dad they may not mean to but they do, owns juliet, menander (greek writer meaning greek tragedy) “i give you this woman for the ploughing of legitimate children”, treated as object
night’s candles are burnt out
negative light imagery as this is a sad moment where r and j part ways, inverse of balcony scene, life and time is running out (like light), occurs at dawn which is red colur in sky indictaes blood
vaulty heaven
play ends in grave vault, heaven wants them dead as will seal their fate as star cross’d lovers,
thou look’st pale
pale imagery like death, romeo will be this, negative light imagery
my fingers itch
body trembling to hit juliet, patriarchal ownership and power of pater familias
past hope, past cure past help
trinity of depsiar and woe, nothing in excess
i long to die
like lucretia ( character explored in many greek tragedies e.g medea) juloet will uphold her honour of institution of marriage, her bond with romeo cannot be broken and she is willing to die
roses in thy lips and cheeks will fade
will look dead, foreshdaows her death, fading flower represents power of fate which strips beauty and innocence, love cannot escape death
faint cold fear thrills
fricative alliteration for fear contrats with inner turmoil and her emotional conflict
romeo romeo romeo
trinity, idolatry, conjuring romeo before she takes the potion, image of witchcraft, going mad, nothing in excess
Death lain with thy wife
death capitialised, is invited and more prominnet in play, death has slept with juliet
i defy you stars
does not accept juliets “death”, powerlessness of romeo, ironic as if he has done nothing they would be together, their love is controlled by fate
fatal cannon’s womb
pxympron of death and life imagery, death is the only doorway to romeos life which is juliet, cannon suggest haste of actions, he is catapulting into impulsive decsions
unfirm with digging up of graves
FL trips while trying to get to juliet, fates obstacles placed to guarantee a doomed inescapable fate for r and j
hungry churchyard
hungry for bodues, foreshdaows death
sour misfortune’s book
contrats with you kiss by th’ book, complimetary book imagery tragic reversal to that of sorrow, book of destiny and fate written down,
seal with a righteous kiss
ring struc, starts with kiss ends with kiss, end of their love story
shake the yoke of inauspicious stars
handcuffs, prison, inescapable fate, vlimax of star imagery, 3rd sonnet has fate trapping them as a reuslt of trinity and hubris and idolatry,
rocks thy seasick weary bank
climax of ship metaphors, end of love and life, helplessness against indesrtuctible and uncontrollable tides of fate, likening his decision to die to a sailor deliberately steering his ship into destruction. It’s a powerful image of self-destruction
a greater power than we can contradict/ hath thwarted our intents
momemt of anagnorisis for juliet as she discovers truth, momemt of tragic revelation, aristotle’s key emotions in a tragedy are fear and pity, we feel pity
o happy dagger
phallic imagery, body as the sheath, personification, la petite mort death likened to orgasm, sex and death intertwined,
heaven finds means to kill your joys with love
due to family fued, heaves allowed this, fate was caused ue to you (FL to the families), form in a borken sonnet which represntes broken families, hearts and missing children (missing quatrains)
“woe” and “ juliet and her romeo”
ring structure, brings u back to prologue, rhyming couplet, possessive pronoun on romeo, reversal in patriarchal norm, r and j united in grave, capulet and montague united in friendhsip
Civil blood makes civil hands unclean
violence, irony as they are not civil
In fair verona -
italy a place famous for love and passion
A pair of star-cross’d lovers take their life-
euphemsim of suicide, sex and death, fate into misery. A constellation of malign star imagery hangs over the two lovers. In oedipus the king , he is “born to misery” like romeo and juliet which is another greek tragedy
“Strife” and “life”
strong rhyme scheme = inescapable fate
Death mark’d love
fault in their stars leads to many deaths
Parents’ rage
opposites as children love but parents hate, control of parents over children