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Arigato gozaimas
“Thank you”
Budo
The “martial way”. A term for martial arts as a lifestyle.
Dojo
Training hall
Dojo kun
Rules of the dojo
Hai
Yes
Hajime
“Begin”
Hara
Physical and spiritual center of the body
Hidari
“Left”
Ikken Hissatsu
“One hit, one kill”
Kamae
Posture or ready position (pronounced “gamae” when preceded by another word, such as “koshi gamae”
.
Karate
“Empty” “Hand”
Karate-do
Way of the empty hand
Karate-jitsu
“Art of the empty hand”
Karate-ka
Student of karate
Karetsu
Stand up
Kata
Prearranged form of defense and attack
Keikogi/Karate-gi.
Practice uniform
Kiai
Loud vocalization timed with a decisive technique/spirit
Kihon
Basics
Kihon waza
Basic drills
Kime
Focus
Kiotsuki
Attention
Kizami
Refers to a technique using the front hand or foot.
Kohai
Your junior
Kotai
Moving backward
Kumite
Sparring
Maai
Distance maintained between opponents during kumite.
Mae
Front
Mawate
Turn around
Migi
“Right”
Mokuso
Close eyes, calm mind (used during meditation)
Mokuso yame
Open eyes (used during meditation)
Obi
Belt
Onegai shimasu
“Please assist me”
Oss!
Respectful acknowledgment. Verbal acknowledgment between Karate-ka
Rei
Bow
Reigi
Manners
Saho
the evidence of etiquette or manners through action
Seiza
Formal sitting position
Setsu
Principals
Sempai
Your senior
Sensei
Instructor or teacher
Shomen
Focal point of the dojo
Sun-dome
Bringing attacks to a sudden halt just before making contact
Tore
Attacker or giver in a drill
Uke
Defender or receiver in a drill
Yame
“Stop” or finish
Yasume
“Rest” or relax
Yoi
“Ready”
Yoko
“Side”
Zanshin
Perfected beginning, perfect ending. A sense of mental follow through and preparedness
Zazen
Seated meditation. Eyes closed, hands at hara, mind empty
Jyodan
Upper level target. The point below the nose and above the upper lip in the middle of the face.
Chudan
Mid-level or chest level target. A point directly in the middle of the chest on the solar plexus
Gedan
Lower or stomach level target. Along the mid-line of the body on the stomach. Above the belt.
Tachi
Stance (pronounced “dachi” when attached to another word such as “zenkutsu dachi”)
Heiko Dachi
Feet parallel to each other. Shoulder width apart. Used for yoi position.
Heisoku Dachi
Closed foot stance (feet together)
Kiba Dachi
Side stance or “horse riding stance”. Feet are 2 shoulder widths apart. Toes parallel or slightly inward. Heels outward. Both knees bent. Weight should be 50/50.
Kokutsu Dachi
Back stance. Front toes pointed straight, back toes pointing 90 degrees to the side. Back knee bent and carrying 70% of the weight. Front leg slightly bent, holding 30% of the weight.
Musubi Dachi
Closed V stance. Heels touching, toes at 45 degrees. Used for kiotski (bowing) stance.
Renoji Dachi
“L” stance
Shizentai
Natural posture/Relaxed stance
Zenkutsu Dachi
Forward stance. Feet parallel, toes forward, shoulder width apart. 2 shoulder lengths long. Front knee should be bent, back leg straight. Weight should be 60% forward, 40% in the rear footwork.
Enbusan
Line or pattern of a kata.
Deashi
Take off or acceleration with the feet in stance.
Te
“Hand”
Hiki-te
Pulling hand
Haishu
Back of the hand
Haito
Ridge hand
Haiwan
Back of the forearm
Empi
Elbow (also “hiji”)
Ken
Fist
Nukite
Spear hand
Shuto
Knife hand
Tsuki
Punch (prononced “zuki” when attached to another word, as in “gyaku zuki”)
Uchi
Strike
Ude
Forearm