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Basso continuo
An accompanying part in baroque music consisting of bassline and harmonies, typically played on keyboard or low stringed instruments.
Walking bass
A continuous bass line that steps up and down, commonly found in jazz music.
Alberti bass
A keyboard music bass line alternating between the root, fifth, and third of a chord in a 1-5-3-5 pattern.
Bass pedal point
A sustained note used to enhance the sound and harmony.
Figured bass
A bass line with figures or numbers indicating harmonies, allowing for improvisation over the top.
Imitation
Repeating prior melodic material in a different voice, often displacing the original material by a certain interval.
Fugue
A developmental music form using counterpoint between previous and new material.
Rhythm
Time perceived as a sequence of events rather than a single duration.
Metrical rhythm
Dividing time into strong and weak beats based on the time signature.
Free rhythm
Singing or playing in an improvisatory manner without strict meter.
Polyrhythm
Layering multiple rhythms on top of each other, creating a shifting downbeat effect.
Hemiola
Overlaying a duple rhythm on a triple rhythm.
Duple meter
Dividing beats into two.
Triple meter
Dividing beats into three.
Compound meter
Combining different meters to create complex rhythms like 7/8 or 5/8.
Motive/Motif
A fragment of a melody
Leitmotif
A theme that is associated with a character, place, thing, or idea
Pitch
a specific tone which tells us if something is high or low
Note
a combination of pitch and rhythm
Timbre
Tone quality, differentiates one type of instrument from another
Emphasis
How major notes or tones are approached. Encompasses all techniques used to climax in the work
Ornaments
Extra notes that embellish a melody or tone
Scale
An organization of notes going up or down which follows a specific pattern
Major scale
A scale which follows the pattern of WWHWWWH
Interval
The distance between pitches
Harmony
An accompanimental part that doesn’t contain any melodic material
Chords
simultaneously sounding tones
Triads
a chord based on thirds
Dyads
a chord based on seconds
Tessitura
how high or low a melody is for a specific voice or instrument
Texture
Shows how the melody and harmony interact with one another
Types of Harmonic Textures
Monophony, Homophony, Drone, Heterophony, Polyphony, Monody
Monophony
several people singing the same melody in unison
Homophony
A melody with accompaniment underneath where the harmony is all playing at the same rhythmic rate
Polyphony
Several melodies are all playing simultaneously
Monody
A single voice playing a single line
Heterophony
Multiple people sing the same melody, but each performer will add their own embellishments independently from everyone else.
Form
Structure of a work
Phrases
Organization of melodic material into antecedents and consequents
Antecedent
Opening melodic material that ends with a tone that is not on the tonic
Consequent
Closing melodic material that sounds more resolved. Will usually end on the tonic
Types of Forms
Binary, Tertiary, Sonata, Rondo
Binary Form
A piece comprised of two different types of music with contrasting sections; AB
Tertiary
A piece comprised of three different sections of music; ABA/ABC
Sonata
A standard musical form where we are introduced with one type of music which modulates to dominant, move into a developmental section, and then return to the original but remain in tonic.
Rondo
A type of musical form which has a refrain which returns; ABACABA