AP Music Theory Terms

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Basso continuo

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An accompanying part in baroque music consisting of bassline and harmonies, typically played on keyboard or low stringed instruments.

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Walking bass

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A continuous bass line that steps up and down, commonly found in jazz music.

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46 Terms

1

Basso continuo

An accompanying part in baroque music consisting of bassline and harmonies, typically played on keyboard or low stringed instruments.

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2

Walking bass

A continuous bass line that steps up and down, commonly found in jazz music.

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3

Alberti bass

A keyboard music bass line alternating between the root, fifth, and third of a chord in a 1-5-3-5 pattern.

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4

Bass pedal point

A sustained note used to enhance the sound and harmony.

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5

Figured bass

A bass line with figures or numbers indicating harmonies, allowing for improvisation over the top.

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6

Imitation

Repeating prior melodic material in a different voice, often displacing the original material by a certain interval.

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7

Fugue

A developmental music form using counterpoint between previous and new material.

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8

Rhythm

Time perceived as a sequence of events rather than a single duration.

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9

Metrical rhythm

Dividing time into strong and weak beats based on the time signature.

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10

Free rhythm

Singing or playing in an improvisatory manner without strict meter.

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11

Polyrhythm

Layering multiple rhythms on top of each other, creating a shifting downbeat effect.

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12

Hemiola

Overlaying a duple rhythm on a triple rhythm.

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13

Duple meter

Dividing beats into two.

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14

Triple meter

Dividing beats into three.

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15

Compound meter

Combining different meters to create complex rhythms like 7/8 or 5/8.

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16

Motive/Motif

A fragment of a melody

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17

Leitmotif

A theme that is associated with a character, place, thing, or idea

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18

Pitch

a specific tone which tells us if something is high or low

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19

Note

a combination of pitch and rhythm

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20

Timbre

Tone quality, differentiates one type of instrument from another

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21

Emphasis

How major notes or tones are approached. Encompasses all techniques used to climax in the work

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22

Ornaments

Extra notes that embellish a melody or tone

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23

Scale

An organization of notes going up or down which follows a specific pattern

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24

Major scale

A scale which follows the pattern of WWHWWWH

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25

Interval

The distance between pitches

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26

Harmony

An accompanimental part that doesn’t contain any melodic material

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27

Chords

simultaneously sounding tones

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28

Triads

a chord based on thirds

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29

Dyads

a chord based on seconds

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30

Tessitura

how high or low a melody is for a specific voice or instrument

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31

Texture

Shows how the melody and harmony interact with one another

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32

Types of Harmonic Textures

Monophony, Homophony, Drone, Heterophony, Polyphony, Monody

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33

Monophony

several people singing the same melody in unison

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34

Homophony

A melody with accompaniment underneath where the harmony is all playing at the same rhythmic rate

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35

Polyphony

Several melodies are all playing simultaneously

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36

Monody

A single voice playing a single line

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37

Heterophony

Multiple people sing the same melody, but each performer will add their own embellishments independently from everyone else.

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38

Form

Structure of a work

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39

Phrases

Organization of melodic material into antecedents and consequents

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40

Antecedent

Opening melodic material that ends with a tone that is not on the tonic

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41

Consequent

Closing melodic material that sounds more resolved. Will usually end on the tonic

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42

Types of Forms

Binary, Tertiary, Sonata, Rondo

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43

Binary Form

A piece comprised of two different types of music with contrasting sections; AB

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44

Tertiary

A piece comprised of three different sections of music; ABA/ABC

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45

Sonata

A standard musical form where we are introduced with one type of music which modulates to dominant, move into a developmental section, and then return to the original but remain in tonic.

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46

Rondo

A type of musical form which has a refrain which returns; ABACABA

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